Tag Archives: dusk

White Pelicans, Evening Sky

White Pelicans, Evening Sky
A flock of white pelicans curves below winter evening clouds

White Pelicans, Evening Sky. San Joaquin Valley, California. January 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A flock of white pelicans curves below winter evening clouds

When photographing out in the San Joaquin Valley on late-autumn or winter early mornings and evenings, we are usually very attuned to the sky and cloud conditions. It isn’t always obvious. On some evenings the sky can be quite hazy, even dismal. But that thick haze can work like a scrim on a theatrical set, and when the light appears behind and above it, the sky beyond can be magically revealed.

On the spectrum of skies from drab to flamboyant, this one might best be described as subtle. It was not the kind of neon sky that is almost unbelievable in its intensity and brightness, but there were many layers running in various directions, and subtle effects of color did appear. At just this moment when the sun was just below the horizon, too low to cast direct light on us but still lighting the bottoms of the clouds, a curving ling of white pelicans passed overhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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White Pelicans, Winter Sky

White Pelicans, Winter Sky
A flock of white pelicans flies toward post sunset light above the San Joaquin Valley

White Pelicans, Winter Sky. San Joaquin Valley, California. January 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A flock of white pelicans flies toward post sunset light above the San Joaquin Valley

There are many things about the winter landscape of the Great Central Valley of California that are worth of attention and photography: the agricultural lands, the distant mountains, but especially the vast sky with its cloud landscapes, and the birds. I made this photograph earlier this year — actually on the first day of 2017! I hope to be out photographing this same subject again on the first day of 2018, too.

For many years I’ve known about and been interested in the brown pelicans that are commonly found along the California coast. However, I’m almost embarrassed to admit (as a long time Californian) that I was completely unaware of the beautiful white pelicans that are found in many locations in the state, including these inland wetland areas. This group flew over in the twilight sky and lined up in a form paralleling that of the evening clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tourists, Evening, San Francisco Bay

Tourists, Evening, San Francisco Bay
Tourists pause in the evening at the end of a pier on San Francisco Bay

Tourists, Evening, San Francisco Bay. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Tourists pause in the evening at the end of a pier on San Francisco Bay

I was in San Francisco to meet up with a group of fellow (mostly) street photographers, first for dinner along the fringe of Chinatown and then out to make photographs afterwards. We finished dinner and headed out before sunset, beginning by photographing in the long shadows cast by early evening light in the downtown canyons. Since many in the group wanted to photograph the waterfront we headed that direction. I was geared up more for night street photography — typically done handheld rather than with the tripod I might choose to use for architectural or urban landscape photography — but I hung in with the group anyway.

At the waterfront, after wandering in and around some buildings, the group was of a collective mind to head out on one of the pedestrian piers that juts out into the Bay. Again, this was a bit different from what I had in mind, but there is no denying the attractions of being out over the surface of the Bay as the evening comes on and things quiet down. I photographed some fishermen, a few passing boats, bridges, and back towards the urban waterfront buildings.Eventually, as it became quite a bit darker, I took a moment to photograph a small group of what I assume must have been friends, sitting out near the end of the pier and conversing in the fading light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

San Francisco Waterfront, Night

San Francisco Waterfront, Night
Downtown San Francisco waterfront at dusk.

San Francisco Waterfront, Night. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Downtown San Francisco waterfront at dusk.

I made this photograph on a lovely, slow, spring evening in San Francisco, where I had gone to meet up with a small group of street photographers. First I joined them for dinner in Chinatown, and then we all headed out to do some photography. While I usually do street photography completely on my own, relishing the ability to move fast from place to place or stay put for long periods of time, it is enjoyable to work with others at times, too. Several folks in the group were interested in the waterfront where downtown San Francisco meets the bay, so we headed that way first, and eventually everyone ended up on a popular pedestrian pier with good views back towards the City.

A few years ago I realized that the image quality and high ISO capabilities of very small digital cameras was making it entirely possible to go out into the street and do handheld photography after dark. Before that time my night photography was almost invariably the long-exposure type, with the camera on a tripod and exposure times measured in minutes rather than fractions of seconds. Then, during a weeklong visit to New York, it hit me that I could push things enough to shoot night, and I was immediately hooked. So when I found myself in front of this subject, one that would typically be a tripod-only subject, I thought I’d give it a try even though I was traveling very light — one small camera, one prime lens, no tripod. And even in this late dusk light it turned out to be quite possible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.