Tag Archives: copse

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Layered Autumn Aspen Groves

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Layered Autumn Aspen Groves
“Layered Autumn Aspen Groves” — Groves of Sierra Nevada aspen trees at various stages of autum color transformation.

As I look back on this year’s autumn aspen photography one theme that emerges (which I wasn’t aware of when I was in the field) is groves that encompass a wide range of foliage color. At the right moments and in the right places you can sometimes see simultaneously all of the states of the autumn leaf transition, from green trees through yellow, orange, and red… and even some bare trees. (I suspect that the tall, leafless trees in this scene are old, dead snags.)

This photograph provides another opportunity to mention my preferred light for this subject. I tend to stay away from the bright midday sun, with the exception of a few photographs in which it backlights the trees. I much prefer somewhat soft light from slightly overcast skies or the shadows of morning and evening. I made this photograph under broken clouds, which retained a bit of the directional quality of the late-day light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

River of Aspen Color

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River of Aspen Color
“River of Aspen Color” — A band of colorful autumn aspen trees follows a gully down a Sierra Nevada slope.

The grove in this photograph is semi-famous. The earliest photograph of it that I’m aware of is by Galen Rowell, and just about everyone who photographs Sierra aspens has given it a shot. Timing is everything — along with a bit of weather luck — and I arrived a bit after the peak of color. (At that point there might not be any bare trunks, but some of the foreground trees would still show a bit of green.) Rather than showing the whole thing, I decided to crop a bit and let the green area at upper right intrude into the space where yellow turns to orange.

While timing is a key to getting aspen photographs, the window is often a bit wider than you may expect. We want to arrive at the perfect moment of maximum color before leaves really start to drop. But the color transition is quite photogenic both before an d after that brief moment. Before the peak a few green trees might be part of the scene, and a bit later scattered colorful leaves might poignantly interrupt a forest of nearly bare white trunks.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada

Sierra Crest, Evening Light

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Sierra Crest, Evening Light
“Sierra Crest, Evening Light” — Early evening light on a copse of small trees, a bit of meadow, and peaks leading to the Sierra Nevada crest.

This photograph seems to me to have the “classic Sierra Nevada” backcountry “range of light” look. It is from my favorite terrain, those places just below timberline where the trees are short and rocky meadows abound, and where there are open views of alpine peaks. Even better, I made this photograph very late in the day as the evening light was beginning to warm the colors of the landscape.

It was a joy to spend a few days in this backcountry location with friends back in July. We did a low-key loop just outside of Yosemite, to the east of the park. The highest peaks in the photograph sit right on the crest of the Sierra Nevada, and the park is on the other side of that ridge.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Three Trees, Sunrise

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Three Trees, Sunrise
“Three Trees, Sunrise” — Three trees at Tuolumne Meadows in hazy sunrise light.

During the first half of September I spent a few days camping and photographing in the Tuolumne Meadows area. On two of those day I wandered into Tuolumne Meadows before sunrise. There was fog one day — not the one in this photograph — and haze from wildfire smoke on both. Here the trees, being close to the camera, have some intense color from the sunrise light, while the haze mutes the distant landscape and shifts its colors.

Some amount of wildfire smoke seems to come with the terrify in September and October in the Sierra, at least until a first good storm arrives. At its worst, the smoke can be thick enough to be unhealthy and to make photography a challenge. But much of the time it can lend an interesting muted color to everything, as it does here.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.