Tag Archives: california

Rectangular Patterns (Horizontal)

Rectangular Patterns (Horizontal)
“Rectangular Patterns (Horizontal)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is one of a pair of photographs of the same structure. I’ll bet you might not be surprised to hear that the companion photograph is called “Rectangular Pattern (Vertical).” Working on this pair got me to thinking about a series that I might call “Urban Geometries” featuring such photographs, both from my existing archives and from some new work. You can look at this as a photograph of a real scene or, if you work at it, you may be able to see it as an abstract composition of forms and colors.

The location is an area that was acquired by a (very) big company for a huge future corporate campus. Then came the pandemic. Now their plans appear to be on hold, though they still hold rights to the properties. I suspect, but do not know for certain, that they did some “sprucing up” of the area to avoid charges that they are allowing it to degrade. Right now it is largely a sort of urban dead zone… though it has nice paint.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trees and Reflection

Trees and Reflection
“Trees and Reflection” — Trees in morning light are reflected in the surface of a subalpine Sierra Nevada lake.

There is a wonderful morning moment in the mountains when the sun finally rises above surrounding high ridges and the first direct light strikes trees and meadows and rocks. Not only is the warmth appreciated, but when the light strikes trees from behind it sets them off against the still-shaded mountain slopes.

Of course, you do have to get up early to see this. And I can attest to how difficult it can be to struggle out of a warm sleeping bag in the dark, dress in the cold, and leave that comfortable tent. But I guarantee that the results are almost always worth the effort.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Aspen Leaves and Morning Frost

Aspen Leaves and Morning Frost
“Aspen Leaves and Morning Frost” — Fallen aspen leaves rimmed with frost, Eastern Sierra Nevada.

I ended up doing something a bit unusual with this subject. Instead of selecting one version from the several images I captured, I have now shared three of the same subject. Usually I arrive at a favorite when this happens, but in this case I’m actually torn about which version that is! ( You can find the other two among my recent posts.) Two are, like this one, in landscape orientation and the other uses portrait format.

The tyical fall color photograph focuses on peak color leaves, with their red, orange, and yellow colors. This photo goes in a bit of a different direction. While a few of the fallen leaves exhibit classic fall colors, overall this photograph features much “cooler” light and a different color palette that includes frosty blue and other dark leaf colors.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trunks and Needles (Vertical)

Trunks and Needles (Vertical)
“Trunks and Needles (Vertical)” — Trunks and needles at the base of a small copse of Sierra Nevada backcountry trees.

This photograph is the companion to one of the same subject that I shared a while ago — that one was in landscape (or wide) orientation, while this one is in portrait mode. I photographed the bases of these closely-spaced trees during a short backpacking trip into the Sierra Nevada east of Yosemite National Park back in July.

These pines (lodgepole) are ubiquitous in the higher elevations of the Sierra Nevada, and their form varies greatly depending on things like the elevation, the nature of the ground they grow on, and available moisture. While they can form forests of tall and straight trees, they can also adopt the twisted and bent forms typical of high elevations trees.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.