Tag Archives: capped

Aspens, Peaks, and Evening Shadows #1

Aspens, Peaks, and Evening Shadows I
Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Aspens, Peaks, and Evening Shadows #1. © Copyright 2023 G Dan Mitchell.

Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

This is probably a familiar scene to Eastern Sierra aspen color hunters who poke around in harder-to-reach areas. I had been traveling through this high terrain, where one crosses the boundary between aspen country and conifer forests. It was late in the day, and soon the long shadows cast by peaks near the Sierra crest began to fall across the landscape.

I looked back and saw these sunlit groves… and the rapidly expanding and approaching shadow. I quickly set up and made a few exposures as the shadows began to mute the colors of some of the brilliantly yellow groves. Yet the foreground trees remained in the sunlight, glowing in its warm light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Panamint Range Snow, Evening Light

Panamint Range Snow, Evening Light
Late-day light illuminates snow covered ridges and thin forest along the summit of the Panamint Range, Death Valley National Park.

Panamint Range Snow, Evening Light. © Copyright 2023 G Dan Mitchell.

Late-day light illuminates snow covered ridges and thin forest along the summit of the Panamint Range, Death Valley National Park.

The reputation of Death Valley National Park is mostly tied to heat — the desert, the dunes, the rare rainfall. I once asked German relatives why they choose to visit in the middle of summer when few of us would choose to go there. The answer, more or less, was that Death Valley is famous for being the hottest place on earth, and that is what they wanted to experience. People who “know” the park from that perspective are often shocked to find that snow is common here in the mountains.

When we visited the Panamint Mountains at the beginning spring the snow was plentiful, and we actually experienced a moderate snow squall. (One of the oddest experiences I’ve had in this park was some years back when we photographed spring wildflowers during a snow storm in Death Valley. Let that one sink in for a moment.) Late on this day we went to a high overlook to wait for sunset, and the warm light illuminated this nearby ridge in the very late afternoon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Distant Ridge, Dusk

Distant Ridge, Dusk
A distant ridge in dusk light, viewed from a high point in Death Valley Naitonal Park.

Distant Ridge, Dusk. © Copyright 2023 G Dan Mitchell.

A distant ridge in dusk light, viewed from a high point in Death Valley Naitonal Park.

This was just about the final photograph that I made at this location high in Death Valley National Park’s Black Mountains. I had arrived here well before sunset, remaining to photograph the light transitions as the day came to an end. The valleys directly below had gone dark by this point, so I quickly moved to a nearby spot and switched my attention from the west to the east, where a distant snow-capped ridge in Nevada was visible beneath the dusk sky.

In a previous post I mentioned that landscape photography isn’t always a slow, sedate process. It can be, but the light, sky, and landscape can also change very quickly. When I saw this late light I had to switch into “fast landscape” mode as the light quickly faded, and I managed to make a couple of exposures before the show was over and it was time to head back to camp.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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From Valley To Peaks

From Valley To Peaks
In morning light, he Panamint Range rises from below sea level in Death Vally to over 11,000 feet at Telescope Peak.

From Valley To Peaks. © Copyright 2023 G Dan Mitchell.

The Panamint Range rises in morning light from below sea level in Death Vally to over 11,000 feet at Telescope Peak.

Earlier I shared another photograph of this series of impressive ridges, rising in the dawn light from the below-sea-level playa of Death Valley to the 11,000’+ summit of Telescope Peak. The other photograph took in a wider view of the landscape. In this one I narrowed the focus to emphasize the immense mass of these mountains and their astonishingly tall escarpment.

It is very hard to get an accurate sense of scale for this scene. This was true when I was there, and I suspect it is even more true when looking at the photograph. The base of the mountains is many miles away — I don’t have an accurate measurement, but it must be more than ten miles. If you look closely, you may notice that it takes four ridges to reach that highest summit, whose distance is likely something like 25-30 miles. And if you look closely you can pick out a series of four ridges as the mountains rise to the summit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.