Tag Archives: distant

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Bluffs, Surf, and Haze

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Bluffs, Surf, and Haze
Thin fog obscures distant views beyond coastal bluffs and waves along the Pacific Coast of California.

Bluffs, Surf, and Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin fog obscures distant views beyond coastal bluffs and waves along the Pacific Coast of California.

The scenes like this one that I photograph, visit and revisit… the more clear is the contrast between their timeless nature and the way we live our lives. This photograph comes from over almost a decade ago — which either feels like a very short time or a very long time right now — but it could have come from virtually any time in the past. There’s nothing obvious in it to link to any particular time.

The scene likely feels familiar to anyone who lives near or visits locations where coastal flatlands run up against the edge of the continent. The sea eventually wins the inevitable battle, and in the process produces a stark contrast between gentle, flat bluffs and the cliffs at their edges, which drop precipitously into the ocean and leave behind sea stacks and small islands. On this evening the sea was rather quiet and a thin fog was beginning to obscure distant views.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Sandstorm, and Mountains

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Dunes, Sandstorm, and Mountains
A Death Valley sandstorm builds above sand dunes, obscuring distant desert mountains.

Dunes, Sandstorm, and Mountains. © Copyright 2013 G Dan Mitchell – all rights reserved.

A Death Valley sandstorm builds above sand dunes, obscuring distant desert mountains.

Once again I am discovering how many promising photographs get left behind when I first assess them shortly after making the photographs… and how valuable it is to revisit the original files later on. I typically do a year-end review of the previous year’s raw files, but even then I miss a few. So I suppose that there is at least one good thing to come from the limits on photography in the pandemic era — the extra time available to go back and take a look at the old files with new eyes.

For the past week or two I have been digging into photographs from the late winter and early spring of 2013. These images include Death Valley photographs from that year’s annual visit to the park. On this day the ubiquitous Death Valley winds had risen, and a sandstorm was developing above the upper valley, blowing sand and dust southward toward these dunes. The wind was gusty, and rather than filling the atmosphere with uniform haze, tall clouds of dust and sand rose high into the sky as they traversed the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Desert, Photographs: Mono Lake Basin, Photographs: Nature

Shoreline, Mono Lake

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Shoreline, Mono Lake
A hazy summer morning along the shareline of Mono Lake.

Shoreline, Mono Lake. © Copyright 2012 G Dan Mitchell – all rights reserved.

A hazy summer morning along the shareline of Mono Lake.

Perhaps you see a few of my photographs and read the accompanying text… in which case you may already know my Mono Lake story: I’m attracted to the immense space and profound quite and stillness of the place, more so than specific features such as tufa towers. Perhaps because I’ve been to those popular features many times, I now tend to poke around in somewhat more obscure places or try to see other aspects of the lake and its surrounding basin.

I made this photograph on a clear sky day when haze — perhaps from wildfires? — was obscuring distant features on the far side of Mono Basin. With the light come from above and beyond those far ranges the atmosphere was luminous and seemed to almost glow. Winds were creating patterns on the surface of the lake. I included some of the near shore, too, perhaps to more clearly show the immense size of the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Dusk, From Boulder Mountain

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Dusk, From Boulder Mountain
A distant peak in sunset light beyond autumn aspens in the Boulder Mountain area.

Dusk, From Boulder Mountain. © Copyright 2012 G Dan Mitchell – all rights reserved.

A distant peak in sunset light beyond autumn aspens in the Boulder Mountain area.

This photograph marks a step in my process of learning about the remarkable landscape of southern Utah. I’ve written previous about how I managed to miss photographing Utah for a long time — it is a long story having to do with Sierra obsessions and family travels though less visually stimulating portions of Utah when I was very young. My first real photographic visit was in the early 2000s in the springtime… and I was taken by this landscape. On our way across the state we passed through the Boulder Mountain area, and I made a mental note to try to revisit this area’s extensive aspen groves in the fall.

A few years later we went back in autumn, on a long trip that started in the Eastern Sierra, crossed empty areas of Nevada, and arrived in Southeast Utah… where I discovered that fall colors arrive earlier there than in the Sierra. When we eventually worked our way across Boulder Mountain it was clear that we were catching the tail end of the aspen colors, and many groves were already bare. At dusk we found a location where lines of still-colorful trees alternated with bare trunks. Among the photographs I made was this one, looking toward the last light on the Capitol Reef area and higher mountains beyond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.