Tag Archives: dusk

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Birds, Dusk

July 28, 2014 G Dan Mitchell 1 Comment

Birds in the fading light of winter dusk about the San Joaquin Valley

This is likely to at least partially a bird week as I continue to share photographs of migratory birds and their San Joaquin Valley environment from last winter. Certain responsibilities have kept me at home rather than in the field, so I’ve been trying to put the time to good use by reviewing photographs that I made during the past six month. As I move on to the next thing, I sometimes leave behind photographs which, at the time, interest me less than those newer ones, and coming back looking at them later on almost always leads to a few discoveries.

I made this photograph at the end of a long and productive day of (mostly) bird photography. We began in fog before dawn and shot through the morning as the sun came up and eventually the fog began to dissipate, leaving behind that hazy winter Central Valley atmosphere. After a midday break we returned in the late afternoon, and shot right on into the evening until the light was truly gone — perhaps just a bit past gone. After sunset as the dusk sky darkened I simply lengthened exposures to compensate and intentionally worked with the blur created by the birds and by camera motion. Even now, months later, I remember the sensations of the sky filling with what seemed like nervously active birds of many types.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Winter Dusk, Three Birds

July 2, 2014 G Dan Mitchell Leave a comment

Motion blur abstraction of a winter scene with three birds landing

Near the end of the day, well along into the dusk hour, with light fading fast, I decided to take advantage of the poor light and “play” a bit with very slow shutter speeds and intentional camera motion. By moving the camera in various ways during the exposure I can control to some extent the angle, length, and linearity of the blur. In some cases it is enough to just track the birds — and give the less fuzzy image of the three central birds, I am pretty certain that is what I was doing here. In other cases I can basically ignore the motion of my subjects and simply think about how to move the camera to create patterns in the motion blur.

I’ve often felt that working for sharply focused, stopped motion images of birds is not the only way to depict whatever it is that attracts me to them. The camera lets us see birds in ways that we really cannot usually see them with our own eyes. When birds are in motion it is almost impossible — at least with many types of birds — to clearly see them. They move too fast and the motion of wings is essentially impossible to track visually. And when we do stop them with a fast shutter speed, while we get to see them with a kind of clarity that isn’t otherwise possible, we may also sacrifice that sense of constant motion. So I started playing with the idea of intentionally avoiding sharp focus, allowing camera motion to come into play and using slow shutter speeds to allow the birds to blur and to blur their surroundings as the camera moves. To me, this sometimes evokes more strongly the feeling of the fast motion that I observe among these birds, and creates a different sort of honest portrayal of them.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Headlands, Pacific Ocean, Dusk

March 5, 2014 G Dan Mitchell Leave a comment

Dusk light silhouettes the rugged Marin headlands above the Pacific Ocean disappearing into distant haze.

On a day that began with a visit to the De Young Museum (the final weekend of the David Hockney exhibit) we ended up with some hours of free time in San Francisco… so we decided to head across the Golden Gate and try to be in position somewhere for interesting evening light. We didn’t really have a concrete plan, and we could have ended up in the headlands, along the bay, or perhaps further north along the coast. We stopped for coffee and killed a bit of time in the mid-afternoon light, and by the time we finished the early winter sunset was closer than we had expected.

Looking at the late hour (hey, it was a “vacation day!”) we realized that we didn’t have nearly as much time as we imagined, so we quickly figured out that our best bet was just to head back into the Marin Headlands on the very popular Conzelman Road – yes, the place where hundreds or thousands of people go almost every evening to watch the sun set or the fog roll in (or, sometimes, just a plain old wall of fog!) over the Golden Gate. We drove up the road and the crowds were, as expected, large enough that there were few places to park. In fact, I had to pass up a few possible photographic subjects since I could not stop. Eventually we found a place to pull over and get out and take a look. It was a pretty evening, but the view of the City was not unusually spectacular and I left my camera equipment in the car and just enjoyed the evening view and crisp air. As I stood there, I saw that the backlight over the Pacific outside the golden gate was starting to produce a beautiful diffused light over the water as the atmosphere became increasingly opaque toward the horizon. So I grabbed the tripod and camera and walked up the road a ways to make a few photographs of the ocean and the steep, rugged Marin Headlands cliffs plunging toward the edge of the water.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Coastline, Dusk

February 19, 2014 G Dan Mitchell Leave a comment

Dusk light falls across the rugged Big Sur coastline, California

This was a very special bit of end-of-day light. Earlier we had spent about nine hours driving south between Monterey and Piedras Blancas on the Big Sur coast, stopping frequently along the way to make photographs of the beautiful winter light. At the southern end of our drive we spent time photographing the elephant seals at their “nursery” alongside the road – a popular place for observing this amazing creatures, especially at this time of year when the females are giving birth and the beach is crowded with all sorts of elephant seals: bulls, females, new babies.

Finishing here, it was time to turn the car north again and head back the way we had come. We started up the Pacific Coast Highway and very soon began the first climb into the coastal hills. We kept an eye out for potential gold hour photographic subjects. There are, of course, no shortage of them along this spectacular coastline, so we figured that we would find something no matter where we were during the last hour of light even though we had no specific plan yet. Eventually we came to a place where we had stopped earlier on the southward drive and we pulled off. Earlier, closer to the middle of the day, the light had been very bright here, illuminating coastal haze and reflecting off the ocean surface in a way that reminds me of molten metal. But now the light was lower and coming in at a more direct angle, and the atmosphere softened and the colors warmed in the late-day light. At first the light was more intense and I made a few photographs with the scene brilliantly colored. At one point I looked away to photograph something else, and when I looked back the sun had dropped behind a semi-transparent band of clouds near the horizon, significantly muting the brightness and color of the light on the base of the hills, but still leaving a few intense spots higher up.

G Dan Mitchell Photography

Tag Archives: dusk

Birds, Dusk

Winter Dusk, Three Birds

Headlands, Pacific Ocean, Dusk

Coastline, Dusk

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.