Tag Archives: dry

Photographs: Nature

Fallen Flower

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Fallen Flower
A fallen flower rests lies on a bed of old leaves and sticks.

Fallen Flower. © Copyright 2022 G Dan Mitchell.

A fallen flower rests lies on a bed of old leaves and sticks.

Special Note: Patty and I are presenting a Silicon Valley Open Studios event on May 21 and 22. Look us up there or contact us for more information. Come and see our prints!

As I have written previously, as I photograph one subject I often am also on the lookout for other things that might make a photograph. As we fixate on our primary subject — quite important! — we risk missing other subjects lurking in the neighborhood. The old advice was “always look behind, too” — that’s a reminder look up, look down, look over, look under, look everywhere. You will probably find something interesting.

We were at a large public garden full of spectacularly beautiful spring flower displays. I mostly photographed colorful flowers, but I also poked around a bit. Some time ago I began looking underneath the plants that provide the main show, especially in gardens like this one where interesting things fall to the ground and lie unnoticed in the soft shadows. This flower had reached a poignant stage — it retained its color and shape but had been discarded in the litter beneath the bushes where it was beginning to decay.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Creosote, Morning Light

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Creosote, Morning Light
A cluster of creosote in sand dunes, backlit by morning sun.

Creosote, Morning Light. © Copyright 2022 G Dan Mitchell.

A cluster of creosote in sand dunes, backlit by morning sun.

As this morning’s light quickly evolved, I had just time to make one photograph of this subject from this camera position. I was photographing almost straight into the sun, which was just above the ridge that creates the shadow in the background. The plant’s mirror image of shadows caught my attention, and it sort of felt like the combination of the plant and its shadow exploded across this bit of dune landscape.

From a photographic perspective, this image is another example of a few semi-technical points I’ve made in some of my recent Death Valley posts. It was made quickly — not at all using the sort of sedate process that some might think of when considering landscape photography. This landscape of dunes and light evolves very quickly at this time of day, and to respond to it I often work quickly, moving rapidly from one subject to the next. It is also a photograph made with a long focal length lens. As I have mentioned, this lets me work a larger area in the dunes more quickly, and it also allows me to limit the scope of the composition.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes and Blowing Sand

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Dunes and Blowing Sand
Streamers of blowing sand from a rising dust storm along the edges of a tall sand dune.

Dunes and Blowing Sand. © Copyright 2022 G Dan Mitchell.

Streamers of blowing sand from a rising dust storm along the edges of a tall sand dune.

The desert landscape has a way of reminding us how small we are. Sometimes this happens in unexpected ways, perhaps in a moment when the air is still in a quiet, lonely place and a sense of deep time may become overwhelming. More familiar manifestations are common, including such things as the nearly unbearable power of a desert wind storm, or standing on a peak and overlooking hundreds of square miles of what appears to be “empty” terrain.

I photographed these dunes on a windy afternoon and evening. The winds increased as I worked alone At times streamers of sand blew past me, over the lips of folds in the dunes, and sometimes even uphill. I would pause, hunch my shoulders a bit, steady tripod and camera, and resume photographing a moment later. I made this photograph from near the bottom of a tall dune, angling the camera slightly upwards to include its windward face.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada

Sierra Foothills, White Mountains

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Sierra Foothills, White Mountains
A long view from the Buttermilks in the Sierra Nevada eastern foothills to the crest of the distant White Mountains.

Sierra Foothills, White Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

A long view from the Buttermilks in the Sierra Nevada eastern foothills to the crest of the distant White Mountains.

Recently I was once again pondering how the way we approached the Sierra Nevada at first affected our overall perceptions of the character of the Range of Light. As I have noted before, during the first decades of my relationship with these mountains I approached from the west, crossing semi-coastal mountains, crossing the agricultural Central Valley, rising gradually into oak-grasslands and eventually to conifer forest, and only much later finally arriving in the “High Sierra” world of open meadows and alpine peaks. Contrast this with the experience of those approaching from the east, where the range presents a very long “wall” of peaks that towers above high desert, in places rising by as much as 10,000 feet above that dry landscape.

This photograph is, probably obviously, one that focuses on that eastern part of the Sierra. But here I look away from the Sierra Nevada, past the rugged and “barren” terrain of dry hills at the base of the range, across the expanse of Owens Valley, and toward the (also dry) peaks of the White Mountains. To put it plainly, you won’t see anything like this on the west side!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.