Tag Archives: eastern

Eastern Escarpment

Eastern Escarpment
A section of the eastern escarpment of the Sierra Nevada.

Eastern Escarpment. © Copyright 2022 G Dan Mitchell.

A section of the eastern escarpment of the Sierra Nevada.

This is another in a short series of photographs I made of a section of the eastern escarpment of the Sierra Nevada this fall. I had spent several day photographing aspen color — with a side trip up to the White Mountains to visit the bristlecone pine forest — and as I started home I noticed somewhat unusual conditions for midday that seemed like they might just work for photography. Specifically, there were high, thin clouds muting the harsh sun just a bit. So I wandered off the main route a bit and poked around looking for interesting views pack up toward the peaks.

This scene encompasses a range from the lowest hills right above the valley all the way to the peaks at the summit of the range. This particular cross section is a bit unusual, as it really includes hills and mountains from bottom to top — desert hills in the foreground and the alpine zone far above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Valley to Summit

Valley to Summit
Basin Mountain, as seen from the base of the Sierra Nevada.

Valley to Summit. © Copyright 2022 G Dan Mitchell.

Basin Mountain, as seen from the base of the Sierra Nevada.

This is a vertical-format view of one of my favorite eastern Sierra mountains, Basin Mountain. It isn’t the tallest in the range or even on this section of the crest, and others have more storied reputations. But I’ve spent quite a bit of time in places where I could see it — both directly beneath its eastern face and passing by on the way to other locations. Although it isn’t very clear from this angle, that eastern face features a striking “basin” that opens toward Owens Valley. I’ve long been intrigued by an obvious trail ascending into that basin, though I’ve never gotten around to taking it.

I made the photograph from the base of the Sierra along the western edge of what we might broadly consider to be part of Owens Valley. (Technically, the exact spot has a different name, but close enough!) The view illustrates some typical features of the “East Side” mountains. They rise from desert-like terrain in many places, and even when it isn’t actually desert it is dry. The foothills rise through what I refer to as “sagebrush country,” often on material deposited by flowing water or old glaciers, and eventually meet the rugged base of the rocky Sierra itself. From there the terrain becomes much more alpine and often much steeper as it rises toward the highest peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Hillside Aspen Grove

Hillside Aspen Grove
Tall aspens in peak fall color growing on an Eastern Sierra hillside.

Hillside Aspen Grove. © Copyright 2022 G Dan Mitchell.

Tall aspens in peak fall color growing on an Eastern Sierra hillside.

You may wonder if this stream of autumn color photographs will ever end. While this year’s aspen photographs will likely conclude soon, here in Central and Northern California there will still be other kinds of “fall” color into the new year! So don’t be surprised if this is a continuing thread right on into 2023. By then the trees will not be aspens — we will see maples, cottonwoods, and various other hardwoods from the urban environment, the nearby hills, and from California’s Central Valley.

This photograph features a grove I visit every year, thinking there’s not a lot left to do with the subject. But then, inevitably, I find a way to photograph it and it ends up as one of my subjects again the following year. This year I have a somewhat different explanation, as my third-week-of-October visit was later than usual for me. It turned out that conditions this year favored later aspen color in the Eastern Sierra. Consequently, this grove had some of the most striking color that I have seen in this spot, even though I was a good week later than usual.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Trunks, Fallen Leaves

Aspen Trunks, Fallen Leaves
Fall leaves cover the ground inside a grove of small Eastern Sierra aspen trees.

Aspen Trunks, Fallen Leaves. © Copyright 2022 G Dan Mitchell.

Fall leaves cover the ground inside a grove of small Eastern Sierra aspen trees.

This stand of aspens was at the edge of a larger and wildly colorful grove that descended to a nearby creek and then a good distance up the slopes on the far side of the canyon. Those other trees are the main attraction here, but as I looked down toward these trees it seemed like they provided an opportunity to enter the grove and photograph close to the trunks. Here many of the leaves had already fallen, which might usually let some much light into the grove that it would be hard to photograph. But evening shadows had reached this point, muting highlights and opening up the shadows.

Photographing this subject presents some challenges. For one, I often start in such places thinking it should be easy to find a composition among such beautiful tree trunks — but then most of the potential compositions seem to include some sort of obstruction. Also, in order to get a lot of the trunks in the frame I must work very close the trees using a very wide angle lens, so small changes of camera position seem to have big effects! Finally there is the matter of the color of the light. If you were there in this grove you would notice white trunks and warm-colored yellow leaves. However, objectively speaking, the light in this shadowed area is quite blue, being illuminated by the sky itself. So I have a decision to make. Is it better to go with that blue, which looks quite a bit different from what I saw at the time? Or should I alter the coloration to reflect my memory. I’ve done both, but in this photograph I went with the latter option.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.