Tag Archives: county

Corn Field, Fog

Corn Field, Fog
Corn Field, Fog

Corn Field, Fog. San Joaquin Valley, California. January 16, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The winter remains of a corn field in San Joaquin Valley

I used to imagine that wildlife refuges, those areas that are intended to provide habitat for wild critters, were something like parks of wilderness. Since I’ve been photographing winter birds in California I have learned that this presumption is usually dead wrong. There are a few such places that are left in their natural state, but many of them are distinctly non-natural locations. (Many are also there because hunters want to ensure that birds are there for them.) Quite a few of these places are agricultural, including some that I often visit.

I’ve seen some where the flooded winter fields were rice fields. This one is a corn field during much of the year and part of a very interesting and busy wildlife refuge in the winter. As I was there photographing birds recently, I looked across a field of dead corn plants fading into the distant fog and something about this desolate scene seemed worth a photograph, and I like the rather different mood that it evokes for me.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Shadows, Mono Lake

Evening Shadows, Mono Lake
Evening Shadows, Mono Lake

Evening Shadows, Mono Lake. October 11, 2013. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening shadows fall across the western shore and islands of Mono Lake

The landscape of Mono Lake, near Lee Vining, California, provides a stark contrast to the Sierra Nevada just to the west. From the alpine ridges of the Sierra along and just north of Yosemite, the eastern slopes of the range drop quickly to Lee Vining and the broad valley beyond. The lake sits in a dry basin that has no outlet, so the water simply (for the most part) evaporates.

The lake is huge, stretching far to the east beyond Lee Vining. The landscape of the lake is simple, partly because the surrounding area was once submerged when the lake was much larger than it is today. Far in the distance is Boundary Peak and the ridge of the White Mountains. The sun sets early here, since the tall peaks of the Sierra raise to the west, and in this photograph deep shadows are already angling across the western shores of the lake.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pond, Winter Fog

Pond, Winter Fog
Pond, Winter Fog

Pond, Winter Fog. San Joaquin Valley, California. January 19, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A wetland pond in dense winter fog

In the winter California’s Great Central Valley is often covered by tule fog. This fog is sometimes so shallow that you can look straight up and see the moon, the sun, stars, and clouds… but it may also be so dense that you can barely see a hundred feet straight ahead. People who have to drive long distances in these conditions — the east/west drive across the valley or, worse, the north/south drive along its length — dread this for, and driving in it can be both nerve-wracking and dangerous. Some of us, however, respond to the dense fog alerts in a perverse way. They are our signal to head straight to the valley to photograph in the fog!

This was one of those days. We ran into the fog as soon as we topped the pass over the mountain range along the west side of the valley well before dawn, and then we drove slowly through it for over an hour to get to our destination, where we photographed in it until it began to clear a bit close to noon. It was thick and wet on this morning, with very limited visibility and a constant drizzle. But it was also very still, very quiet, and very mysterious as we drove slowly around this wetland area where the calls of invisible cranes and geese came to us through the fog.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dancing Cranes

Dancing Cranes
Dancing Cranes

Dancing Cranes. San Joaquin Valley, California. January 16, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A group of sandhill cranes perform a courtship “dance.”

The sandhill cranes hold a special place for me in the list of San Joaquin Valley birds. Many years ago, I recall reading the work of the great American conservationist Aldo Leopold in a college class. As a young “Sierra Guy” I registered that this was supposed to be important, but my passions were with Muir and the Sierra and I was skeptical that some guy writing about some birds I had never seen could have much of interest to say about such things. To be honest, most of it didn’t sink in at the time — but as so often happens with college experiences, the seed was planted and it finally took root and grew much later. A second story: I was not at all interested in photographing birds until a chance encounter with a colleague while waiting in the espresso stand line one morning at the college. While we were standing there chatting, my friend Pauline mentioned her passion for birding and described a place further north in the Central Valley. I was going to photograph that weekend but didn’t have specific plans, so I more or less figured, “what the heck, might as well go check out this bird place.” The embarrassing fact is that I had lived decades in California with (almost) no idea of the astonishing numbers of migratory birds that make their homes here. One visit to this place my friend mentioned and I was hooked.

While the geese are my primary excuse to go photograph birds, over time I’ve become more and more fascinated by the cranes. There is nothing like arriving before dawn where they hang out and hearing their haunting cry carrying over the wetlands, unless it is the sight of a nearly perfect line of them, wings moving slowly, as they follow their level trajectories above the landscape, especially when it is a bit foggy. During the day they often seem to collect in groups, quietly feeding on pasture land. In the evening (and occasionally during the day) vast numbers of them coast in to land. And then there is “the dance.” Among a seemingly quiet group of cranes, mayhem erupts as small groups collect together and take turns jumping into the air in what I understand to be a courtship ritual.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.