Tag Archives: door

W!

W!
“W!” — Colorful painting and graffiti on metal door, New York City

Continuing my current pattern of wild back-and-forth swings among subjects, today I retreat from the foggy California wetlands and head back to New York City for some wild color. There’s nothing in the photograph to let you know this, but it was a bitterly cold winter day when I made the photograph. Almost nothing stops me from walking with my camera when I visit New York, though the 20 degree (and colder!) temperatures and biting winds did their best on this day. We started walking in Lower Manhattan, near the Staten Island Ferry Terminal (a very windy place!) and headed uptown on a somewhat random path. The route took us through some places you might not bother to visit on a tourist trip to the city, but it did turn up subjects like this intense example of street art painted on the roll-up door of a small business. If memory serves, this was the day that we finally made it to Veselka, the Ukrainian restaurant. As we walked and got colder and colder, the thought of borscht and other goodies became more and more attractive. Veselka did not disappoint.

About this photograph and its dissonance with other work I post, such as wilderness landscapes, seascapes, and migratory birds. I know that some photographers prefer to focus on a particular range of subjects. (There are fine reasons for making that choice, in fact.) But I have at least a couple of reasons for photographing a wider range of subjects. First, I come from a background in music, where the idea of performing only one style of music (say, Baroque trio sonatas) all the time seems incredibly constraining — so seeking out a wider range seems nature to me. Second, I like to think that these different subjects are still united by whatever it is that constitutes my way of seeing… and that there might be a bit of the landscape photographer in the city and a bit of the street photographer in the landscape work.

TWO


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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At The Door

At The Door
Patricia Emerson Mitchell opens the door to a snowy Lower Manhattan street scene

At The Door. © Copyright 2017 G Dan Mitchell – all rights reserved.

Patricia Emerson Mitchell opens the door to a snowy Lower Manhattan street scene

We frequently visit New York at about this time of year. Our sons and their wives live in the area and we can often open up about a week of travel time. It is a fine time to visit — there is a lot of holiday stuff to see, if that is your interest, and it seems like the subways are a bit less crowded during the week between Christmas and New Year’s Day. Plus, by comparison to our mid-summer visits, the potentially cold weather actually seems attractive… and a welcome change from “California winter,” with its 50-60 degree temperatures. But the timing of these visits often has us there just a bit too early for snow.

This year was different. Shortly after we arrived the weather turned cold — extremely cold by our California standards — with daytime temperatures barely (and not always) making it into the lower 20 degree range. We persisted, however, and did a lot of walking all over Manhattan, always carrying cameras and making photographs. For most of the week we saw weather forecasts predicting a chance of snow on the last two days of the visit, but those forecasts gradually reverted to merely “cloudy.” So we were pleasantly surprised when we opened the hotel blinds on our final morning and saw snow falling! We headed out, mainly to find breakfast and coffee, and enjoyed the transformed landscape. As you look at this photograph, try to also imagine that moment when you move between the snowy, cold, and windy street and the warm, inviting space of a restaurant, coffee shop, or the home of friends/family.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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A Shadow

A Shadow
A shadow falls across a Seattle sidewalk and roll-up door

A Shadow. Seattle, Washington. September 8, ,2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A shadow falls across a Seattle sidewalk and roll-up door

In early September I had the opportunity to spend several days in the Seattle area. I was actually there on a sort of business — not photography related — but I did have enough spare time that I could do some photography, too. It turned out that I had two opportunities. On nearly the last time of the trip I managed the long drive to the North Cascades, where I photographed in the Mount Shuksan and Artist Point area for an afternoon. Before that I managed to head to downtown Seattle for a bout of street photography. This photograph comes from that visit.

When I do street photography I work in ways that are both related to my landscape photography and also different. In both cases I tend to only select general subjects ahead of time, preferring to head out and explore and see what I can find. In both cases I am looking not just for “depictions” of the subjects, but also for bits of visually interesting material that might stand on their own outside of the specific location context. Of course, I use different equipment — for street I leave the tripod behind and I work with a small camera, typically using one or two small prime lenses. As I walk, often slowly, I am attentive to what is around me. I am discrete with the camera, only lifting it in front of me when I make a photograph. I often spot something, make the photograph, and move on quickly. (Not always, though. Some subjects demand more patience or are worth a careful exploration.) I may photograph people, architecture, or fragments of the scene. This is one of those fragments, an odd shadow falling across the slightly warped geometry of the metal roll-up door, and offset by the tilting sidewalk below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Urban Geometry

Urban Geometry
A study in shapes, colors, and textures, Manhattan

Urban Geometry. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A study in shapes, colors, and textures, Manhattan

When I photograph urban/street subjects I am usually looking for quite a range of different things: individual people doing interesting things, masses of people, odd little vignettes, color and line, and sometimes the urban landscape itself. It is, I think, possible to regard the city as a kind of landscape, and even to photograph it in ways that are similar but perhaps not identical to how we photograph the so-called natural landscape.

On this day I was on foot (hiking?) through Manhattan, on my way to meet people, when we passed through the area around Washington Square. The stark and angular architecture of this bit of a building caught my attention, and some of the colors and textures brought to mind a sort of idealized representation of the red rock canyons of the Southwest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.