Tag Archives: build

Photographs: Nature, Photographs: Northern California

Coastal Forest and Clouds

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Coastal Forest and Clouds
Rain clouds begin toi build above coastal forest hills near Ferndale, California.

Coastal Forest and Clouds. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rain clouds begin toi build above coastal forest hills near Ferndale, California.

On the last full day of our early-June foray into redwood country in far Northern California, we did a longish loop drive out to the Lost Coast via an uncrowded route on narrow and winding roads. It took us from a small town in farm country over forested ridges, eventually dropping to the coast, where if following the coastline south for some miles before turning inland, passing through rural country (and the location of California’s, uh, “newest agricultural area) and emerging through redwood groves near US 101.

This was our first time traversing this route, so there were new things to discover all day and at almost every turn. The beginning of the route leaves typical flat farmland and rises into high coastal hills, where it alternately twists through forest, follows high ridges, and drops into deep valleys. We stopped along one of those ridges in a place where meadows opened the view. The photograph looks to the northwest and the barely visible Pacific Ocean, as clouds began to build toward a few light afternoon showers.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Sand Storm, Mountains

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Desert Sand Storm, Mountains
A sand storm builds above Death Valley and the Amargosa Mountains

Desert Sand Storm, Mountains. © Copyright 2019 G Dan Mitchell – all rights reserved.

A sand storm builds above Death Valley and the Amargosa Mountains.

Remarkable weather conditions frequently arise in the desert landscape, including those unfamiliar with these places might not expect, along with others that are perfectly obvious. In the “obvious” category are things like intense heat and strong winds that can produce dust and sand storms. The nearly opaque lower atmosphere in this photograph is due to precisely that — extreme winds were lifting sand and dust from the playa and dunes and sending them northeastward over the Amargosa Mountains. However, above the blowing sand are rain clouds that were dropping light showers around the area late in the day.

These are not easy conditions in which to make photographs, but the visual rewards often make it worth the attempt. I made this photograph from the just outside the limits of the blowing dust and sand clouds, though even here there was dust in the air and the wind was so strong that it was virtually impossible to complete stabilize my camera. After photographing here we continued on into the dust and wind, first going up into those distant mountains and finally heading down to the dunes that were the source of the cloud. There the conditions were both impressive and miserable as the day ended.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes At Dawn

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Dunes At Dawn
Dawn light and shadow patterns on sand dunes, Death Valley

Dunes At Dawn. © Copyright 2019 G Dan Mitchell – all rights reserved.

Dawn light and shadow patterns on sand dunes, Death Valley.

Other recent photographic posts here have mentioned the astonishing transition of desert light between the pre-dawn twilight and the post-dawn light of daytime, and especially the rapid changes that occur right around sunrise itself. I made this photograph during the first moments after the direct sun had made its way onto the dunes after rising above a mountain range far to the east. At this point the light is still warm, but significantly less so that during that first instant of direct light, and the shadows still are deeply blue from the color of early morning sky.

The small stand of foreground creosote is emblematic of one of the astonishing things about sand dunes, namely that there is so much living stuff in a place that first appears to be completely inhospitable to life. It is a challenging environment, and plants are few and far between, but they do manage to survive. In the springtime the permanent plants such as the creosote bushes are briefly embellished by the appearance of seasonal flowers, at least during years with sufficient rain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Alpine Meadow, Mountains, Storm Clouds

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Alpine Meadow, Mountains, Storm Clouds
An alpine meadow as storm clouds build over mountain peaks

Alpine Meadow, Mountains, Storm Clouds. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

An alpine meadow as storm clouds build over mountain peaks

Over the next week or two, sandwiched between photographs of other subjects, I will share a set of at least four photographs from more or less this same spot, all made the same day. The location was quite special, a broad meadow just a bit below 11,000′ with views toward an impressive range of peaks on the other side of a river valley. The meadow itself was still green, even though it was the end of August, with wildflowers everywhere. Everyone in our party returned to it frequently, morning and evening, and tried to work with its many subjects.

As I introduce the several photographs of the spot, I’ll try to say something about each one, including something about the vision of the mountains that was on my mind as I created it. There were several things at work in this version. The meadow itself is what initially brought me here, of course, and the bright light that fell on it is beautiful, but the photograph includes other elements. The primary secondary element — or is it actually primary? — is the range of jagged, alpine peaks in the distance. I placed the group of small trees in the foreground to balance the image and to lead the viewer into the scene — from the trees, across the meadow to the small pond, then past the small band of further trees and on to the peaks, and then to the sky. The sky is another important element, and emphasizing it was the reason that I used a wider lens and put the horizon relatively low in the frame. (My skies are frequently constrained to the very top of the image… if I include sky at all.) I was struck by the contrast between the sharp peaks and foreground light and how these elements contrasted with the dark and brooding quality of the sky beyond the peaks, where a large thunderstorm was brewing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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