Tag Archives: dark

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Canyon Bend

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Canyon Bend, Death Valley.
“Canyon Bend” — A narrow desert wash curves though the depths of a slot canyon, Death Valley.

This photograph was made in a somewhat remote Death Valley canyon — access requires a long drive on primitive roads followed by a bit of walking. On this late February day it was very quiet here, and I saw only two other parties during my visit. We often see photographs of very colorful Utah slot canyons, but this photograph is more typical of Death Valley, where the rocks are more likely dark and much less colorful. But the shade and the quiet are just as wonderful.

I often photograph canyons in vertical “portrait” format. The feeling of these landscapes tends to be vertical — narrow passages between very high stone walls. But stepping back a bit we notice that the canyons wind back and forth. Rather than heading straight into the mountains they lazily twist from side to side. It felt like the horizontal “landscape” orientation might better illustrate this.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Canyon Narrows, Amargosa Range

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Canyon Narrows, Arargosa Range, Death Valley National Park.
“Canyon Narrows, Amargosa Range” — A section of narrows in a Death Valley canyon.

You are going to see a fair number of Death Valley canyon photographs here over the next few weeks as I share images from my late February visit to the park. With a few exceptions, the most interesting canyons in the park — and there are many of them! — are less accessible than some of the other famous features. You might have to drive on dirt roads, hike up huge fans and washes, or walk through long sections of less-remarkable valleys to get to the “good stuff.” But the best of them are well worth the effort.

The canyon experience contrasts with the vast distances, intense heat and dryness, and harsh sunlight which we think of as typical in Death Valley. Canyons can be cool and shady and their narrow confines often restrict your views to a few meters. The light is often soft and filtered as it bounces down from high above. As they cut though ridges and mountains he canyons reveal ancient strata. Perhaps best of all, they are often quiet and lonely places where time seems to stop.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.narrows, slot, constrict, stone, rock, cliff, wall, gravel, wash, erosion, amargosa, range, fall, canyon, shade, dark, geology, landscape, hike, nature, travel, california, desert, usa, north, america

Photographs: Europe, Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Narrow Street, Orvieto

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Narrow Street, Orvieto
“Narrow Street, Orvieto” — A narrow, deserted street in Orvieto, Italy.

The scene could be in almost any of hundreds of Italian towns, from tiny villages to big cities. These old avenues were built before automobiles existed and, apparently, before modern urban grid design separated everything into rigid squares and rectangles. This scene is in Orvieto, and here the street gently winds to the left. Tall buildings and narrow streets make for a lot of shade, something appreciated during hot Italian summers.

Big sections of Orvieto, a hill town close enough to Rome to attract day trippers, include these very old buildings and streets. We loved the town when we visited a couple of summers ago, and we spent a lot of time just wandering and absorbing the ambience of the place.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Community, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Mt. Dana, Sunset Clouds

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Mt. Dana, Sunset Clouds
“Mt. Dana, Sunset Clouds” — Clouds glow in the final sunset light above Mt. Dana.

There is a special autumn feeling in the Sierra high country that I love. It is hard to describe, and it may be the sum of a variety of seasonal features. Summer is a time of wild abundance as the plants (and the mosquitos!) take advantage of the short growing season. Within a couple of months it comes to an end and things go dormant in preparation for the coming winter. There are fewer human visitors, too — though sadly it isn’t quite as deserted as it used to be. The intense light of summer is gone, replaced by softer, golden, and often hazy light.

This was one of those evenings. I was traveling through the Yosemite high country between Tioga Pass and Tuolumne Meadows, and the place was nearly deserted. Clouds low enough to obscure peaks were drifting about, and the last sunlight turned the west edge of the cloud bank bright red/orange. I stopped here, made a few photographs, and watched as the color faded from the sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.