Exterior surface of a Chicago building, including distorted window reflections
This is another small bit of Chicago urban landscape, this time a detail of a downtown building that contrasts the very regular and geometric shapes of textures of the vertical and horizontal features against the wildly random and distorted patterns in the windows.
Distorted reflections on Chicago downtown building windows
Once you start looking at the windows of modern urban towers, you begin to see them in a very different way. Instead of seeming like isolated structures or merely individual architectural forms, they start to relate to their surroundings and to take on changing and whimsical qualities. I first noticed this on my many trips up to San Francisco to photograph in the downtown area, where I became more and more aware of the reflections and the ways that light plays across the buildings and reflects down to the street level from their glass surfaces.
This was a handheld “grab” from the boat on the Chicago architecture cruise we took early one morning. In a way I wish that I had carried a longer lens so that I could have isolated the wild reflections on either the right or the left side, but since I couldn’t I instead decided to go ahead and split them with the section of reflected blue sky.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A tree with early spring greenery against a backdrop of the reflecting windows of downtown San Francisco buildings.
On a mid-April walk though portions of downtown San Francisco to make photographs, while passing through the financial district I was these branches with new spring leaves juxtaposed with a conjunction of building angles, reflected and distorted light, and colors that created a wild abstraction.
The urban environment often holds visual attractions that are not always immediately scene and which sometimes require one to look past the more obvious grit and turmoil. (Those, too, can be a photographic subject… but not this time.) In downtown concrete canyons with glass covered buildings, there is a constantly varying world of wild distortions and conjunctions and perspectives. If you think about it, very little of what you think you see in this photograph is really “there.” The thing the fills the largest portion of the frame is a crazily distorted reflection of other building and sky, fractured and bent by the distortions from the glass – in essence you don’t really see this building at all!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
