Tag Archives: deposits

Badlands, In Shadow

Badlands, In Shadow, Death Valley
“Badlands, In Shadow” — Badlands formations in early morning shadows, Death Valley.

This is another is a series of photographs I made one morning at Zabriskie Point during my late February visit to Death Valley National Park. Previously I mentioned that I rarely photograph at this spot any more — after a couple of decades it takes some pretty special conditions to persuade me to join the crowd there. I stopped when pre-dawn clouds suggested the potential for a very colorful sunrise. Alas, that did not happen, but I did get some interesting light before the direct sunlight came to the formations at Zabriskie.

I’m a big fan of photographing in subdued light and especially in shade and when reflected light fills in the shadows. That is what we see here. The morning sunlight was striking nearby subjects, but it had not yet penetrated down into this little valley. The light produced a kind of soft glow and it picked up colors from the sky and reflected light from nearby prominences that were in the sun. Once again, the Death Valley landscape is a sort of canvas that is colored by light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Half Submerged

Half Submerged
“Half Submerged” — The salt playa of Death Valley partially submerged under the shallow waters of Manly Lake.

Part of what I love about this subject is how hard it is initially to understand exactly what we are looking at. (I wonder what you thought it was at first?) My first impression, at least when looking at small versions, is of sky and clouds. It is only when I look more closely that I realize that it is not that at all — it is the playa of Death Valley, where salt flats are partially submerged beneath the water of Lake Manly.

We usually direct our eyes parallel to the ground or perhaps upwards when we view the landscape. But on those occasions when we can look down at it from a distance we see it in a very different light. Features that are barely, if at all, visible from down below become the major points of interest. (There’s a lot more to see in this scene than first meets the eye.) And all of this is enhanced by the subjective feelings that come with looking out from any very high vantage point.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Afternoon Light, Lake Manly

Afternoon Light, Lake Manly
“Afternoon Light, Lake Manly” — Light beams above the snow-capped Panamint Mountains and Lake Manly.

These beams of light — sometimes known among photographers as “God light” — are a common afternoon feature in Death Valley. The valley runs roughly north-south, and there are tall mountain ranges on either side, with summits rising up to 11,000’+ at Telescope Peak on the west side. Consequently, direct sunrise and sunset are blocked from much of the valley floor, However, some time after sunrise and before sunset the light passes though canyons and gaps in the mountains, and this is the effect when it illuminates atmospheric haze.

If you visit Death Valley, it s good to keep this geography lesson in mind, since it can affect your experience and photography potential. If you want to photograph sunrise/sunset, you can see sunlit peaks on west side mountains in the morning and the east side mountains late in the day. If you want light down in the valley, you’ll have to find it a bit after sunrise and well before chronological sunset. What to do in the middle of the day when the sun is harsh? I like to head for canyons, the deeper and narrower the better!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Playa and Shadowed Ridge

Playa and Shadowed Ridge
“Playa and Shadowed Ridge” — Morning sunlight on the playa of Death Valley beyond a nearby shadowed ridge.

On one hand, this is an interesting record of something you can see in high places above Death Valley following a very wet season. On the other hand, there are several stories behind this photograph. It was morning, and I had arrived at this high overlook before dawn. Eventually the shadows of the mountains upon which I stood retreated across the valley towards me, leaving the playa in sun. At the moment that I made this exposure, there was just a small stub of the mountain shadow still in the valley, yet the jagged ridge just below me was still in dark shade.

Far below, there was a lot of water on the desert playa, much more than usual. Heavy rains during recent months had flooded a large section of the valley, and here a large pond is visible among the deposits that spread across the playa. A twisting, meandering stream leads to it. Farther out on the playa there are more channels — this landscape that we think of as being arid and hot was, on this day, full of water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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