Tag Archives: columns

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Columns

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Sandstone Columns
Columns on eroded sandstone, Zion National Park.

Sandstone Columns. © Copyright 2021 G Dan Mitchell – all rights reserved.

Columns on eroded sandstone, Zion National Park.

While the entirely of the Utah landscape (and similar landscapes in the American Southwest) is compelling, for me the main defining feature always seems to be the red sandstone formations. Yes, I know there are other geological wonders, but in so many cases I see those relative to the massive layers of sandstone. Those lovely white strata? Much more powerful juxtaposed with the red sandstone? The beautiful forests? That red is a powerful complement to their color. And on it goes.

So it shouldn’t be surprising that my photographs of the regions from time to time distill down to photographs of that rock itself. It is a remarkable material. Sometimes it is fractured and broken, but it can also appear to be as smooth and unbroken as butter. We say it is “red,” but the truth is much more complicated, and the light affects our perception of its color a great deal. I photographed this small section of a Zion Canyon wall from below using a long focal length that allowed me to constrain the view to a few columns in the diffused and reflected light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Basalt Columns and Lichen

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Basalt Columns and Lichen
Yellow lichen growing on the basalt columns of Devils Postpile National Monument

Basalt Columns and Lichen. © Copyright 2021 G Dan Mitchell – all rights reserved.

Yellow lichen growing on the basalt columns of Devils Postpile National Monument

This is the second of two photographs that “reemerged” from a recent look back to raw files from a trip to Devil’s Postpile National Monument a few years ago. The first was, in essence, a “new” photograph in that I had not taken it through my post-processing workflow back when I first captured the image. At the time I was more interested in one or two other photographs from the session, so I left it behind. But when I went back and looked again this year I “discovered” it anew, and now it did not seem a like file to simply archive! This one has a different story. I did finalize a photograph of this image shortly after I made the exposure. But now, some years later, I see it differently than I did originally… so here is a new interpretation of the subject.

To rehash the old story in brief, we ended up at Devil’s Postpile essentially by accident… after sleeping in and enjoying a leisurely breakfast rather than heading out into the pre-dawn cold as I usually do. And when we got to Devil’s Postpile, at first I wasn’t even going to photograph! The geometric forms of the “post pile” are fascinating, and they are even more interesting in soft light and when sections of the formation are isolated, here with a long lens. The pattern of columns in this scene reminds me of various things — the pipes of an organ, some sort of stairway, and so forth.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Basalt Columns

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Basalt Columns
Basalt columns at Devil’s Postpile National Monument.

Basalt Columns. © Copyright 2021 G Dan Mitchell – all rights reserved.

Basalt columns at Devil’s Postpile National Monument.

The existence of this photograph can be credited to two women. The first is my wife Patricia Mitchell. We were in the Eastern Sierra in a the autumn a few years ago to photograph fall colors. On this morning we were supposed to get up early and go photograph aspens, but we were lazy — we slept in and enjoyed breakfast, which is not the typical photographer’s ritual. Devil’s Postpile seemed like a potential option for photography a bit later in the morning, so that’s where we went. Arriving, I wasn’t so sure — there were crowds and the early light was gone — and initially I was going to leave my camera behind and just walk over and take a look… but “someone” urged me to bring the camera gear along just in case.

The second woman who played an (unknown to her) role in the appearance of this photograph is friend and photographer Franka Mlikota Gabler. She recently shared a set of lovely photographs of this location, and these photographs got me thinking about my one visit to the place… and inspired me to back into the raw file archive, where I found this photograph from that lazy morning when I almost left my camera behind.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Germany, Photographs: Travel

Heiliggeistkirche, Heidelberg

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Heiliggeistkirche, Heidelberg
Interior of the Heiliggeistkirche, Heidelberg, Germany.

Heiliggeistkirche, Heidelberg. © Copyright 2021 G Dan Mitchell – all rights reserved.

Interior of the Heiliggeistkirche, Heidelberg, Germany.

Continuing my pandemic “virtual travels” via my old raw file archives, I’m now out of London and in Heidelberg, Germany. This town is a sort of home base for us when we travel to Europe, mainly because we have relatives who live there. We love visiting (and traveling beyond Heidelberg with) them, and on longer travels we have used Heidelberg as a place to decompress for a few days. In other words, we’re fond of the place! This photograph is the interior of the Heiliggeistkirche in the altstadt section of the town.

This photograph illustrates something I learned years ago when photographing another subject that also makes impressive use of soaring, vertical space — the redwood forests of California. My early instinct with those forests was to almost always shoot in vertical “portrait” mode to try to get everything in frame. Eventually I learned that the implication of absent height can speak as loudly as its inclusion, and I began to photograph the trees in horizontal “landscape” orientation, and sometimes even very wide panoramic views. I think that the same principle is at work here, and the fact that the vertical structures extend beyond the frame may invite the viewer to consider just how tall the space is.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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