Tag Archives: dry

Across the Valley

Across the Valley
A desert wash curves past barren desert hills on its way to the salt flats of Death Valley.

Across the Valley. © Copyright 2023 G Dan Mitchell.

A desert wash curves past barren desert hills on its way to the salt flats of Death Valley.

Visitors to Death Valley might not immediately realize how much of a role water has played (and continues to play) in shaping the place. I like to point out that this location, known for its heat and aridity, is one of the best places to see the effects of water laid bare. The vast playa and salt plains in the valley are formed by water that settles there and evaporates. The Valley once held an ancient (and quite large!) lake. The alluvial fans — like that in the foreground of the photo — are laced with waterways, small and large. The present-day forms of the mountains result largely from water eroding uplifted blocks.

The location of the photograph is on one of the immense alluvial fans that descend from rugged mountains toward the playa. In this area the fan is interrupted by groupings of mostly-barren hills, many featuring darker rock, and they line up in interesting patterns. In the far distance, perhaps up to 50 miles away, lie mountains at the far southern end of the Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Holly in the Sun

Holly in the Sun
A desert holly plant in sunlight, growing in a Death Valley National Park canyon.

Holly in the Sun. © Copyright 2023 G Dan Mitchell.

A desert holly plant in sunlight, growing in a Death Valley National Park canyon.

Last week I made my first visit of the year to Death Valley National Park. I like to photograph there during the winter and again at the very beginning of spring. Despite the reputation of the place, it can be quite cold there in January, and I experienced a few windy and chilly moments. I made this photograph near the furthest point in a pleasant wander up a lovely wash that I happened into more or less by accident. I was near a ridge and the slanting afternoon light was still just catching the branches of this desert holly plant.

The circumstances of this afternoon’s walk were a reminder about one of the best ways to encounter the wild. I had gone out to scout a location for the next day’s dawn photography, and from my selected location I saw a small canyon dropping away. I almost didn’t enter it, but finally decide to walk “just a few feet” in to investigate. I did, and soon came to a junction with a much larger wash, and I couldn’t resist exploring. I started up, eventually going 15 minutes past my turn-around time, and finally ending up in a narrow, constricted, dark… and altogether fascinating little stretch of canyon that I need to explore again.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Toward the Playa

Toward the Playa
A dry wash heading toward the playa in late afternoon light, Death Valley National Park.

Toward the Playa. © Copyright 2022 G Dan Mitchell.

A dry wash heading toward the playa in late afternoon light, Death Valley National Park.

This is one small desert wash, one occasional watercourse among uncounted numbers of them in this landscape. At the risk of repeating myself, this is yet another illustration of the ubiquitous presence of water in this desert. In prehistoric times, this was a very large lake, believe it or not, and the distant playa is essentially the lake’s remnant, a place were water still collects in wet years. When storms pass through and drop sometimes-torrential rain, these washes carry more water out to the low places.

On one hand this photograph could be seen as evidence of the role of water here. But when I look at it I think about the experience of walking across such terrain. (And because I do walk there sometimes, I go during the cooler times of the year!) When you start out, your goal seems not so far away. But distances are deceiving here, and your objective often ends up being much farther away. As I walk, there is a fascinating combination of senses — one is the feeling of being very tiny in an immense landscape, but another is an intense focus on immediate surroundings: the sound of wind, the clatter of stones, the footing changing as I move from rocks to sand, perhaps a breeze, the intensity of the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dormant Desert Holly

Dormant Desert Holly
A dormant desert holly plant against rocky backdrop in evening light.

Dormant Desert Holly. © Copyright 2022 G Dan Mitchell.

A dormant desert holly plant against rocky backdrop in evening light.

Photographing this dormant desert holly bush was very much a last minute opportunity. Late in the afternoon we headed toward a prospective early evening subject, stopping along the way to photograph various other things as the light cooperated. Ironically, when we arrived at that intended subject several factors made it less appealing than expected, and I barely photographed it at all! We spent a few minutes there, and as the light began to decrease we moved on.

We were along the east side of Death Valley at the time. A big part of photographing in this landscape is learning the daily patterns of the light. Because of the very large mountain range on the west side, the direct light where we were ends well before sunset. This also produces an extended period of soft light in the shadow of that western range, when the landscape is still illuminated by the blue sky and sometimes by colorful clouds. I photographed this plant, set against a nearly barren and rocky hillside, as that soft evening light began to fade.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.