“The Circus” — A sectoin of the historic Circus, Bath, England.
Perhaps you are thinking, “If that is a photo of a circus, where are the clowns?” It isn’t that kind of circus. This “circus” is a marvelous example of Georgian architecture in Bath, England. At a high point in the city a circle of fancy apartments wrap around a small, central park, broken only few narrow entrances to the inner area. It is hard (panorama photographs anyone?) to make a photograph of the entire structure without taking to the air, so I decided to focus on a small section.
An empty, curving street at night, Florence, Italy
Three years ago we visited Florence, Italy near the end of more than a month of European travel. We were in Italy for almost the last two weeks of our trip, with most of the time spent with extended family in the hills of the Chianti region. From there we went to Florence for a few days of sightseeing, eating, museum visiting, and photography before we caught our flight back home.
In the summer, central Florence is a pretty busy place, filled with tourists during most of the daytime hours. I like photographing people, but it can be overwhelming. However, there were two times of the day when I could walk and photograph in relatively crowd-free conditions: early in the morning and late enough in the evening that the crowds had thinned. By the time I walked past this street, in a place where there would have been a good number of people earlier in the day, it was essentially deserted.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Brilliant red and yellow autumn leaves of oak and red leaf maple against a backdrop of layered and fractured sandstone, Zion National Park
I suppose that I have to be honest and admit that the main reason for making this photograph was the absolutely ridiculous and gaudy colors in this little bit of red rock canyon. You can find red trees in this area, and you can find yellow trees, but it isn’t often that you (or I, anyway) find this combination of leaves, packed so tightly together, and against the intense color of the sandstone wall.
We had probably driven past this spot a few times before we finally came back and pulled over and photographed it. I can’t speak for the others in my group, but in some ways it is almost a bit embarrassing to point a camera at something so colorful and photograph it… just because it is colorful. Compositionally it was a very tricky thing to shoot. The only feature that brings much relief to the shades of red, yellow, and orange is the single arching crack leading up from right to left.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A curved window on the Portside Building reflects a street scene near the San Francisco waterfront.
And now for something quite different from recently posted photographs…
I made this photograph while walking in San Francisco last summer. I’m intrigued by reflections and by scenes holding multiple layers or even multiple layered sub-scenes, so when I found this curved window I had to try to shoot it. For me the first thing I see is the cross-shaped pattern of the metallic bars separating the panes of glass. Looking more closely at what first seems to be just shiny and silver, I see quite a few colors and patterns, especially in the horizontal bars. On the other side of the window is a bit of the interior of the building – a white wall with its own curved shape, the end of a curved cushioned seat, and a dark area opening further into the interior on the right, within which a few shining lights are visible. Then there is the world in the reflections in the glass. (I mostly managed to exclude myself from the reflections, though you might be able to find a bit of me if you look very carefully! ) A person is framed in the lower right quarter of the frame against a background of a warped and curving street and sidewalk. The upper right section features some clearing fog over the Bay and a bit of an overhang in front of the building. The reflections at lower left are faint, though a cross walk can be seen. At upper left is a typical city scene with a traffic signal, wires, and the front of an urban building.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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