Tag Archives: buttermilks

Eastern Sierra Morning

Eastern Sierra Morning
Morning light on the eastern escarpment of the Sierra Nevada under stormy skies.

Eastern Sierra Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on the eastern escarpment of the Sierra Nevada under stormy skies.

This photograph was made mere moments after another of the eastern Sierra Nevada escarpment that I shared recently. That photograph included the first, warm-tone light of the new day. This one comes after that initial golden hour light has left the highest peaks — though a bit of it remains in the lower foreground — and these formations are illuminated by somewhat harsher light. It was a remarkable morning, with conditions changing with extreme rapidity. The gently curving wave cloud in the previous photograph had, by the time I made this one, turned into a very dark layer beyond the crest.

There is another background story related to this series of photographs — a story that is partly about photography and partly about learning to know places. I first went to this location quite a long time ago, almost by accident the first time. Intrigued, I returned frequently when I had a moment, and as a result I saw the place in rather varied conditions. I began to get a sense not only of what I actually saw, but also of how this landscape might respond to conditions that I did not encounter. Eventually this served me well, and more than once I’ve aborted other photographic plans to go to this spot based on nothing more than a hunch about what the conditions might be like.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sunrise in the Buttermilks

Sunrise in the Buttermilks
Autumn dawn light on the eastern escarpment of the Sierra Nevada above the Buttermilks.

Sunrise in the Buttermilks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn dawn light on the eastern escarpment of the Sierra Nevada above the Buttermilks.

This is a sort of new/old photograph. A question from a friend about the time period when I made it prompted me to make a return visit to some older photographs from that time. When I came to this on in my raw file archive I knew it looked familiar, but the raw file itself appeared to be little changed from the downloaded default settings. I soon realized that I had worked it up before, but using some older software and without using some techniques that I now apply on a regular basis. So it was back to the drawing board to come up with a newer interpretation that I like more than the old one. (I’m with the many other photographers who regard the original — whether it be a raw file or a film image — to be the score, not the only possible performance.)

It occurs to me that the title might well perplex some folks who are not familiar with this area of the eastern Sierra Nevada. “The Buttermilks” is (are?) an area of fascinating rock formations at the base of the Sierra above Bishop, California. Long a favorite location for climbers, I’m surprised that it hasn’t attracted more photographers. It isn’t that hard to get to, though to fully explore it you are going to have to drive on some gravel backroads and likely do a bit of hiking. I made this photograph on an autumn morning when I was in the Sierra to photograph fall color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Dawn, Eastern Sierra

Autumn Dawn, Eastern Sierra
Successive ridges rise from the high desert toward the crest of the Eastern Sierra Nevada in pre-dawn autumn light

Autumn Dawn, Eastern Sierra. © Copyright 2019 G Dan Mitchell – all rights reserved.

Successive ridges rise from the high desert toward the crest of the Eastern Sierra Nevada in pre-dawn autumn light.

Yes, I know I was supposed to be photographing aspen color. But there are other subjects in and around the Sierra during the autumn! It turned out that I arrived a bit before the peak color, so my inclination to photographer other things, too, was perhaps a bit stronger than it might have been a few days later. I also knew that some aspen subjects that I wanted to photograph would be in better light a bit later, and that left me time for a quick foray to this location before dawn.

I have photographed from this location previously, so I’m pretty familiar with the view, the camera position possibilities, and the potential for lots of interesting early light on the eastern escarpment of the Sierra Nevada. However, as familiar as all of that may be, there are always surprises. I made this photograph a few minutes before the sun cleared the eastern horizon (or, more accurately, the mountains to the east) so the light had taken on the warm, colorful quality of dawn, but without the harsh quality of the first direct sunlight. The photograph spans a wide range of zones — from the sagebrush of the high desert to the summit of one of the highest Sierra peaks in this area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

First Light Above the Buttermilks, Autumn Storm

First Light Above the Buttermilks, Autumn Storm
First Light Above the Buttermilks, Autumn Storm

First Light Above the Buttermilks, Autumn Storm. Eastern Sierra, Owens Valley, California. October 3, 2010. © Copyright G Dan Mitchell – all rights reserved.

A faint rainbow briefly glows in dawn light on the eastern escarpment of the Sierra Nevada above the Buttermilks as an autumn storm builds.

Since I wrote previously about acting on a hunch to be in this spot in time to catch a few minutes of dawn light, I won’t recount the whole thing here – though I would like to describe the phenomenon a bit more and perhaps make a point or two about light and opportunities.

The photograph is of the eastern escarpment of the Sierra Nevada above Bishop, California and was made on an early autumn morning of a day that brought one of the first winter-like storms of the season. I found myself in this spot (as described at the link) for the very few minutes during which this light was present – and afterwards the light was simply gone and the rest of the day was overcast and rainy. The circumstances have me thinking about a few things about light and “being there” at the right moment.

Sometimes, even on a “poor light day” – though I like overcast conditions! – there can be a few brief moments of exceptional light. Catching them involves some combination of anticipating that these moments might occur, being there, and – let’s admit it! – dumb luck. In this case, all three were at work. I did not know that this light would occur, but I knew that the conditions offered a possibility. A clearing in the clouds along the eastern horizon allowed a horizontal beam of light to briefly hit the mountains right at dawn. It began by striking the clouds above the Sierra crest, soon hit the highest peaks, moved across the face of the range, and within minutes the show ended with light on the high desert. The band was so narrow that only one of these subjects was generally illuminated at a time – and the whole thing couldn’t have lasted more than five or ten minutes.

That description might make it sound like I’m saying that I’m just plain great at predicting such things and planning to be there. Not quite! If you had asked me a few minutes earlier, when I made the spontaneous decision to abandon my previous plans and high-tail it out to this spot, what the odds were that I’d see light like this I might have estimated them at perhaps 10% or less. In other words, if I repeated this little adventure 10 times, I’d guess that I’d fail to see light like this nine out of ten times. However, if I only go for “sure bets” (which I’ll take when I can get them!) I know that I’ll miss lots of special conditions that are not subject to prediction.

Which brings up the subject of luck. I often read that one should be able to know in advance what the photograph will look like, and that careful and full preparation will lead to good photographs. Well, sort of, but maybe not quite in the way that some imply. (There is an element of “preparation” in all of this that I’ll write about eventually, but that is a different thing.) Frankly, these subjects are too complex and too fleeting and too unpredictable to be subject to that sort of careful and precise planning in any sort of consistently useful way. The photographer cannot make that small band of open sky appear along the horizon on an autumn morning when a storm is building along the crest – but if everything goes right a photographer might be there at the right moment, prepared to make a photograph of it.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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