Tag Archives: carmel

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Tree, Red Rock, Morning Light

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Tree, Red Rock, Morning Light
A lone tree in morning backlight against a backdrop of red rock formations, Zion National Park.

Tree, Red Rock, Morning Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

A lone tree in morning backlight against a backdrop of red rock formations, Zion National Park.

We recently managed to get away for our first long road trip in a very long time. We started in the Eastern Sierra Nevada, where the annual autumn aspen color show was well underway. From there we headed to Utah — which I have not visited since before the previous presidential administration — where we spent several days photographing in Zion National Park. From there we moved on to spend some time on one of the less-travelled Utah backroads before heading south for a very quick visit to the North Rim of Grand Canyon. (The story of that part of the trip is a bit too long to relate here. Perhaps later…)

Our visit to Zion was divided roughly into two sections. We spent the first part of the visit exploring and photographing sections of Zion Canyon on foot. Then we spent a day in the “high country” along the Mount Carmel highway, an area with an infinity of photographic opportunities that change with the light throughout the day. That is the area where I made this photograph of a solitary tree standing atop a sand stone formation in the brilliantly bright morning back-light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Trees, Bluffs, Whalers Cove

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Trees, Bluffs, Whalers Cove
The view across Whalers cove toward tree-covered coastal bluffs and hills

Trees, Bluffs, Whalers Cove. Point Lobos State Reserve, California. July 14, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The view across Whalers cove toward tree-covered coastal bluffs and hills

Point Lobos is the small but beautiful (and often quite over-crowded) state “reserve” located just below Carmel, California at the base of the Monterey Peninsula. I’ve gone there for decades, beginning when I was a child, and I continue to visit, explore, and photograph. These days I’m more likely to go during off-season times, or at least on odd days and at odd hours during the peak tourist season. I made this photograph on a weekday morning, before the tourist traffic built up and on a day when foggy conditions may have discouraged some visitors.

The photograph looks across Whalers Cove, a sheltered inlet along the northern edge of the park which opens toward the shallow bay around the outlet of the Carmel River. Beyond the rocky bluffs immediately above the smooth, kelp-filled waters of the bay forested coastal hills rise. The building is a monastery that gives a nearby beach its name.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Meadow, Wildflowers, Cove

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Meadow, Wildflowers, Cove
A wildflower-filled meadow drops toward a cove along the north shore of Point Lobos State Reserve

Meadow, Wildflowers, Cove. Point Lobos State Reserve, California. July 14, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A wildflower-filled meadow drops toward a cove along the north shore of Point Lobos State Reserve

For various reasons it has been a while since I’ve been out to photograph the natural world — perhaps a couple of months, and my last big shoot was in early April when I spent nearly a week in Death Valley. (In the interim I have photographed other subjects, including quite a bit of urban and street photography.) Those reasons are behind me now, and I’m again turning my attention back to photographing the natural world. Today’s first foray took me to an old favorite, the Point Lobos State Reserve just south of Carmel, California.

I live little more than an hour from this area, and I’ve been visiting for decades, but there are still new things to discover about this place. For example, this was the first time that I’ve actually stopped and visited the “whalers’ cabin,” and it was the first time that I left my car behind and spent the entire time wandering the park on foot. At this time of year the weather in California can vary radically between inland areas (where it could easily be in the ninety degree range) and to coast, where it was only in the upper fifties. My plan was to get to the coast at about the time I expected the fog to break up so that I could photograph in the marvelous light on the fog-sun boundary. But it never cleared! Instead, while the temperature rose further inland, I enjoyed hours of cool and damp foggy weather. I eventually made my way — slowly, and stopping to look at many things — to the trail along the north shore of the park, and here I came upon this beautiful little meadow, still green from the past winter’s unusually heavy rainfall and filled with colorful wildflowers. The meadow led down to the edge of a rocky cliff that dropped to the Pacific Ocean below.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Photographers, Photographs: Structures and Objects

Detail, Wildcat Hill

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Detail, Wildcat Hill
Detail, Wildcat Hill

Detail, Wildcat Hill. Wildcat Hill, California. September 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Detail of a building at Wildcat Hill

This is the third and final (for now, anyway) photograph from my visit to the historic Wildcat Hill home of Edward Weston and other members of the Weston family, today including Kim and Gina Weston. I suppose that visiting the Weston compound is something of a photographer’s pilgrimage, given Edward Weston’s influence and the work of the other photographers in the Weston family. (I believe there now may be as many as five generations of Weston photographers.)

The place is fascinating in many ways. Given its location, today not far from a very busy tourist byway, it is especially intriguing to think about what the place must have been like many decades ago. The main building is maintained in much the way it must have been many years ago, and it is a rather humble structure. Inside are many fascinating artifacts — Weston prints, paintings, sculpture, objects from the home, the small Edward Weston darkroom, and more. Over the years the place seems to have picked up a large number of small bits and pieces of “stuff” that is found everywhere — on shelves, attached to walls, scattered around the grounds. These things make fascinating subjects for almost any photographer.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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