Tag Archives: Cloud

Low Water, San Luis Reservoir

Low Water, San Luis Reservoir
Low Water, San Luis Reservoir

Low Water, San Luis Reservoir. Central California. November 21, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Low water at the San Luis Reservoir, Autumn

California is currently in the third of three years of historically bad drought conditions. Water is power in the state — and a lot of politics has gone on around the acquisition of water, the use (and misuse) of water, and the construction of water projects. I’ve lived in the state long enough to have been in the valley now filled by this huge reservoir before it was filled. I have a faint memory of traveling across the valley bottom in a car with my dad at the wheel, looking at things that he told me were soon to be submerged — I have a specific recall of a bit of roadway and a bridge. That valley is long gone now, having been filled by the late 1960s.

The reservoir is an unusual one. The water it holds is pumped up into the reservoir from below and stored from year to year, producing some electrical power when the water flows back down from the reservoir to the valley. Essentially, water goes both directions though the dam! At the end of this third drought year the water level is extremely low — as low as I recall seeing it — and some of the huge structures at the dam are well above the water line. This is partly a photograph of those structures, partly a record of a phase in California’s water crisis, and partly a juxtaposition of angles and surfaces and curves, all under beautiful hazy late-autumn California light.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Panamint Mountains, Spring

Panamint Mountains, Spring
Panamint Mountains, Spring

Panamint Mountains, Spring. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cloud shadows pass across valleys of spring-green high desert plants in the Panamint Mountains of Death Valley National Park

I like to think of this photograph as one that may offer a more truthful presentation of the character of Death Valley. As photographers, almost all of us to looking for the extraordinary—momentary instances of astonishing light, brilliant color towering clouds, dramatic light, and more. And, of course, there is nothing remotely wrong with that. It is these things that draw us to these places and which drive our search once we get there. We will often put up with, sometimes patiently and sometimes not, hours or days of what some call “blah” light in order to be able to photograph brief instance of something atypically powerful. But we must be aware that what we find and show in this brief slices of time is often special precisely because it is unusual.

A few years back I started thinking more about my relationship with the landscape of Death Valley and the surrounding terrain. I had been focusing on the extraordinary—and I still do—and on the way to such places I often passed through other areas, sometimes without taking the time to think about what I was seeing in those moments. I think that it was partially out of frustration that I arrived at the idea of trying to see these subjects more clearly and try to figure out how to photograph them. After all, I knew—at least once I stopped to think about it—that my love of this places was not limited to just the unusual and extraordinary moments, but that it also included midday quiet in the heat and subtle colors of sage country, a series of simple overlapping ridges, a bit of rock. And once I recognized this I started to think that these things, and not just sunrises and sunsets and impressive formations and unusual clouds, might make worthy subjects if I slowed down and tried to understand them. And this is one of those photographs. There is no single, impressive subject in this frame. Instead we have the almost uniform pale green of the arid mountain plants on an early spring day after rain, when the plants produce a subtle but surprising green coloration that varies as the land alternates between gullies and the tops of low hills and clouds from a cleaning storm move across the landscape.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest and Valley Fog

Forest and Valley Fog
Forest and Valley Fog

Forest and Valley Fog. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Thick winter fog drifts among Yosemite Valley trees

Yes. Another foggy photograph. And perhaps not the last from this visit to Yosemite Valley at the beginning of March, though perhaps the final one from this particular vantage point. No guarantees, though. ;-)

At the risk of repetition, this fog drifting among the forest trees on the floor of Yosemite Valley and occasionally sloshing back and forth and rising up in front of cliffs, waterfalls, and domes was in continuous motion. While the big scene changed more slowly, the smaller vignettes within it changed very quickly. At times I would spot a potentially interesting bit of foggy landscape, swing my camera in that direction and frame up a composition… only to find that it had disappeared as quickly as it had arrived. While some landscape photographs may be carefully and slowly and thoughtfully composed, this moody subject seems to require a lot of quick, instinctive shooting. Here I quickly rotated the camera to a vertical position so that I could include near and far trees, adjusted the focal length to keep an interesting combination of trees and fog in the frame… and keep some other extraneous elements out. I often wonder how people see an image of a scene at which I was present, and how different their impressions and interpretations might be. Mine were related to the dampness in the air, the muted light, the overall quite and stillness of the scene, and the nearby presence of several friends who were also shooting here on this morning.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest, Talus, Winter Fog

Forest, Talus, Winter Fog
Forest, Talus, Winter Fog

Forest, Talus, Winter Fog. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter fog floats across forest and talus fields, Yosemite Valley

I’ll take a cold and foggy winter morning in Yosemite over a blue sky summer day anytime! On this morning I was up reasonably early, though unsure of what I might be able to photograph. The light down in the Valley was tending toward flat and gray, so I thought that it might make sense to go to Tunnel View and hope for some early morning sun that might illuminate the various layers of clouds and mist from behind. That never happened, so I turned my attention instead to the fog down in the Valley.

It is common at this time of year for fog to form in the Valley after precipitation, and it had rained all of the previous day and was threatening to on this morning, too. When the fog starts to form, almost anything can happen. There might only be thin, wispy bits of fog below, or large clouds of fog may form and drift back and forth and up and down the Valley, lowering so that tree tops are visible or rising to cover the upper slopes of peaks and cliffs. On this morning there seemed to be thicker fog far up the Valley, but in the middle section and just below us the fog was thin enough that as it drifted across the forest some trees almost always remained visible. Photographing this was a matter of using a very long lens and then watching closely as the conditions evolved. For a while it might seem like nothing photographically special would happen, and then some combination of fingers of fog moving through trees, a bit of clearing somewhere, a sudden but silent movement of the clouds would happen, and suddenly a composition would appear out of nowhere and often just a suddenly disappear. Here the fog was drifting up into the talus slopes near the base of El Capitan.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.