Tag Archives: brick

Crouching Man in Orange

Crouching Man in Orange
A street scene in San Francisco with a crouching man wearing orange

Crouching Man in Orange. © Copyright 2018 G Dan Mitchell – all rights reserved.

A street scene in San Francisco with a crouching man wearing orange

Today we take a little break from nature photography and head to San Francisco, one of my favorite places to do street photography. I suppose one reason it is a favorite is that it is so close — typically I hop on a train very early in the morning to arrive there around dawn (or a bit later this time of year) and then set out on foot to explore. It is also a favorite because, well, it is San Francisco. What a place — even with recent changes and overcrowding. The City borders to San Francisco Bay, it is full of diverse and interesting neighborhoods, and the people range from locals to out-of-town visitors.

This photograph is bound to seem a bit strange to those of you have stuck with me through a few weeks of redwood forest photography — what happened and what’s going on here?! I don’t want to explain too much — partly because a photograph can often reveal whatever it has to say on its own, partly because I don’t want to clutter it up with too many words, and partly because you can discover some stuff about it on your own if you choose to. Color is one clue…


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Strolling Couple

Strolling Couple
A couple walks past a white-painted brick wall

Strolling Couple. © Copyright 2017 G Dan Mitchell – all rights reserved.

A couple walks past a white-painted brick wall

This photograph is a bit more “in your face” than most of my street photography. I’m generally not one of those “stick the camera in someone’s face” sort of photographers, preferring to be a bit less invasive of people’s space. (However, I can’t deny that photographing people who did not go out into the urban environment intending to be my subjects is, almost by definition, always at least a little bit invasive and aggressive.)

I’m hard pressed now to recall even making the photograph, which means it was most likely made very quickly and probably while I was walking. I could not have predicted the woman’s remarkable yawn — or perhaps she is singing? ;-)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Brick Wall, Balcony Shadows

Brick Wall, Balcony Shadows
Shadows from metal balconies slant across brick wall

Brick Wall, Balcony Shadows. © Copyright 2018 G Dan Mitchell – all rights reserved.

Shadows from metal balconies slant across brick wall

I don’t think I can up with a comprehensive list of all of the variations on urban and street subjects, but there are a lot of them. You can, of course, focus on photographing people — whether street portraits, with our without the subject’s cooperation, or anything up to groups and crowds. You can treat the urban environment as its own sort of landscape, looking for form and color and light in the familiar ways. You can think of it as a way of simply making a record of transitory things that will soon be changed or bone. It can focus on architecture. And the list goes on.

I think of this as a sort of street landscape. This New York wall, at this time of day and during this season, transforms into something that I can’t imagine the builders understood when they constructed it. My bet is that they were making a practical brick wall, with practical windows, a simple pair of balconies (probably designed to save money), and fire escapes. But, as was apparent when I walked past in December, becomes a canvas for a wild conjunction of shapes and textures and shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Snow, Ridgewood

Snow, Ridgewood
A snowy morning in the Ridgewood area of Queens, New York

Snow, Ridgewood. © Copyright 2017 G Dan Mitchell – all rights reserved.

A snowy morning in the Ridgewood area of Queens, New York

For years, at least since our sons started moving there, we have visited New York City. People who know the place will likely note that we must be nuts for scheduling most visit for near the end of December or, wait for it, in August. (If you have been to New York City in August, you understand how unwise it is to go there once that time of year, and how crazy it is to voluntarily repeat the original blunder. ;-) Truth be told, while August still isn’t impressing us as a wonderful time to go, we actually do like going during the winter. The cold seems like a welcome change for these San Francisco Bay Area Californians, and there is quite a lot to see there at this time of year.

However, we usually miss out on snow, the one factor that would really make it feel like the winter we don’t experience at home. We have been snowed on there during our end-of-year visits, but typically no more than a trace, if that. I’m told that real snow is likely to arrive a few weeks later. This year we got our wish, as it were. We had a full week of terribly cold conditions, and on our last day there it finally did snow — not a lot, but enough. I made this photograph as we left an elevated subway (I know, oxymoron!) in the Ridgewood area, where we were able to look out over the urban environment and see snow-topped roofs fading into the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.