Tag Archives: brick

River Ouse, Evening

River Ouse, Evening
“River Ouse, Evening” — Early evening light on buildings along the River Ouse, York, England.

I believe that I made this photograph on our last evening in York this past June. We had spent the day wandering the central old city, occasionally in rain, and we were now headed back to our lodgings on a road that paralleled the River Ouse as it passes through the center of the city. It was a straight shot to our destination up a street we had walked a few times, but I saw a side street heading towards the water and decided to detour.

It turned out that a few others had the same idea, apparently coming to the quiet banks of the river to enjoy the evening. As we watched the end-of-day light take on warmer tones, a group (perhaps from a local school) of young people assembled on the opposite bank in front of this neighborhood of older brick buildings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Underpass Intersection, London

Underpass Intersection, London
“Underpass Intersection, London” — Two roads come together beneath bridges, London.

I photograph when we travel, typically using quite different equipment and techniques than for my landscape photography. While the latter usually uses relatively large and heavy equipment, I downsize in a major way for travel. This is partly due to the realities of travel — we go light and I don’t want or need a big bag of cumbersome gear. (That would actually decrease the overall quality of my photography, which is something I’ll write about at some point.) But it isn’t just the gear — it is also the whole approach. I shoot handheld with a small camera, and I often approach the subjects as a street photographer.

The decision to render this as a monochrome photograph was a bit of a surprise to me. Those round shapes on the wall above the sidewalk are blue lights, and when I made the exposure I thought that they might be a key element. But when I finally got to this image in post, I much preferred the mood of the image in black and white, so I had to let go of that preconception about the lights and color. (As much as pre-visualization is a crucial skill, sometimes post-visualization wins the day!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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A Window In York

A Window In York
“A Window In York” — Looking out of a window in the Shambles, York, England.

We made a short, two-night stop in York on our train trip from Edinburgh to London. York isn’t exactly an unvisited place, but it is on a smaller scale than the other two cities and was a pleasant respite from the big city vibe of those locations. We had lovely lodgings on a side street, and it was only a short walk across a bridge into the older part of town. We walked over there on this morning looking for breakfast, and we ended up at this “scone shop” in the Shambles.

Yes, the Shambles. If you don’t already know, that description in the English language (“What a shambles!”) derives from this area of York, where tiny businesses crowd together in shops and stalls along very narrow streets. This scone shop was quite small, but the scones were delicious! On the first floor there was barely room for the two of us to stand at the small counter and place our order, and the upstairs eating areas were not much larger. We settled in at a table beneath this windows that provided a view over the nearby neighborhood.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Fabrica-Real de Tabacos

Fabrica-Real de Tabacos
“Fabrica-Real de Tabacos” — Hand-painted sign at the historic Sevilla tobacco factory building.

The site of this historic “tobacco factory” was a short walk from our lodgings and along the route to the Maria Luisa Park, so we made a point to find a route that passed it. You might wonder about the significance of a… tobacco factory, but there’s a lot of fascinating history to the place. One bit that we were already aware of is the connection to Bizet’s opera, Carmen. Bizet’s libretto was adapted from an earlier story inspired by the women who were employed here. As they say on those TV ads, ” But wait, there’s more!”

While working on the photograph I discovered fascinating information. First off — and I had probably heard this before but forgotten — tobacco was another of those products that came from the “New World.” Very early on, Sevilla established a factory, first to produce snuff and later smoking tobacco in the form of cigars. Unlike just about all other factories, the employees were women. (I won’t go into the reasons for that here, but it is worth looking up if you are interested.) Later on the building — one of the very largest factories of its time — was taken over for use by a university, which seems like an unlikely event!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.