Tag Archives: distant

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Melting Ice, Gaylor Lake and the Cathedral Range

March 18, 2011 G Dan Mitchell 2 Comments

The distant Cathedral Range rises above the melting ice of Gaylor Lake, Yosemite National Park.

Near the end of June last summer I hiked up here late in the day with my friends Mike and Karl. This was a somewhat unusual season in the Yosemite Sierra, in that there had been a lot of snow during the winter season and it had continued right on into spring. Consequently, the high passes opened up later than usual, and on a very late June day when things would typically be a bit more summer-ish, it looked more like late winter up here when we arrived.

I’ve visited this place quite a few times, but had never seen quite this scene before. More typically, the snow and ice are completely gone by the time I manage to get up there, and a typical visit usually entails arriving late on a warm afternoon and then hanging out in the sun while waiting for the evening light to come on. This time we were in snow before we crossed the ridge before the lake, and we had to think a bit about just how to head down toward the lake since the usual path was covered in snow. The lake itself was (obviously, judging from the photo!) still covered in ice, though melting was underway and the surface was a jigsaw puzzle of alternating blue pools and white ice.

We found a location near clumps of trees on rocky talus slopes above the lake to do our photography. In this photograph I shot down the length of the lake to mostly fill the frame with the melting ice. Beyond a small rocky rise at the end of the lake, the terrain drops off towards the meadows of the Tuolumne region, and beyond rise the peaks of the Cathedral range in early evening light.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Badwater Basin Salt Flats, Dusk

April 19, 2010 G Dan Mitchell 2 Comments

Newly formed salt polygons extend to the horizon as evening clouds gather above the Badwater Basin salt flats, Death Valley National Park, California.

This is one more – and perhaps the last – in a series of photographs I shot on a late-March evening in the Badwater Basin of Death Valley National Park. The light goes through a long and interesting transitional process at this location. Because of the tall Panamint Mountain range to the west, the direct sun leaves the surface of the salt flats quite early, though the hills along the east side of the valley and the more distant mountains can still be sunlit for some time. Once the sun drops behind the Panamints, the “white” salt actually can end up being quite blue since it is illuminated entirely by the diffused light from the blue sky. As I have mentioned before this creates some interesting subjective questions for the photographer. Should the salt be white? Should it be as blue as it looks in the capture? Should it be somewhere in between? I’ve seen interesting and effective photographs that seemed to take each of these approaches.

In this case, because I shot a bit before actual sunset and while some clouds reflected less blue light onto the playa surface, the need to alter to color balance was diminished a bit – which is not to say that I didn’t do some work to balance the colors so that they looked more like what I remembered. A second issues is related, namely that the sky remains very bright while the salt flat surface, in deep shade, is very dark by comparison. On the scene, the eyes/brain compensate and the difference seems less than what the camera records. So, again, some adjustment in post is needed. In this case I made two exposures one stop apart. On just barely handled the brightest portions of the sky without blowing out, while the other did a better job of holding the details for the shadowed salt formations. I combined the two source images in post.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of 1/13 second and 1/6 second exposures

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Photographs: Desert, Photographs: Mono Lake Basin, Photographs: Nature

South Tufa, Morning

August 6, 2009 G Dan Mitchell Leave a comment

Black and white photograph of early morning at South Tufa, Mono Lake, California.

This black and white panorama was photographed on my early June, 2009 visit to the South Tufa area of Mono Lake. Earlier that morning I had photographed the more typical early morning golden light of dawn on the tufa towers from a closer position. This photograph was more or less a last-minute afterthought, as I had completed the photography I had in mind on this morning and had pack up. I was actually leaving the shoreline when I happened to look back at this view that includes many tufa towers and I noticed the two small clouds (remnants of more extensive dawn clouds) centered over the towers.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

G Dan Mitchell Photography

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Photographs: Desert, Photographs: Mono Lake Basin, Photographs: Nature

First Light, South Tufa

August 5, 2009 G Dan Mitchell 3 Comments

First light of dawn illuminates tufa towers and distant mountain at Mono Lake, California.

This photograph was made at the usual spot – anyone who has photographed at Mono (and who hasn’t!? :-) knows that the most consistent spot to shoot sunrise light is at the South Tufa area, down the road from highway 395 a bit south of Lee Vining. On a good morning you’ll have at least some clouds, and the location of those clouds may dictate what your foreground subject is; do you want to shoot to the north and the low hills, to the east and towards the sunrise, or toward the Sierra Nevada crest? You arrive very early, usually well before dawn, and walk out to the edge of the water where the towers are. You find a composition and wait, with the only sounds the cries of seagulls (a sound I immediately associate with Mono) and possibly the voices of other photographers. The sky begins to lighten and then, almost before you know it, the warm glow of the first dawn light begins to light up the towers. (Am I the only one who marvels that this happens in almost complete silence?)

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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