Tag Archives: copse

Tall Aspen Grove, Autumn

Tall Aspen Grove, Autumn
A small group of tall aspens with long, white trunks and colorful autumn foliage, Eastern Sierra Nevada.

Tall Aspen Grove, Autumn. © Copyright 2022 G Dan Mitchell.

A small group of tall aspens with long, white trunks and colorful autumn foliage, Eastern Sierra Nevada.

This photograph is yet another example of the variety of colors during the Sierra Nevada autumn aspen transition. There’s still a bit of green, a lot of brilliant yellow, and highlights of red and orange here and there. Earlier in the season the predominant colors tend to be the yellows set against the greens. But by the second half of the month much (though not quite all) of the green is gone, and the more characteristic autumn colors clearly dominate.

This photograph is also another example of the value of long lenses for landscape photography. I use everything from 16mm to 400mm and sometimes longer for landscape. The long lenses let me photograph subject that are simply not accessible. They allow me to work at a distance from an elevated perspective that isn’t available closer to the subject. They are useful for narrowing down the scope of a composition and eliminating distractions. All of those were in play when I made this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Trees, New Hampshire

Autumn Trees, New Hampshire
A dense wall of trees with autumn leaves, New Hampshire.

Autumn Trees, New Hampshire. © Copyright 2022 G Dan Mitchell.

A dense wall of trees with autumn leaves, New Hampshire.

This vignette of one small bit of White Mountains autumn color is somewhat indicative of the intensity and variety of the color there. My baseline for considering autumn color is California, which means the aspens (and a few other things) of the Eastern Sierra, the maples and oaks and dogwoods of the west slope of the range, and the mixture of native and non-native trees another areas of the state. It is rare to fine large, continuous hardwood forests with a mix of trees in California — almost unheard of, in fact. Yet that seems to be the norm in New Hampshire and other parts of New England we visited. It seems like the period of time with best color may be shorter here, but during the window the variety and intensity is remarkable.

The circumstances of the photography often seemed different in New England, too. (In fairness, this was my first visit, and I can see how my process might adapt to this different landscape over time.) Once I found color in New Hampshire — and, believe me, it was not hard! — in some cases photographing it was almost too easy. Here, for example, I had stopped at a popular roadside pull-out to photograph an open landscape view to the north. When that view turned out to be problematic I turned around and basically looked for colors and patterns to photograph in a large “tree wall” across the roadway!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Wetland Trees

Winter Wetland Trees
A copse of winter wetland trees along the Pacific Flyway, New Year’s Day 2022.

Winter Wetland Trees. © Copyright 2022 G Dan Mitchell – all rights reserved.

A copse of winter wetland trees along the Pacific Flyway, New Year’s Day 2022.

This photograph is another one from our New Year’s Day adventure with friends under the skies of the Pacific Skyway. We joined up for New Year’s Eve and then New Year’s Day morning to celebrate the arrival of the new year along with a few tens of thousands of our bird friends, something that has become a tradition among this group of friends and (mostly) photographers.

I think that most of us would agree that it is the combination of birds and fog that primarily attracts us to these places in the winter. The attraction of fog might seem strange to those who live in it and have to drive in it and sometimes tolerate weeks of damp and gray. But its presence lends mystery to this landscape and creates an unending variety of conditions of mystery and light. On the morning I made this photograph, the skies were mostly clear, though a combination of high clouds and very thin fog near the ground softened the light on this group of trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Color, Aspens and Brush

Autumn Color, Aspens and Brush
Backlight on a high country brush and a small copse of aspens with fall colors.

Autumn Color, Aspens and Brush. © Copyright 2021 G Dan Mitchell – all rights reserved.

Backlight on a high country brush and a small copse of aspens with fall colors.

There is a good chance that I’m approaching the end of this season’s fall color photographs — though there are still at least a couple in the pipeline. Given that in prior years have managed to hunt down a few remaining examples of autumn leaves in early January, well, there could are more! Here on the West Coast, by starting high in the Sierra in September and continuing into the lowlands as fall ends and winter begins, it is possible to experience a “fall” color season that lasts up to four months!

This scene comes from a location where the color transition begins near the beginning of this period. It is in the Eastern Sierra Nevada, at close to 8000′ elevation, where the semi-arid high desert terrain rises to meet the eastern escarpment of the range. Years ago I did not pay much attention to this zone, preferring instead to head straight to the high country. More recently, at least in part as a result of my fall color photography, I have become fascinated by this region. It is a complex zone, and the boundaries are affected by water, exposure, elevation, and soil conditions. The foreground brush is more typical of the high desert, while we usually tend to think of aspens as belonging to the near-alpine high country.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.