Tag Archives: blue

Photographs: Nature, Photographs: Wildlife

Geese in Pre Dawn Sky

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Geese in Pre Dawn Sky
Strings of migratory geese fly high above farm country before dawn

Geese in Pre Dawn Sky. © Copyright 2019 G Dan Mitchell – all rights reserved.

Strings of migratory geese fly high above farm country before dawn.

I never know exactly what I’ll find when I show up to photograph birds. It might be foggy or the sky might be clear from horizon to horizon. There might be thousands of geese… or none at all. (And when there are none… they might show up later in the day.) The rising sun may produce brilliant colors, or it may be muted by low clouds.

If I recall correctly, we had hoped for fog on this morning — New Year’s Day — but instead found fairly clear weather. There was some thin fog hanging around, but it had more of the quality of a sort of atmospheric haze than of regular fog. And above this haze the clear sky was visible and changing colors in the first light. High above the geese were already active, and long chains of them flew high above us.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Wildlife

Great Blue Heron

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Great Blue Heron
A great blue heron standing in a winter pasture

Great Blue Heron. © Copyright 2019 G Dan Mitchell – all rights reserved.

A great blue heron standing in a winter pasture.

Great Blue Herons are soloists — I virtually never seem them in groups, with only one strange exception. Both herons and egrets are closely related, and I recall being surprised a few years ago to encounter bird pairs consisting of a great blue heron and a great egret. I particularly remember watching one such pair land and then fly off together.

But this one was definitely alone. Earlier in the season I had seen few great blue herons, but by this point I was beginning to spot more of them, and I had already encountered several on the day I photographed this one — including one memorable critter that flew back and forth in front of me several times, gliding above a shallow bond. The bird in the photograph stood alone in a large pasture that was beginning to green up after winter rains. Up close they are remarkable birds, and their attentiveness to surroundings becomes apparent.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sculpted Sandstone

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Sculpted Sandstone
Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

Sculpted Sandstone. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

We have to change the way we think about the daily progression of light when photographing in slot canyons. I first learned this when photographing in the red sandstone country of Utah, but it is just as true in the relatively less colorful canyons of Death Valley or even in some places in the plain gray granite landscape of the Sierra Nevada. In most cases we are drawn to the warm, early morning light, with its long shadows and lovely color. But in the canyons that light can be far less compelling, and it may even just end up seeming drab. Once you reset your expectations you find that the best canyon light often comes in the middle of the day, when the sun rises high enough to directly illuminate the red canyon rims, and then this light bounces and reflects downward into the canyon depths.

I made this photograph in a spot in a Utah canyon that was perhaps an even better than usual location for reflected canyon light. The rock was red standstone. Late-morning sunlight lit the upper rim, and that light suffused the lower reaches of the canyon. But here the narrow section of slot canyon wasn’t very long, and some bluish light from the sky reflected on angled rock surfaces, introducing a striking color contrast to the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature

Winter Sky, California

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Winter Sky, California
Winter evening sky above the San Joaquin Valley, California

Winter Sky, California. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter evening sky above the San Joaquin Valley, California

Photographers sometimes have a complicated relationship with sky. On one hand, quite a few of us tend to minimize its presence in photographs, especially when the sky isn’t special. The sort of blue sky day that seems beautiful to non-photographers (and beautiful to photographers when not making photographs!) often produces a plain blue expanse that can seem empty in a photograph. (Not always. It is also possible to use this in some cases, for example to suggest grand space and distance.) Among my photographer friends, quite a few work to minimize the presence of such skies or even eliminate it entirely — to the point that this can become an inside joke. I’ve heard people refer to certain photographs by one friend as “an extremely rare [insert photographer name] photograph of the sky.”

But sometimes the sky begs to be included, and on occasion it can be the main subject. To generalize, the most interesting skies often come in fall, winter, and perhaps spring in California, when much of the state gets its most interesting weather. (There are opportunities in summer, to — how about a clearing thunderstorm?) I made this sky photograph while I was busy photographing another subject. During a slow moment I looked away from that “other thing” and saw these clouds. I pivoted and made a few exposures, just as the last sunset light was illuminating the undersides of the clouds and already beginning to fade from the highest clouds against the darkest sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.