Tag Archives: curve

Dune Curves, Morning Light

Dune Curves, Morning Light
Early morning light and shadows on curving dune forms, Death Valley National Park

Dune Curves, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early morning light and shadows on curving dune forms, Death Valley National Park.

Yes, it is one more in the never-ending series of sand dune photographs. As I have written previously, the dunes provide a seemingly endless photographic laboratory in light and shadow, color, texture, form, and more. They can be photographed on the large scale, where they comprise an entire monumental landscape, but they can also be presented on a smaller scale, where a photograph might feature a single gesture of sand, a plant, animal tracks, or some other small thing.

I think that you can look at many photographs of this type as having a dual nature. Looked at one way they are representations of “the real” in the natural world, though always with some degree of subjectivity and interpretation. Looked at in another way they can almost be abstract, divorced from their sources. I enjoy trying to see them both ways and in exploring the flexible boundary between the two ways of seeing. Here I was intrigued by mirrored shapes, in one case created by sunlight on a dune surface and in the other a shadow cast by a low ridge that is not within the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Curving Aspen Grove

Curving Aspen Grove
An aspen grove in various stages of autumn color transition descends from a Sierra Nevada ridge

Curving Aspen Grove. © Copyright 2018 G Dan Mitchell – all rights reserved.

An aspen grove in various stages of autumn color transition descends from a Sierra Nevada ridge

Some of you may recognize this aspen grove as being somewhat iconic — though you probably also know that it is often photographed in a somewhat different way. It is also usually photographed at a different time of day from when I was there — on a cloudy afternoon as a weather front was starting to fill in over the Sierra crest, moving conditions toward the potential for some light rain or even a few snow showers a bit later on.

Once again, I photographed in this soft light rather than in full sun. The direct sun can overwhelm the colors of an aspen grove like this one, while the soft light opens and illuminates the shadow areas and can even make the colors seem more intense, especially when some of that soft light is a bit directional and fills in the color from behind. This grove is rarely all in prime color condition all at once, since it covers a range of exposures and elevations. Here it is quite colorful both at the bottom and the top, though there are clearly areas where the leaves have already dropped.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook |
Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Light And Shadow

Dunes, Light And Shadow
A curving interaction between light and shadow on Death Valley sand dunes

Dunes, Light And Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

A curving interaction between light and shadow on Death Valley sand dunes

The visual patterns of desert sand dunes can quickly become a sort of photographers’ playground. While we often may go out looking for individual subjects and composition (the “perfect photograph of that mountain”), once in the sand dunes there are likely to be photographs almost everywhere we look. The subjects are remarkably varied, ranging from the smallest to the largest, from nearly pure abstraction to literal depictions, including human elements or not, and changing over the course of the day and in evolving light. Topping another wave of sand or curving around into a new hollow can bring a whole new set of possible photographs.

I made this photograph on a morning when we walked out into a lonely section of dunes before sunrise. I generally tend to photograph more “literal” subjects in that softer pre-sunrise illumination. That softness quickly disappears with the sunrise most days, and I begin to look for more stark compositional contrasts. Here I was attracted but the abstract shape of the sand that was struck by the light, and the suggestively organic shapes of the curve.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Xing School

Xing School
Street crossing marking on the roadway in Chinatown, Manhattan

Xing School. © Copyright 2018 G Dan Mitchell – all rights reserved.

Street crossing marking on the roadway in Chinatown, Manhattan

I’m going to divert briefly from the Death Vally photographs today and return to a much different place, the urban world of New York City. I made this photograph about four years ago and only rediscovered it today. Sometimes as I work my way though files after returning from such a location I get interrupted by another project and occasionally I leave work unprocessed. I think that is what happened in this case, as this wasn’t the only photograph in the batch that I had overlooked. (I only went back to these images because I was looking for something to use as an example in a reply to someone’s technical question.)

The location is Manhattan’s Chinatown, and I’m pretty sure it is a section of my favorite street in this neighborhood. (I have a kind of informal project of photographing this East Coast location and its West Coast equivalent in San Francisco.) I did something a bit unusual with my post-processing interpretation of the image. I suspect that it may not be obvious to viewers, but I played with the color levels and actually diminished their intensity quite a bit — I think this provides a little different sense of the quality of this location.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.