Tag Archives: dusk

Red, White, and Blue Hour

Red, White, and Blue Hour
Red, White, and Blue Hour

Red, White, and Blue Hour. Yosemite National Park, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The last red sunset light falls on a forested ridge in front of snow topped Half Dome in blue dusk light

This past winter I was in Yosemite Valley for a few days for the opening of the Yosemite Renaissance Exhibit, and I had many opportunities to head out and photograph the Valley in beautiful foggy, cloudy conditions, with a bit of snow still remaining from earlier storms. (I also had a great time meeting up with plenty of other friends and photographers who were also there for this event and a simultaneous film festival.)

Sometimes I know what I want to photograph in the Valley, and I simply to look for that thing, often knowing exactly where to go find it. But in conditions such as those of this weekend, which included a lot of clouds and changing light, sometimes it was impossible to know for sure what the conditions were going to do. See fog developing? Head for a high place or a meadow. Possibility of sunset color? Perhaps one of the well-known Valley views. Clouds swirling around the upper ridges? Get out a long lens and shoot from innumerable locations. Soft sunlight? Perhaps time to photograph trees and granite. On this evening a number of us ended up at that most iconic of iconic Yosemite locations, Tunnel View. For the last few years, I’ve been playing a slightly different game at Tunnel View when I end up there, often shooting with very long focal lengths and trying to pick out small bits and pieces of the larger scene. I had been doing that and had pretty much wrapped up for the evening, since the light seemed to be dying behind clouds to the west, and in fact I was loading equipment into the car when my wife said, more or less, “Look at that!” A band of intensely red end-of-sunset light had found its way through a gap in the clouds to the west and suddenly cast an intense glow across this ridge standing between me and Half Dome. So we have red (of sun on ridge), white (of snow) and blue (of the blue hour light on Half Dome and the clouds above).

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Birds, Dusk

Birds, Dusk
Birds, Dusk

Birds, Dusk. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Birds in the fading light of winter dusk about the San Joaquin Valley

This is likely to at least partially a bird week as I continue to share photographs of migratory birds and their San Joaquin Valley environment from last winter. Certain responsibilities have kept me at home rather than in the field, so I’ve been trying to put the time to good use by reviewing photographs that I made during the past six month. As I move on to the next thing, I sometimes leave behind photographs which, at the time, interest me less than those newer ones, and coming back looking at them later on almost always leads to a few discoveries.

I made this photograph at the end of a long and productive day of (mostly) bird photography. We began in fog before dawn and shot through the morning as the sun came up and eventually the fog began to dissipate, leaving behind that hazy winter Central Valley atmosphere. After a midday break we returned in the late afternoon, and shot right on into the evening until the light was truly gone — perhaps just a bit past gone. After sunset as the dusk sky darkened I simply lengthened exposures to compensate and intentionally worked with the blur created by the birds and by camera motion. Even now, months later, I remember the sensations of the sky filling with what seemed like nervously active birds of many types.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Dusk, Three Birds

Winter Dusk, Three Birds
Winter Dusk, Three Birds

Winter Dusk, Three Birds. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Motion blur abstraction of a winter scene with three birds landing

Near the end of the day, well along into the dusk hour, with light fading fast, I decided to take advantage of the poor light and “play” a bit with very slow shutter speeds and intentional camera motion. By moving the camera in various ways during the exposure I can control to some extent the angle, length, and linearity of the blur. In some cases it is enough to just track the birds — and give the less fuzzy image of the three central birds, I am pretty certain that is what I was doing here. In other cases I can basically ignore the motion of my subjects and simply think about how to move the camera to create patterns in the motion blur.

I’ve often felt that working for sharply focused, stopped motion images of birds is not the only way to depict whatever it is that attracts me to them. The camera lets us see birds in ways that we really cannot usually see them with our own eyes. When birds are in motion it is almost impossible — at least with many types of birds — to clearly see them. They move too fast and the motion of wings is essentially impossible to track visually. And when we do stop them with a fast shutter speed, while we get to see them with a kind of clarity that isn’t otherwise possible, we may also sacrifice that sense of constant motion. So I started playing with the idea of intentionally avoiding sharp focus, allowing camera motion to come into play and using slow shutter speeds to allow the birds to blur and to blur their surroundings as the camera moves. To me, this sometimes evokes more strongly the feeling of the fast motion that I observe among these birds, and creates a different sort of honest portrayal of them.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Headlands, Pacific Ocean, Dusk

Headlands, Pacific Ocean, Dusk
Headlands, Pacific Ocean, Dusk

Headlands, Pacific Ocean, Dusk. San Francisco Bay Area, California. January 17, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dusk light silhouettes the rugged Marin headlands above the Pacific Ocean disappearing into distant haze.

On a day that began with a visit to the De Young Museum (the final weekend of the David Hockney exhibit) we ended up with some hours of free time in San Francisco… so we decided to head across the Golden Gate and try to be in position somewhere for interesting evening light. We didn’t really have a concrete plan, and we could have ended up in the headlands, along the bay, or perhaps further north along the coast. We stopped for coffee and killed a bit of time in the mid-afternoon light, and by the time we finished the early winter sunset was closer than we had expected.

Looking at the late hour (hey, it was a “vacation day!”) we realized that we didn’t have nearly as much time as we imagined, so we quickly figured out that our best bet was just to head back into the Marin Headlands on the very popular Conzelman Road – yes, the place where hundreds or thousands of people go almost every evening to watch the sun set or the fog roll in (or, sometimes, just a plain old wall of fog!) over the Golden Gate. We drove up the road and the crowds were, as expected, large enough that there were few places to park. In fact, I had to pass up a few possible photographic subjects since I could not stop. Eventually we found a place to pull over and get out and take a look. It was a pretty evening, but the view of the City was not unusually spectacular and I left my camera equipment in the car and just enjoyed the evening view and crisp air. As I stood there, I saw that the backlight over the Pacific outside the golden gate was starting to produce a beautiful diffused light over the water as the atmosphere became increasingly opaque toward the horizon. So I grabbed the tripod and camera and walked up the road a ways to make a few photographs of the ocean and the steep, rugged Marin Headlands cliffs plunging toward the edge of the water.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.