Mountainsides of autumn aspen color rise toward the Sierra Nevada crest
I had a whole bunch of other photographs (late-summer in the Sierra, European travel/street photography) queued up to post right about now… but fall color is currently happening, and it seems better to post the timely stuff. With that in mind, here is another Sierra Nevada fall color photograph, with others to come shortly. By the way, if you are wondering when to go to the Eastern Sierra to see (mostly) aspen fall color, the core season generally includes about the first three weeks of October, with the middle week often being the most reliable. So, as of today… there is still time!
This is probably a familiar scene to those who travel around the Sierra Nevada’s east side in October to search for aspen color. This valley and these peaks are in one of the more popular locations — though, in truth, you can find good aspen color up and down the east side of the range and in a few places west of the crest, too. I’m most often in this particular spot quite early in the day, but I made this photograph later in the afternoon, when backlight illuminated and highlighted the aspen colors, a few clouds cast moving shadows across the scene, and a gentle haze softened the details of the highest peaks.
Autumn colors line the banks of a small Eastern Sierra Nevada stream
Perhaps because I wrote a book on the subject of photographing fall color in the Sierra Nevada, people often want to know what spots to go to in order to see and make photographs in the autumn. I will name a few places, mostly those that are quite popular already, easy to find (as in right next to the road!), and not subject to much danger from overuse. However, the truth is that there are great photographic opportunities in the fall all over the Eastern Sierra and elsewhere. For every iconic spot there are hundreds or thousands of others that also have great potential for photographs. You just have to slow down and look a little bit.
This photograph is of one of those little places — you could easily pass right by it and miss it. I have, and I’ve even stopped nearly and not seen a photograph. This time I was heading up a canyon in cloudy conditions and light rain, and perhaps the unusual conditions helped me to see differently. In any case, as I drove past the area I noticed the red plants growing close to the ground, even though there were largely obscured by intervening trees. I quickly turned around and came back, parked, and then spent some time poking around and looking. I finally ended up down along the bank of the stream, the closest I could get to the red plants, and I found a composition looking upstream toward more colorful plants and the white trunks of an aspen grove.
A grove of autumn aspen trees descends to the shoreline of a reflecting lake
I’ll use today’s post for several purposes — the usual photograph shared with comments, plus some thoughts and observations about the Sierra Nevada autumn color season. The photograph comes from a well-known location in the Eastern Sierra. I was fortunate to visit on a day when the usual crowds weren’t there, and I had the place almost to myself! It probably helped that I arrived at an unusual time of day, taking advantage of some broken clouds that produced some special light on the river of aspen trees flowing down the hillside to the edge of this subalpine lake. Parts of the grove were past the proverbial prime, but in some ways I like seeing a few bare trees in the scene.
On this past week’s short trip to photograph Eastern Sierra Nevada fall color I thought a bit about what I’ve learned over the years regarding the timing of the annual transition. One thing that I finally have accepted is that it is more or less impossible (with some minor exceptions) to accurately predict the evolution of the color in a particular year. A second thing I’ve realized is that, despite year-to-year variations within the season, the overall color transition tends to take place on more or less the same schedule each year. In other words, leaving aside truly exceptional times such as year five of the recent five-year drought, things tend to start and end on about the same schedule each year — despite the annual initial “observations” about how the season is going to be an unusual one — beginning high and working down the mountains to lower elevations, with other local variations in the evolution. (I confess… I’ve made those predictions, too.)
While the start/end times of the fall color transition tend to be fairly consistent (for example, week two of October is almost always a good bet), there are sometimes variations within that time frame. Some are obvious. For example, a big, windy storm when there are lots of yellow leaves will blow down many of those leaves, and there will be a gap of a few more days before other leaves change color and take their place. Others are more mysterious. I noted a few of those mysteries this year. For example, in one location where I often find trees losing their leaves somewhat earlier than elsewhere, this year there were still some green trees! Yet, in other nearby locations trees that are often coming into form just a bit later… were in full color already!
What to do? My advice is still pretty much the same. Target a time around the end of the first week of October for your visit, expecting that the week starting then is likely to produce good color. Once on the scene, be alert for variations and be ready to change plans. If one area is still green, try going higher. If the trees you visit seem to be losing (or have already lost!) their leaves when you get there, try a lower elevation, a location with larger trees, or a deep east side canyon. And realize that it is almost unheard of for all the trees in an area to be at peak color simultaneously — you are far more likely to find some bare and some green trees mixed in with your trees in prime condition.
What about this year? Based on what I saw last week, this weekend (October 12, 13, 14) should be great in many places. In addition, given the number of purely green trees I saw in various locations, it should be quite possible to still find excellent color in another week.
Pacific Ocean bluffs beneath summer fog, Big Sur coast
We often photograph this coast when it is sunny, and even then we tend to photograph at the colorful early morning and evening hours. The light at those times and in those conditions is, indeed, amazing, and who could blame photographers for seeking it out? In addition, along the Big Sur coast the clearer skies often produce great vistas that stretch over immense distances.
I often wonder how people who are familiar with this area from photographs and guide books — with their sunny photographs — must respond when they discover that fog is very common, especially during the prime summer tourist months. In fact, much of the California coast is like this — it can be (and was on the day I made this photograph) ninety degrees or hotter a few miles inland and cold, windy, and foggy along the immediate coast. I made this photograph right at one of the best known and most iconic locations along the Big Sur coast, but in these more typical foggy conditions.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
