Tag Archives: death valley

Badlands and Desert Mountains, Morning

Badlands and Desert Mountains, Morning
The dark mass of rugged desert mountains stands beyond badlands lit by morning sun, Death Valley National Park.

Badlands and Desert Mountains, Morning. © Copyright 2022 G Dan Mitchell.

The dark mass of rugged desert mountains stands beyond badlands lit by morning sun, Death Valley National Park.

Some landscapes speak to me immediately, but others may not resonate at first or even for a long time. I made this photograph in a location in the latter category. While I find the desert endlessly interesting, especially in Death Valley, there are a few places that I just don’t get. In many situations they are, like this specific area, popular places where “everyone goes.” I have no issue with locations achieving iconic status, but sometimes I don’t see what the fuss is about. Recently an offhand remark by a friend got me thinking about this area again. On two recent trips I spent some time there, trying to see it with new eyes. This photograph is one of the products of that effort.

The photograph is also an example of the importance of the nature of the light, particularly in the subtle desert landscape. The contrast between the foreground badlands hills and the distant slopes of an immense desert mountain range does not always (or even usually) look like this. Here a combination of warm, early morning light coming from the side and thin high clouds that muted the light on the mountains greatly increased the contrast between foreground and background.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Colorful Strata

Colorful Strata
Colorful badlands strata in morning light, Death Valley National Park.

Colorful Strata. © Copyright 2022 G Dan Mitchell.

Colorful badlands strata in morning light, Death Valley National Park.

This subject may look familiar if you have been following my posts recently. It is a portrait-orientation composition of a feature that I also photographed in landscape orientation. (You might also think it looks a lot like a different iconic feature in Death Valley — it does, but it is not the thing you may be thinking of.) This is a sort of photograph that I make frequently, a small “excerpt” of a much larger landscape scene, photographed with a long focal length lens. The just-arrived early morning light warmed the colors a bit and brought out the pink and blue tones of the layers.

Photographing these kinds of desert colors can be challenging They are fascinating, but they are also often quite subtle, at least to my eye. In all but the best light they seem almost too faint to come through in a photograph. Some photographers compensate by significantly enhancing the intensity of the colors, but the result rarely appeals to me. Some particular qualities of the light made it work this time. Because it was shortly after dawn the light retained a warmer coloration. Some high, thin clouds muted and softened the light a bit. The band of darker material at the bottom contrasts with the lighter tones and with the colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Mountains and Wash, Evening

Desert Mountains and Wash, Evening
The last of the day’s light illuminates a wash descending though desert mountains, Death Valley National Park.

Desert Mountains and Wash, Evening. © Copyright 2022 G Dan Mitchell.

The last of the day’s light illuminates a wash descending though desert mountains, Death Valley National Park.

This feels like a “quiet photograph” to me — a desert scene that appears to be almost entirely static. In fact, one of the most powerful desert experiences I have had in the desert comes from moments in lonely, quiet places where it seems that nothing is moving and that it has been that way for a very long while. It is as close to the feeling of time stopping as we’re likely to experience.

The truth is that I made this photograph in a location that is not exactly quiet and still. Very close to my position there were dozens of people lined up to photograph one of the icons of Death Valley. (This particular icon is interesting but not photographically compelling to me, but as I mentioned in another recent post… my perspective can change!) The photograph illustrates another useful idea in photography, that when you are faced with an obvious subject it is still good to look around at all of the other things that might be worthy of your attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Canyon Bend

Photo of Death Valley slot canyon
“Canyon Bend” — A bend in the canyon narrows, Death Valley National Park.

Slot canyons and “narrows” are among the most compelling desert landscapes. Desert landscapes tend to be exposed, open to the sky and wind, and blasted by the midday sun. The space seems horizontally oriented, often with a distant horizon and perhaps low mountains rising from playas. The canyons contrast almost every way. They are places of shade, protected from wind, and the distant horizontal views are cut off, replaced by close surfaces covered with angles and curves.

There are many small canyons in Death Valley National Park, and they may be among its least-known and most interesting features. A few are popular, but most are off the beaten path and some are downright difficult to get to. Their lonely quality is part of the charm, and I hope it stays that way. This spot presents a fascinating combination of the blue-light, shadowed stratified walls, the water stained face in the warmer light above, and the canyon floor covered in gravel washed down by flowing water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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