Tag Archives: capped

Photographs: Nature, Photographs: Sierra Nevada

Meadow to Mountains

Image Leave a comment
Meadow to Mountains
“Meadow to Mountains” — Wild onions grow at the edge of a subalpine meadow near Sierra Nevada peaks.

I made this photograph at the end of August several years ago, camped high in the John Muir Wilderness west of the Sierra crest. Experienced Sierra travelers are probably wondering about the flowers and all that greenery — by this point in a typical year much of this country is brown and dry, and the wildflower show is largely over. But this was an unusual year. The preceding winter had been very wet, and this sustained the lush growth all the way into early September.

Our basecamp location was on a rise above a meadow with a small lake. From there we had a clear view to high peaks on ridges to our south and southwest, a view that we got to know quite well during our stay. On this morning I walked down to the lower end of the meadow, past the lake, to just before the terrain dropped into a large canyon. Here the outflow from the lake watered an area of meadow and alpine willow bushes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Afternoon Light, Lake Manly

Image Leave a comment
Afternoon Light, Lake Manly
“Afternoon Light, Lake Manly” — Light beams above the snow-capped Panamint Mountains and Lake Manly.

These beams of light — sometimes known among photographers as “God light” — are a common afternoon feature in Death Valley. The valley runs roughly north-south, and there are tall mountain ranges on either side, with summits rising up to 11,000’+ at Telescope Peak on the west side. Consequently, direct sunrise and sunset are blocked from much of the valley floor, However, some time after sunrise and before sunset the light passes though canyons and gaps in the mountains, and this is the effect when it illuminates atmospheric haze.

If you visit Death Valley, it s good to keep this geography lesson in mind, since it can affect your experience and photography potential. If you want to photograph sunrise/sunset, you can see sunlit peaks on west side mountains in the morning and the east side mountains late in the day. If you want light down in the valley, you’ll have to find it a bit after sunrise and well before chronological sunset. What to do in the middle of the day when the sun is harsh? I like to head for canyons, the deeper and narrower the better!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning Clouds, Desert Mountains

Image Leave a comment
Morning Clouds, Desert Mountains
“Morning Clouds, Desert Mountains” — Layers of colorful dawn clouds above Searles Valley and distant peaks of Death Valley National Park.

The distant peaks seen here are within the boundaries of Death Valley National Park, but I was a good distance outside the park when I made the photograph. I had gone to the Trona Pinnacles, outside the extractive mining town of Trona to photograph. But the visual action wasn’t that at the pinnacles that morning — it was far to the north above these snow-capped desert mountains, where lenticular clouds caught the dawn light and momentarily glowed with intense color.

The town of Trona is like many desert towns in Southern California and the Southwest. It is far from being a ghost town, but it has the air of a place whose best days are distinctly behind it. The economy is built around extractive industries, in particular mining the mineral deposits of the Searles Valley playa. People still live and work here, but a drive past the town reveals abandoned homes and businesses, left to decay in the desert sun and wind.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspens, Peaks, and Evening Shadows II

Image Leave a comment
Aspens, Peaks, and Evening Shadows II
Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Aspens, Peaks, and Evening Shadows II. © Copyright 2023 G Dan Mitchell.

Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Seeing a photograph here with the Roman numeral “II” attached you may wonder if there is a version “I.” There is, of course, and the first of the pair was posted a few days ago. In this case, the only significant difference is that this is a “landscape” orientation view of the scene and the other version used the “portrait” orientation. When the subject allows it I often photograph in both orientations — partly for practical reasons and partly because they both seem to work!

The scene is a type that I like a lot, at the elevation where the forests we expect in the high country meet high desert sagebrush country. The aspen trees seem to like both, and they are frequently a bridge between the two types of terrain. Here it is late in the afternoon (or perhaps early in the evening?) and long shadows are starting to stretch across the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.