Tag Archives: dunes

Dunes and Shadows

Dunes and Shadows
Low angle light casts shadows across sand dunes, Death Valley.

Dunes and Shadows. © Copyright 2023 G Dan Mitchell.

Low angle light casts shadows across sand dunes, Death Valley.

Sand dunes provide a virtually infinite range of photographic subjects, from the shapes of the tallest dunes down to the footprints of tiny creatures. In many ways, they are canvas on which the light paints, creating changing patterns of light and shadow and changing colors throughout the day. Sometimes the changes are very slow and the scene can appear static, for example during the midday hours. At other times the light changes so fast that it is easy to miss.

I photographed this dune scene when the sun was low in the sky, casting long and deep shadows across the large and small patterns. Not all dunes are so extensive, but these stretched away into the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dune Patterns, Evening

Dune Patterns, Evening
Evening side-light highlights the textures of san dunes, Death Valley National Park.

Dune Patterns, Evening. © Copyright 2023 G Dan Mitchell.

Evening side-light highlights the textures of san dunes, Death Valley National Park.

What photographic visit to Death Valley would be complete without at least one photograph of sand dunes? I did not devote much time to that subject on this visit, but I did spend an evening among the dunes, arriving before sunset and continuing to photograph into the early dusk, when I could work with softer light.

In this location the direct light ends a bit before the actual sunset time, since a range of tall mountains stands to the west, casting long shadows across the dunes. After photographing there for years, I’m still surprised when these shadows arrive and suddenly the light is gone. I made this photograph during the brief window of golden hour light just before that happened.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Creosote and Curving Dunes

Creosote and Curving Dunes
Curving sand dunes rise beyond a few scattered creosote plants.

Creosote and Curving Dunes. © Copyright 2022 G Dan Mitchell.

Curving sand dunes rise beyond a few scattered creosote plants.

Well, this is becoming a bit ridiculous. More than once I thought I was at the end of this year’s Death Valley photographs. More than once I’ve been wrong, and a deeper dive into the files produced more images that seemed worthy of sharing. It appears that I’ve been wrong yet again! There’s this photograph, and I still see a few more that will get post-processing love in the near future.

We made a late afternoon visit to these dunes at the end of March. I felt that we’d need about an hour or an hour-and-a-half to photograph them leading up to sunset. The light looked promising in the afternoon and even as we arrived, but soon a thick bank of high clouds developed in the west. By “golden hour” the light was impaired by this development, though there were moments when the sun lined up with thinner clouds and the light took on a bit of a directional quality.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dune Summit

Dune Summit
“Dune Summit” — Sand slopes leading to the summit of tall sand dunes.

After sharing a lot of color photographs from Death Valley (along with one or two in monochrome), this one seemed to work best in black and white. It might seem counterintuitive to those who associate black and white with old-school “realism,” but monochrome often allows and even demands greater levels of “manipulation” than color and is even further removed from that illusive concept of realism. (Hint: The world is not monochromatic!)

Working in monochrome allowed me to produce a high key version of the subject, a layering of dune lines and curves leading toward the highest peak. Overall the image is rather light, but I was able to emphasize some of the darker textures, too. (Because the image is light, gray can almost imply black.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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