This photograph is a result of one of the quick, unexpected encounters that occur when doing street photography. Sometimes they happen so fast that there is hardly time to photograph. This one was brief, but not so quick that I couldn’t make a couple of photographs.
Continue reading Woman With Blue Bags, Alfama
I know. Laundry hanging above urban homes in foreign cities is more than a bit of a cliche. I’ll try to minimize it, but sometimes I cannot resist. Here it is really more about the wild range of colors in the photograph, from that laundry to the colorful overhead streamers above the lane, and the contrast with the other less-colorful surroundings.
Continue reading Alfama Laundry
We wandered quite a bit during our May visit to Lisbon this year. (This was part of a 6-week trip that took us to Portugal, Spain, Belgium, and New York City.) When I write “wandered,” I mean this quite literally — we frequently head out with only the vaguest idea of what we’ll explore. In this case, we knew we were headed to the Alfama district, but beyond that we would wing it.
The Alfama is full of narrow, twisty, and often steep streets — just the sort of place to wander slowly. Roughly speaking we first crossed a section of the lower reaches of the district, and then we turned and began climbing. Along the way, we took many detours. If a side street looked interesting we went that way. I made this photograph in a quiet, out of the way area, where steps led uphill between the closely-spaced buildings.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
This site uses Akismet to reduce spam. Learn how your comment data is processed.
(All media © Copyright G Dan Mitchell and others.)
After visiting Monpellier’s Arc de Triomphe and nearby Christmas Market, we headed back down the Rue Foch toward the old center of the city, but soon took a detour to the north. It eventually took us to the St. Pierre Cathedral and then the nearby Jardin des Plantes. To get there, we first traveled through some quieter, winding back streets, including this one where I photographed a man ascending a steep section.
The light in this location and others like it reminds me a lot of the light in slot canyons in the American Southwest. Because this “canyon” is also narrow and lined by tall “walls,” direct light rarely makes it to the street level. As a result, the light is often quite “cool,” or blue, since most of it is coming from the sky itself. But in places where the sunlight hits the walls, it reflects back and forth and sends a bit of warmer toned light into the “canyon,” as on the wall at the end of this street.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
This site uses Akismet to reduce spam. Learn how your comment data is processed.
(All media © Copyright G Dan Mitchell and others.)
Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)