Tag Archives: close up

Red Flag

Red Flag
Red pedestrian crossing warning flags.

Red Flag. © Copyright 2021 G Dan Mitchell – all rights reserved.

Red pedestrian crossing warning flags.

This is a close view of some warning flags posted at a busy street crossing in an urban area. The idea is that pedestrians grab a flag and, I suppose, wave it at approaching motorists in the hope that they don’t get run over. Hmmm… The photograph exists for a couple of reasons. It is one of the neighborhood subjects that I encounter on my almost-daily walks. I always carry a camera and maintain some level of attention to potential subjects. To be honest, the great majority of those photographs are not and are not intended to be great — the real object is to keep my eyes open and to practice seeing.

The second reason for the photo is either a bit funny or a bit thought-provoking. Recently I have shared a few photographs featuring the color orange after being challenged to make pictures of that color by a group of fellow photographers. As I did this I realized that the boundaries of “orange” are a bit nebulous. Some things are, without any doubt, orange. But others that initially strike me as being orange start to verge on red, brown, or even yellow. There are not always clear lines between these colors. In any case, these flags first looked orange to me… but when placed in the context of other orange objects they began to seem more red.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Redwood Forest Ferns

Redwood Forest Ferns
Interlocking ferns beneath old growth redwood trees along the Northern California coast.

Redwood Forest Ferns. © Copyright 2021 G Dan Mitchell – all rights reserved.

Interlocking ferns beneath old growth redwood trees along the Northern California coast.

This photograph continues with small things seen up close, in this case a bed of interlocking fern leaves on the forest floor beneath old growth redwood forest in coastal Northern California. When I make photographs like this one I typically start out thinking something like, “It should be easy to photograph ferns.” But it never is. As soon as I zero in on a composition I start to notice little flaws in the miniature scene — perhaps an empty void in a bad spot, a leaf that is deformed, a bright spot, you name it. And the photograph that seemed like it would be a quick thing… can end up occupying a substantial amount of my time.

But there is a lot more to photograph in redwood forests than must redwood trees. That subject most certainly is worth our attention, but with such monumental trees dominating the scene it is easy to overlook the smaller things. In order to see these things I tend to wander though the forest setting very slowly, sometimes spending more time standing and looking around than walking. (I’m pretty sure I drive some of my trail companions batty this way!) I found these ferns shortly after I crossed a rise and began to descend into a valley. I stopped and probably barely moved at all for 15 to 20 minutes as I photographed them and other nearby subjects.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Inside the Flower

Inside the Flower
The interior of a California Golden Poppy

Inside the Flower. © Copyright 2021 G Dan Mitchell – all rights reserved.

The interior of a California Golden Poppy

Recently I wrote another post that considered some of the characteristics of California’s state flower, the golden poppy, ranging from its ubiquitous appearance throughout the state to the challenges of photographing the blossoms. The color is intense, and so “hot” in the red channel that it is easy to blow out the details of the flower even with a supposedly correct exposure. (Advice to new golden poppy photographers: It is generally better to underexpose by perhaps a half stop or so than to risk blowing out the red channel.)

There are plenty of ways to photograph this flower. You’ll see quite a few photographs made from flower height, some with several of the colorful blooms lined up in the frame. It is possible to photograph them from a higher angle and see into the interior fo the flower, though there are some technical challenges to that approach. In this photograph I managed to find a flower that was open on one side, so that I could do both — photograph from a lower angle and see inside the blossom. I decided here to try to completely eliminate everything that is not the flower itself, leaving a sort of small and very orange floral landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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California Golden Poppy

California Golden Poppy
A single specimen of a California golden poppy flower.

California Golden Poppy. © Copyright 2021 G Dan Mitchell – all rights reserved.

A single specimen of a California golden poppy flower.

Any California photographer is obligated to photograph the California Golden Poppy. Check the contract — it is right there! It is the state flower and it is found just about everywhere in the state with few exceptions. More recently, as folks around here have moved away from having water-reliant lawn and towards drought-tolerant landscaping, the poppy is showing up in more and more yards. I’m sure I could find a dozen places to photograph them within a five or ten minute walk from my house.

They are called (at least sometimes) “golden” poppies, but they aren’t exactly gold. The color is more orange, though it sort of “leans” a bit toward yellow. If you look up the flower on wikipedia, you’ll find a wonderful description from John Steinbeck’s East of Eden: “California poppies … are of a burning color—not orange, not gold, but if pure gold were liquid and could raise a cream, that golden cream might be like the color of poppies.” They aren’t easy to photograph, at least in part because of this unusual and intense color. This one cooperated more than most, opening its petals toward me in somewhat soft light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.