Tag Archives: blue

Pedestrians, London

Pedestrians, London
People walk across a large expanse of concrete reflecting blue sky

Pedestrians, London. © Copyright 2018 G Dan Mitchell – all rights reserved.

People walk across a large expanse of concrete reflecting blue sky

It has been a couple of years since I made this photograph, so I may have forgotten portions of the story about its creation. We had been in London for several days (perhaps a week?) and were, as I recall, on our last day before heading on to our next destination. We had some free time, so we headed to the Tate Modern, not really knowing specifically what was showing. We arrived to find that there was a gigantic exhibit of Georgia O’Keeffe’s paintings. We are O’Keeffe fans and we’ve seen a lot of her work, so we were surprised to find such an extensive showing of this American artist… in London. Unfortunately, we had not left enough time to fully appreciate the show, not realizing how big it was, and we ended up hurrying through.

At some point – perhaps while waiting to enter the O’Keeffe show? — we had some free time so we headed to a snack bar, and nearby there was an overlook of the area in front of the museum. Most people probably enjoy the view across the River Thames here (and we did, too) but I was interested in what was happening in the large open area directly below. It was in shade, so the illumination was from the giant blue light panel of the sky. Some very small leaves had fallen and they produced a fine galaxy-like pattern on the surface. People stood about or walked past. I waited for them to arrive in interesting conjunctions and made a few photographs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Five Cranes, Morning Sky

Five Cranes, Morning Sky
Five sandhill cranes pass overhead against blue morning sky

Five Cranes, Morning Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

Five sandhill cranes pass overhead against blue morning sky

Cranes just might be on my mind this week due to a little snippet on a television program I saw last week. In it a couple of people, a photographer and a wildlife proponent, we sitting along the edge of a watery area in, if memory serves, the state of Nebraska. All it took in this brief clip was the sound of these birds, the site of them in flight and on the ground, and all of the associations with being in their ancient presence came back. If you’ve experienced it, you know — the moist air, the cold, the short winter days, and then the sound and sight of these birds.

There are lots of ways to photograph these birds. I often place them in the landscape, but here I wanted to focus on the birds themselves, as a group of them flew overhead in late-day light. Compared to certain other birds you might see in the same places and at the same times, the cranes have a more “stately” pattern of flight. They takeoff at a relatively low angle, and they often fly horizontally for a good distance before they gain much elevation. In smaller groups they fly beak-to-tail in undulating lines. Their wing motion is slower than that of, say, geese. Oddly, however, for birds that often seem so low-key, there are exceptions. One is the familiar “dance” that they do during mating season, when individuals extend their winds and jump into the air. In addition, I’ve sometimes caught then doing very strange things in flight — sudden twists and turns, beak pointed up toward the sky, and more.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Blue Stairway

Blue Stairway
A blue stairway in a softly lit alcove

Blue Stairway. © Copyright 2018 G Dan Mitchell – all rights reserved.

A blue stairway in a softly lit alcove

In contrast to much of what I have recently shared, this photograph is not a landscape. Or perhaps it is. OK, it is. I think of photographs like this, at least to some extent, as being “urban landscapes.” In many ways (but not all) I see them in ways that are similar to how I see landscape. I’m looking for form and composition, color, effects of light, some sense of the feeling of the place, and often a quality of stillness. I also think that these photographs, like some of my personal favorite landscape photographs, attempt to look at a familiar place in an unfamiliar way. For example, there is almost nothing in this photograph to tell you that it was made in San Francisco, not far at all from some rather iconic views.

Despite the similarities to my landscape photography, there are also some obvious differences. The distinctly non-natural subject is one obvious clue. Perhaps less obvious is that these photographs are not made in the usual natural landscape manner, relying on tripods, remote releases, and sometimes plenty of time to think and consider. Instead, these are virtually always shot handheld with a small camera. I’m generally on the move when I photograph these subjects, typically pausing only long enough to frame and trip the shutter, and then I continue along. In fact, I barely broke my stride as I passed this scene and made this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Blue Metal Structure

Blue Metal Structure
Detail of a blue metal building at the Mare Island Naval Ship Yard.

Blue Metal Structure. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail of a blue metal building at the Mare Island Naval Ship Yard.

I was at the historic Mare Island Naval Ship Yard to spend the evening doing night photography with my friends from the original Nocturnes group, and I had arrived well before sunset. After meeting up in the Mare Island Museum for pizza and conversation we realized that the end of the day was coming. I went outside about a half hour before sunset, and I thought of some old industrial buildings that I had passed on the way in. Instead of staying where I was and starting my typical routine of wandering on foot with my gear I decided to take short drive back to those buildings and see if I could make a few quick photographs in the end-of-day light.

I soon arrived and made a few photographs in golden hour light, but the sun quickly dropped below the horizon and I was left with that post-sunset glow. This light can be quite warm if clouds reflect some of the remaining red, yellow, and orange tones of sunset, but if the sky is clear what remains is the intense blue of early twilight. The latter light is what evolved, and I soon moved back to this unusual structure whose blue paint’s color was even more intensified by this twilight illumination.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.