Tag Archives: dusk

Photographs: Northern California, Photographs: Ocean & Coast

Winter Dusk, Pacific Ocean

August 10, 2014 G Dan Mitchell Leave a comment

Winter dusk light on the Pacific Ocean near the Marin Headlands

This is a photograph from all the way back in January, when we had driven north across the Golden Gate with no particular plan in mind, but perhaps thought about making some photographs. We had been in San Francisco for some other purpose, had some time, and figured we use it by crossing the bridge. By the time we ended up north of the bay, we discovered that the day was going to end very soon, and that we would run out of light. Yes, we were not really prepared! We quickly got back to the car and headed to a familiar iconic location, the Conzelman Road area of the Marin Headlands, from which panoramic views of the entrance to San Francisco Bay are available.

When we arrived I was initially not very excited about the photograph potential. I know this probably sounds odd to some who have longed to see that view back toward San Francisco, or who have perhaps only seen it once or twice. But I pass this way fairly often, and after a while the novelty of a typical day here wears off and I begin holding out for more special conditions. So where we stopped I did not initially take out my camera gear — instead I simply played tourist and enjoyed the spectacular scene. However, as I looked at it I began to notice a few things that seemed interesting. At first there were some light beams coming across the dark land at the lower left, though they are no longer really visible in the photograph. They I began to notice the turbulent patterns on the surface of the water passing through the Golden Gate as the tide turned. And then I could see that there was going to be some interesting color in the winter sky above the ocean. So, in the end, I did get the camera out to make a few photographs.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Red, White, and Blue Hour

August 1, 2014 G Dan Mitchell Leave a comment

The last red sunset light falls on a forested ridge in front of snow topped Half Dome in blue dusk light

This past winter I was in Yosemite Valley for a few days for the opening of the Yosemite Renaissance Exhibit, and I had many opportunities to head out and photograph the Valley in beautiful foggy, cloudy conditions, with a bit of snow still remaining from earlier storms. (I also had a great time meeting up with plenty of other friends and photographers who were also there for this event and a simultaneous film festival.)

Sometimes I know what I want to photograph in the Valley, and I simply to look for that thing, often knowing exactly where to go find it. But in conditions such as those of this weekend, which included a lot of clouds and changing light, sometimes it was impossible to know for sure what the conditions were going to do. See fog developing? Head for a high place or a meadow. Possibility of sunset color? Perhaps one of the well-known Valley views. Clouds swirling around the upper ridges? Get out a long lens and shoot from innumerable locations. Soft sunlight? Perhaps time to photograph trees and granite. On this evening a number of us ended up at that most iconic of iconic Yosemite locations, Tunnel View. For the last few years, I’ve been playing a slightly different game at Tunnel View when I end up there, often shooting with very long focal lengths and trying to pick out small bits and pieces of the larger scene. I had been doing that and had pretty much wrapped up for the evening, since the light seemed to be dying behind clouds to the west, and in fact I was loading equipment into the car when my wife said, more or less, “Look at that!” A band of intensely red end-of-sunset light had found its way through a gap in the clouds to the west and suddenly cast an intense glow across this ridge standing between me and Half Dome. So we have red (of sun on ridge), white (of snow) and blue (of the blue hour light on Half Dome and the clouds above).

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Birds, Dusk

July 28, 2014 G Dan Mitchell 1 Comment

Birds in the fading light of winter dusk about the San Joaquin Valley

This is likely to at least partially a bird week as I continue to share photographs of migratory birds and their San Joaquin Valley environment from last winter. Certain responsibilities have kept me at home rather than in the field, so I’ve been trying to put the time to good use by reviewing photographs that I made during the past six month. As I move on to the next thing, I sometimes leave behind photographs which, at the time, interest me less than those newer ones, and coming back looking at them later on almost always leads to a few discoveries.

I made this photograph at the end of a long and productive day of (mostly) bird photography. We began in fog before dawn and shot through the morning as the sun came up and eventually the fog began to dissipate, leaving behind that hazy winter Central Valley atmosphere. After a midday break we returned in the late afternoon, and shot right on into the evening until the light was truly gone — perhaps just a bit past gone. After sunset as the dusk sky darkened I simply lengthened exposures to compensate and intentionally worked with the blur created by the birds and by camera motion. Even now, months later, I remember the sensations of the sky filling with what seemed like nervously active birds of many types.

Photographs: Abstract, Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Winter Dusk, Three Birds

July 2, 2014 G Dan Mitchell Leave a comment

Motion blur abstraction of a winter scene with three birds landing

Near the end of the day, well along into the dusk hour, with light fading fast, I decided to take advantage of the poor light and “play” a bit with very slow shutter speeds and intentional camera motion. By moving the camera in various ways during the exposure I can control to some extent the angle, length, and linearity of the blur. In some cases it is enough to just track the birds — and give the less fuzzy image of the three central birds, I am pretty certain that is what I was doing here. In other cases I can basically ignore the motion of my subjects and simply think about how to move the camera to create patterns in the motion blur.

I’ve often felt that working for sharply focused, stopped motion images of birds is not the only way to depict whatever it is that attracts me to them. The camera lets us see birds in ways that we really cannot usually see them with our own eyes. When birds are in motion it is almost impossible — at least with many types of birds — to clearly see them. They move too fast and the motion of wings is essentially impossible to track visually. And when we do stop them with a fast shutter speed, while we get to see them with a kind of clarity that isn’t otherwise possible, we may also sacrifice that sense of constant motion. So I started playing with the idea of intentionally avoiding sharp focus, allowing camera motion to come into play and using slow shutter speeds to allow the birds to blur and to blur their surroundings as the camera moves. To me, this sometimes evokes more strongly the feeling of the fast motion that I observe among these birds, and creates a different sort of honest portrayal of them.

G Dan Mitchell Photography

Tag Archives: dusk

Winter Dusk, Pacific Ocean

Red, White, and Blue Hour

Birds, Dusk

Winter Dusk, Three Birds

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.