Tag Archives: desert

Tall Black Oaks, Autumn

Tall Black Oaks, Autumn
“Tall Black Oaks, Autumn” — Tall black oak trees in autumn colors in Yosemite Valley.

I think I photographed these oak trees at just about the peak of their fall color, and I also managed to show up when the light was just right. Autumn oak leaves tend more toward brown than golden, but in the right kind of backlight they can glow and even produce a rich golden color. The light here was quite soft, which is also beneficial, but with cloud-softened light on the trees in the middle of the frame.

The meadows of Yosemite Valley are marvelous places, even if these days our access to them is more restricted than it once was. In winter they are quiet and often filled with morning ground fog. In the spring new growth bursts forth and they are very green places. In summer the grasses turn that “California gold” color as everything dries out. And for a short time in autumn the golden colors extend up into the tree tops.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mono Basin Sentinels

Mono Basin Sentinels
“Mono Basin Sentinels” — Rock towers in morning light on high desert hills above Mono Basin.

Mono Lake is immense, but it is dwarfed by the full extent of Mono Basin, the large valley it occupies. Prehistoric Mono Lake was much larger and deep enough to leave water marks along the base of mountains that are today quite dry. To get an idea of the full extent of the basin you must either travel around it (and learn how long it can take) or find a high place from which the whole thing is visible.

On this morning I was up in mountains south of the lake and the basin, mountains that form part of its border. I was there for some other photographic targets, including long views of the east side of the Sierra Nevada and some aspen groves. But as I worked I noticed these rock “sentinels” standing guard on a nearby ridge in morning light, and the view of the vast basin in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Mono Lake, Mountains, Morning

Mono Lake, Mountains, Morning
“Mono Lake, Mountains, Morning” — Early morning autumn light on Mono Lake and distant desert mountains.

Part of the challenge of photographing a familiar subject is finding a different perspective on it. This is especially true with “iconic” subjects that everyone has seen, and which we know by way of familiar views. If you think about any famous place you can probably visualize the scenes I’m thinking of — familiar views of familiar things. (I’m not against them. In fact, it is an interesting challenge to try to make those views different.) There are several familiar approaches to photographing Mono Lake. Yes, I’ve done them, too!

But this is not one of those familiar views. For one thing, the camera position here is not one that most people visiting the lake would think of or even know about. It is a pretty good distance from the lake — in fact the photograph was made with a very long lens. It is also elevated, up in mountains where sage meets aspens. I photographed in the early morning on a clear day, when the low morning sunlight was angling across the landscape from the right.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Morning Haze, Mono Lake

Morning Haze, Mono Lake
“Morning Haze, Mono Lake” — Morning haze mutes details of distant desert mountains beyond Mono Lake.

A photograph can be viewed in more than one way. The default is to regard it as an objective record of the subject — a “capture” of what was there when the exposure was made. But photographs are not really objectively accurate, and it might be better to think of them as expressions of how the photographer views and wants you to view the subject. This takes us to yet another possibility — that beyond the literal content of the photograph, we can also view it as a sort of abstraction, a composition of shapes and colors and densities, and textures. In the end, it can be all of these at once, and more.

I made this photograph of Mono Lake on an early fall morning, not at dawn but early enough that the harsher daytime light wasn’t there. It was hazy, which is quite common at this time of year, in part because this is wildfire season. Consequently the details of the scene are muted. Some of the impressions that I associate with Mono Lake include deep quiet and stillness (well, except when the wind kicks up!) and immense space — the vast size of the lake itself and then the even more distant surrounding terrain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.