Tag Archives: desert

Fractal Landscape

Fractal Landscape, Death Valley National Park
“Fractal Landscape” — A Death Valley landscape of layers of eroded ridges.

This view has intrigued me for years. At one popular Death Valley National Park location, one comes upon it quickly and often briefly. Because it is the coda of visits to this area that has many other attractions, it is easy to overlook it. It is harder to photograph than it seems that it should be — there are some compositional challenges, and unless the light is right the scene can have very low contrast and tricky colors.

The variety of pattens and details in the scene is remarkable. The first four ridges are low and consist of soft, easily eroded material. The more distant ridge is far away, across an intervening valley, and its details are almost always muted by haze. The foreground formations are deeply eroded and cut by gullies — which might seem like an odd thing at first when you consider that you are in an extremely hot and arid desert.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Gullies in Soft Light #2

Gullies in Soft Light #2
“Gullies in Soft Light ” — Eroded gullies and ridges in soft light, Zabriskie Point.

In the right light (and perhaps with a certain amount of post-processing) the geological patterns in a place like this can be drawn out and emphasized. But most of the time they are rather subtle, with pastel colors and low levels of contrast. This is especially true early and late in the day when the formations are not in direct sunlight. In this series of photographs from Zabriskie Point I decided to embrace the low contrast light and allow subtleties of shape, texture, and color to predominate.

Previously I mentioned that I ended up here because in the predawn twilight I thought I saw the potential for a spectacular sunrise sky. You cannot predict such things with certainty, and this time the colors did not develop as I hoped. Since I was there and set up to make photographs, I decided to use a long lens and focus on smaller details of this area’s landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes and Desert Hills

Dunes and Desert Hills, Death Valley
“Dunes and Desert Hills” — Early morning light on sand dunes and eroded desert hills, Death Valley.

Sand dunes were the primary attraction when I first visited Death Valley a couple of decades ago. They are visual icons of the place, and any new visitor would want to see them. For me, a person whose wilderness experience had been almost exclusively focused on the High Sierra, the dunes were exotic and new. Over time I discovered that there is a much more to this place, and the dunes are no longer at the top of my list of Death Valley destinations. Yet, I can’t let a trip go by without at least a brief visit.

This time my hour of dune photography was a prelude to other activities. I got up in darkness so that I could in position a half hour before sunrise. There is no denying that morning light in the dunes can be spectacular. After all these years, I’m still caught off guard by how quickly the dunes go from pre-dawn soft shadows to morning light and by the short period of extremely saturated colors right around sunrise. I photographed for perhaps 45 minutes, then hiked back to my car and headed to my real target for the day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon Bend

Canyon Bend, Death Valley.
“Canyon Bend” — A narrow desert wash curves though the depths of a slot canyon, Death Valley.

This photograph was made in a somewhat remote Death Valley canyon — access requires a long drive on primitive roads followed by a bit of walking. On this late February day it was very quiet here, and I saw only two other parties during my visit. We often see photographs of very colorful Utah slot canyons, but this photograph is more typical of Death Valley, where the rocks are more likely dark and much less colorful. But the shade and the quiet are just as wonderful.

I often photograph canyons in vertical “portrait” format. The feeling of these landscapes tends to be vertical — narrow passages between very high stone walls. But stepping back a bit we notice that the canyons wind back and forth. Rather than heading straight into the mountains they lazily twist from side to side. It felt like the horizontal “landscape” orientation might better illustrate this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.