Tag Archives: distant

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Boulder Mountain Aspens and Distant Peak

November 6, 2012 G Dan Mitchell 1 Comment

A distant peak in alpenglow above the fall aspen color on Boulder Mountain, Utah.

We had anticipated the huge aspen groves on the flanks of Boulder Mountain as we approached on highway 12 from the west, having seen these trees earlier in the year, last April, when we crossed the mountain in spring before the new leaves appeared. We weren’t sure what we would find since, a) Boulder Mountain is high and b) we had seen high elevations aspens earlier during the trip that had almost completely lost their leaves. As we climbed toward the mountain from the town of Boulder, we began to encounter aspen color, but as we climbed it was apparent that we had missed the most colorful phase of this years transition.

That was OK, though. Even a bit pre- or post-peak, the aspen colors can still be spectacular. We stopped at the first place where we could see large aspen groves leading on up the incline toward the higher portions of the mountain and made some photographs. Then we continued on, rounding the shoulder of the mountain to find some very large and still quite colorful groves ahead of us. Although the light was starting to fade as the end of the day approached and as high clouds moved overhead, it seemed worthwhile to try to photograph these trees with a long lens. I continued shooting through sunset and soon the last direct sun left the trees and the more distant mountains. Here there is still a bit of light on the highest peaks to the east, seen faintly through the haze.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Island, Coastal Bluffs, and Distant Shore

September 1, 2012 G Dan Mitchell Leave a comment

A steep and rocky island backed by coastal bluffs and a distant shoreline, northern California coast, Mendocino County.

The last time I passed by this section of the California coast highway in Mendocino County, I also stopped to photograph this scene – but was less happy with the result. This section of the coastline, like much of the meeting between California and the Pacific Ocean, consists largely of high coastal bluffs, interspersed with the steep canyons where creeks and rivers meet the ocean, with many rocky islands ranging from tiny to huge. The two-peaked island in this large cove fits more into the huge category and it is backed by two fingers of land where the high bluffs extend toward the ocean. In the far distance, a section of curving coastline is barely visible through the haze.

Recently someone asked me about how I decide whether a photograph will be black and white rather than color. I admitted – and it turns out that many feel the same – that often I am not certain when I make the exposure. Roughly speaking, the black and white photographs come about in perhaps three ways. Sometimes I like the subject but the color rendition just isn’t working the way I had hoped, so I try it in black and white and “discover” that I like it that way in post. On other occasions, at the time of exposure I sort of wonder if it might work in black and white and I make mental note to try it that way in post. In the third case, I “know” (with only a small amount of doubt) that the image is going to end up in black and white and I shoot the scene with that in mind. This is one of those photographs – I was almost certain that it would end up in black and white as I stood high on a bluff next to highway 1 making the exposure.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Lee Vining Canyon and Mono Craters, Morning

July 16, 2012 G Dan Mitchell Leave a comment

Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.

East of Tioga Pass, highway 120 (a.k.a. “Tioga Pass Road”) descends relatively gently past Tioga Lake and then Ellery Lake before it drop precipitously down the eastern escarpment of the Sierra Nevada through Lee Vining Canyon on its way to the junction with highway 395 just south of the town of Lee Vining. I’ve driven over it for years, going back and forth between my home in the San Francisco Bay Area and the east side of the Sierra, so I should be fairly nonchalant about it by now – but every so often as I pass over the route (most often looking down into the canyon from above) I wonder whatever possessed people to think that it would be a good idea to route a road across the talus fields and across the steep headway of this canyon.

During last week’s photographic trip to the Tuolumne Meadows area of Yosemite National Park I went over the pass twice. The first time was to scout out some possible shooting locations around Mono Lake – OK, and to get an espresso at Latte Da in Lee Vining – and the second was the following morning when I returned to shoot one of these locations. The night before I had moved my camp to Ellery Lake (it is a long story), which put me a bit closer to Mono Lake, so I was up well before dawn and at the lake before sunrise. After photographing my primary subject there right at dawn, I stuck around long enough to photograph the early morning light and haze above the lake, then headed back to break up my camp before heading home. As I crossed that headwall high up above Lee Vining Canyon, I looked east toward the Mono Craters. Looking that way is pretty much a habit, but I rarely find it to present anything that I want to photograph. This morning was different. I quickly found a turn-out and drove back to this spot. A nice haze filled the air (I like atmospheric haze for photography!), a few clouds clustered around ridges just beyond the volcanic Mono Craters, and a high line of clouds from monsoonal flow were in the far distance, with the steep walls of Lee Vining Canyon backlit and almost seen entirely in silhouette.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Towers, Evening Clouds

May 22, 2012 G Dan Mitchell Leave a comment

Dissipating evening clouds above sandstone formations, Arches National Park, Utah.

On our first early April evening in Arches National Park, we ended up at what the NPS map calls the “Windows Section.” This is an area of long sandstone ridges and many arches, including North and South Windows, Turret Arch and more. We really didn’t quite know where we were going, but we could tell that the day was waning and that we needed to find a spot to shoot the evening light – and this are was close and seemed to hold some potential. We drove the end of the road, quickly unloaded, and headed off to see what we could find.

I started by going back down the road a ways to photograph more open terrain to the west along with a row of sandstone features running to the north. I quickly figured out – duh! – that is was very windy! This isn’t a major problem as long as the light is good, but I knew that it was going to be a challenge as the diminishing light eventually called for longer exposures. I then wandered up toward Turret Arch and the South Window, looking for likely compositions. I made a few initial exposures before the sun dropped below the horizon, the light soon began to fade to that wonderful period just after sunset when everything can take on a sort of rich glow when the conditions are just right. Some dissipating clouds were adding to the glow and making the light and the sky more interesting… but that wind wasn’t diminishing a bit! Even with a solid tripod and head, when using a somewhat large lens and long exposures there will be issues with camera stability. This limited my range of motion a bit, as finding spots that provided some shelter from the strongest gusts became a consideration along with the usual compositional issues. With that in mind, I ended up mostly foregoing the major features here and instead turned my attention to the sky and to a cluster of sandstone formations to the east of the main arches… and that is what you see in this photograph.

G Dan Mitchell Photography

Tag Archives: distant

Boulder Mountain Aspens and Distant Peak

Island, Coastal Bluffs, and Distant Shore

Lee Vining Canyon and Mono Craters, Morning

Sandstone Towers, Evening Clouds

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.