Tag Archives: canyon

Canyon Wall Detail

Canyon Wall Detail
Detail of a canyon wall with tilted sedimentary rocks and fossils, Death Valley National Park.

Canyon Wall Detail. © Copyright 2021 G Dan Mitchell – all rights reserved.

Detail of a canyon wall with tilted sedimentary rocks and fossils, Death Valley National Park.

These rocks tell a story, a profound one no doubt, but also one that this non-geologist is incapable of fully comprehending. But I do know a few things, and with that bit of knowledge and the time to observe, I can report that there is a lot to think about in places like this and, for that matter, the entirety of Death Valley National Park. A difference between this landscape and most others with which I’m familiar is that here it is almost entirely exposed rather than being hidden underneath forests and snow.

As I understand it, the course of many of the rocks here is sedimentary — they were formed under ancient seas. (Portions of the valley were submerged much more recently, and that shorter tale is visible, too, in places.) Those sediments sometimes captured creatures that became fossilized, as we see in the black spots in the rocks of this photograph. Then various geological forces lifted, tilted, fractured, and contorted these layers over a vast span of time. In many places in the park the strata are inclined upward as they progress to the west. Here one of the inclined rock bands contains colors that are the exception rather than the rule in this national park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Canyon Narrows

Canyon Narrows
Soft light in the narrows of a Death Valley National Park canyon.

Canyon Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft light in the narrows of a Death Valley National Park canyon.

Canyons are (almost) all about the light. OK, the textures and forms are pretty striking, too, as is the quiet. But the light is really special. In the narrowest sections — such as the “narrows” in this photograph — direct sunlight doesn’t penetrate to the bottom of the canyon much or sometimes at all. The typical ideas about best times for landscape photography can be upended, as the best light often comes to these places when the sun is high enough to shine directly on upper walls and then bounce its way down into the depths of the canyon.

I have recently shared some other photographs from this canyon, made on a recent trip when I camped nearby and was able to enter the canyon more than once and at various times of the day. The other photographs are all in color, and they tend to highlight the subtle (and sometimes not-so-subtle!) contrasts between warm and cool-colored light. I had to chuckle inwardly a few days ago when a friend suggested that I try monochrome with this subject. I’ve been a black and white photographer since, well, the first time I picked up a camera, and I often think that my visual home is monochrome. So it shouldn’t be a surprise that I would want to find a way to produce a photograph of this place in black and white, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Afternoon Haze, Ridges

Afternoon Haze, Ridges
Forested ridges, silhouetted in the afternoon Sierra haze, on opposite sides of the Tuolumne River Canyon.

Afternoon Haze, Ridges. © Copyright 2021 G Dan Mitchell – all rights reserved.

Forested ridges, silhouetted in the afternoon Sierra haze, on opposite sides of the Tuolumne River Canyon.

A group of us were camped at a backcountry lake in Yosemite National Park for the better part of a week a few years back. Actually, we’ve done that a few times now that I think of it. This lake is a quiet and gentle place, surrounded by forest, but with a few nearby peaks and on one side a huge vista into and across a deep river canyon. Our little group photographed the heck out of this place, working the landscape morning and evening, and gradually working outwards to learn more of the surroundings.

On this evening I had hiked up from the lake through a narrow band of forest, then continued to ascend across granite slabs through more open country. Arriving at a high point I turned around and looked back over the basin holding “our” little lake and waited for the colorful evening light. Of course “waiting” doesn’t mean sitting and doing nothing — it means photographing other things, including this other tree-covered rocky ridge running down toward the lake and the further landscape whose details are muted by late-season haze. If you look very closely you might just make a sort of “Where’s Waldo” discovery in this scene….


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Death Valley, Morning Haze

Death Valley, Morning Haze
Early morning haze obscures distant mountains and valleys, Death Valley National Park.

Death Valley, Morning Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early morning haze obscures distant mountains and valleys, Death Valley National Park.

The truth of the matter is that I’ve become a bit obsessed with this view. I’ve photographed in morning and evening, in warm weather and in the middle of winter. (It gets cold on these ridges, even in Death Valley National Park.) On one occasion I was forced to turn back by snow on the route. I’ve seen utterly glorious light here, and I’ve encountered light so flat and gray that it wasn’t really worth photographing. Sometimes when I visit the park I tell myself that I won’t go here… and then at some point I almost inevitably end up making the trip.

Most often I’m completely alone here, though on a few occasions I’ve encountered one or two others. This place, and others like it, are remarkable at any time, but even more so when I experience them in solitude. Those mountains in the hazy distance are perhaps 30 to 40 miles away. Behind me the view stretches all the way to the snow-covered Sierra, and off to my left lie peaks well beyond the Nevada border. And everywhere in this vast expanse the landscape is laid bare, raw and visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.