Tag Archives: california

Photographs: Nature, Photographs: Southern California

Sunset, Carrizo Plain

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Sunset, Carrizo Plain
A sunset view down toward the edge of the Temblor Hills toward Carrizo Plain, lakes, and distant mountains

Sunset, Carrizo Plain. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A sunset view down toward the edge of the Temblor Hills toward Carrizo Plain, lakes, and distant mountains

This has been — and likely will continue to be — and exceptional spring for California wildflower color. After an extended and historic drought that lasted roughly five years, the rainy season now coming to an end has been record-setting in the opposite direction. We’ve had floods, washing out highways, remarkable snowfall, and as of this week the state produced an all-time record for seasonal precipitation in portions of the norther Sierra Nevada. The natural world seems to have come back to life again, and in places that have been arid for the past few years we are now seeing lush green spring growth and lots of wildflowers.

Many of us decided to visit some of the interior locations where the seasonal grasslands can produce impressive wildflower blooms. On my way to Death Valley during the first week of April I detoured to join friends who were already in the Carrizo Plains region, and I managed to do one evening and one morning of photography there. On the first evening we found a somewhat remote area in the hills alongside the plain where we could see some large fields of flowers above, and we headed up into the hills to photograph them. From this elevation the views of the Plain opened up, and I made this photograph during the final minutes before sunset.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

The Edge Of The Valley

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The Edge Of The Valley
Evening light on golden hills and a wash at the base of the Black Mountains

The Edge Of The Valley. Death Valley National Park, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light on golden hills and a wash at the base of the Black Mountains

I often use a sort of scheduling strategy when photographing in Death Valley. I get up before dawn and start with some subject that works will in the first light, and then I work a second subject that is promising in somewhat later light. Following a midday break (spent in camp or perhaps traveling to a more distant location) I reverse course later in the day, starting with a subject that works in non-golden hour light and then moving to one that works well around sunset and beyond. If conditions are right, I may even add a night subject! The second morning subject and the first afternoon subject are often canyons of one sort or another, where the edge-of-the-day light can be too dim, but where later light from a higher sun can be wonderful.

I had begun this afternoon’s photography with such a subject, one of the canyons along the eastern side of the valley. In the 90 degree plus afternoon heat I loaded up my pack with camera gear and water and slowly wandered into a narrow canyon where there was beautiful shade and somewhat moderated temperatures. Eventually it was time to return from the canyon and I reversed course and emerged from the mouth of the canyon during golden hour. This time I didn’t even have to travel to the final location since I was already there! At the time I made this photograph the long shadow of the Panamint range had stretched almost all the way across the valley and would soon steal the light from these hills, but for a few moments the golden light produced lengthy shadows and a colorful glow on the hills and along the wash emerging from the canyon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Predawn Clouds Above The Black Mountains

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Predawn Clouds Above The Black Mountains
Lenticular clouds build over the Black Mountains before dawn, Death Valley National Park

Predawn Clouds Above The Black Mountains. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lenticular clouds build over the Black Mountains before dawn, Death Valley National Park

Death Valley can be a tough place in general and a tough place for photography in particular. My recent trip in April of this year might be a case in point. The photography was not easy, and I faced different sorts of challenges almost every day. During the morning and evening hours when I typically look for “golden light” subjects, I had rather thick clouds on almost each day. Wind is often a challenge in the park, and this trip was no exception. And with the wind comes dust — yes, I dealt with dust storms on multiple days. On one morning I arrived at what I thought was my location in pre-dawn murky light, loaded up a pack, and wandered out into the landscape… only to realize once the light came that I was in the wrong place! While this sort of thing can make the photography edge a bit more difficult, I know that it comes with the territory, so I’m philosophical about it. If you are out there enough to encounter astonishing conditions, it is not a surprise when you find yourself at the opposite end of the bell curve on occasion. And when this does happen, if I just open myself to the terrain and look more carefully I can almost always find something.

On my second-to-last day of photography in the park I packed up my camp and left one of the popular campgrounds, with a plan of putting myself in a more isolated location, one of several that I had in mind. However, as I drove up the Valley a storm wind began to rise from the south, and soon clouds of dust and sand were filling the air and blowing north towards the places I thought I would visit. I wasn’t in the mood for camping in a dust storm so I switched gears and decided to head up into the Panamint Range where I thought the terrain might give me some protection. I arrived and set up my “camp” (which, in this case, was mostly my vehicle, in which I would roll out a sleeping bag), and almost immediately clouds filled the sky and a strong wind raced through the campsite. I hunkered down, at some dinner, and realized that this was not going to be a photography evening. The next morning, my final in the park on this trip, I was up and out of the campground at around 5:00, heading out on a gravel road to a high place with a grand panorama. As the first light appeared it became clear that the clouds had not gone away, and my hopes of a colorful sunrise were not going to be rewarded. I arrived at the destination to find that gale-force winds were raking the summit ridge. But I was there, I had my camera, I figured something might happen, so I got out and watched the sky lighten. Soon I saw this remarkable lenticular cloud formation to the southwest above the Black Mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Flower-Covered Hills

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Flower-Covered Hills
Spring wildflowers in the Temblor Range, California

Flower-Covered Hills. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Spring wildflowers in the Temblor Range, California

I made several photographs of this little valley, with its large number of small receding ridges, covered with flowers and separated by small gullies. We had gone out searching for wildflower prospects in the evening. We drove up into the hills on a one-lane gravel road and eventually found ourselves at a dead-end where the road was closed. We got out, loaded up packs with camera equipment, and continued on up into the Temblor Hills foothills. We left the trail, crossed gully, found a route along and ascending ridge, and before long we were high enough to gain a panoramic view of the Carrizo Plains, and we began to encounter more and more flowers.

After we arrived at the highest point on our hike, which was still far below the summit of these mountains, we set about making photographs. We started on the broad summit of a nearby hill, and from there we could look across a small valley toward these hills, where a series of small ridges ascended toward the evening light. Although there were probably a bit early for the true peak of wildflower color in this spot, there were still thick beds of yellow flowers almost everywhere.

Note: This scene is very similar to that in a photograph I shared just a few days ago. As sometimes happens — especially with my idiosyncratic workflow! — I sometimes end up thinking that my second choice pleases me more than my first.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.