Tag Archives: death valley

Abandoned Stamp Mill

Abandoned Stamp Mill
“Abandoned Stamp Mill” — An abandoned water-powered stamp mill high in the Panamint Range, Death Valley National Park

It seems that every national park or monument has both a natural and a human hisstory, or perhaps a story about the relationship between the two. While the power of natural forces (heat, water, geology, and more) is abundantly obvious in the huge, austere landscape of Death Valley National Park, the human history of the place is rarely far from view. It begins with the evidence of people who lived here long before European-origin settlers came, evidence that can be seen in rock art scattered throughout the park, in the recognition that many settlements (current and now-abandoned) have a very much longer history than we may think, and in the native people who still occupy and identify with this landscape.

Perhaps more obvious is the more recent history of those who came to look for mining success. (There are places in the park where extraction still takes place.) Some examples are obvious to the casual visitor, but the more time you spend in the back-country of the park the more you understand that this particular history is everywhere — though not usually as obvious as this example. This stamp mill, built to crush gold ore, is amazing in multiple ways. Perched at the end of high ridge in very remote location, it was powered in the most unlikely manner… by water piped in from a spring over twenty miles away. The location is stupendous, and it is easy to think that practical issues may not have been the only considerations in choosing the site. From here one can look down thousands of feet to broad alluvial slopes leading towards Death Valley, but one can also look further into the distance and see the snow-covered peaks of the Sierra Nevada.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Desert Hills, Morning

Desert Hills, Morning
Morning light slants across desert hills, Death Valley National Park

Desert Hills, Morning. Death Valley National Park, California. April 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light slants across desert hills, Death Valley National Park

If you know Death Valley well, you already know this — but to many of you it may come as a surprise to realize just how much of Death Valley’s character is the result of the actions of water. The main valley itself was once the floor of a huge lake, and quite a few formations were formed beneath its surface. Once you realize this you begin to see the evidence everywhere. And in the time since the lake’s waters receded, the effects of water have continued in other ways. Evidence of flowing water is everywhere, from the gullies inscribed into the hillsides, to the washes that are found almost everywhere, and including the gigantic alluvial fans forms as floods carried eroded material from the high mountains out onto the desert floor. This extraordinarily dry landscape is, oddly enough, one of the easiest places to see the effects of water.

I had originally planned to photograph in a salt flat area where a bit of water flows, but when I arrived and found that my intended distant subject was under dim, cloudy light I decided to go with plan b and move on to higher ground. I had scoped out this location on a previous evening and was intrigued by the overlapping patterns of darker hills rising above the alluvial fan and the way they recede into distant haze. In the morning I could tell from a distance that there was light up here, so I quickly headed this direction, arriving just as the first light touched some clouds overhead. As I continued to photograph the clouds moved, bringing alternating periods of hazy gloom and then beautiful light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains, Last Light

Desert Mountains, Last Light
Evening light passes across the rugged face of desert mountains, Death Valley National Park

Desert Mountains, Last Light. Death Valley National Park. March 31, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light passes across the rugged face of desert mountains, Death Valley National Park

At the risk of repeating something I have already written several times, scenes like this one have a particular way of deceiving us. This is, in the strict sense of the work, a desert scene, photographed in a place that seems very little perception and where it can be oppressively hot and dry and where sandstorms often blow. From this distance there is little obvious evidence that anything living is within the scene.

However, it is also completely obvious that the scene is full of the evidence of the power of water. While the mountains themselves were not created by water — though if you look back far enough to their sedimentary roots perhaps they were! — they were most certainly shaped by water. The rugged ridges and gullies are clear evidence of the power of water, and even that gradual slope at the bottom of the mountains is an alluvial fan, created over long periods of time as water washed down material eroded from those mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains, Evening Shadows

Desert Mountains, Evening Shadows
Patterns of rock, evening light, and shadows in rugged desert mountain terrain

Desert Mountains, Evening Shadows. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Patterns of rock, evening light, and shadows in rugged desert mountain terrain

In places along the eastern edge of Death Valley, the color of soils and rocks varies tremendously. In the daytime light the colors are perhaps subtle — tans, reddish, gold, black, and more — but in the early and late (especially, on this side of the valley) light the colors intensify and become more saturated.

After I finished photographing more expansive views taking in the width and length of the portion of the Valley and including the base of the Panamint Mountains, I headed over along this other side of the valley where the final light falls. This scene holds some of the range of rock color, along with the rugged landscape of overlapping hills and gullies.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.