Green grass and new oak leaves, El Capitan Meadow, Yosemite Valley
Probably almost anyone who has photographed in Yosemite Valley much can recognize this sort of scene and perhaps even think of some favorite spots to find black oak trees with new spring growth, set in meadows and backed by forest. Even though this is a very dry year in The Valley – and in almost all of California – around the beginning of May the annual “greening” of the Valley did take place, and this photograph was made during that period.
When lit from behind and above, the light coming through the new oak leaves is luminous and the colors can take on an intensity that sometimes cause me to describe this as the “impossibly green season” in California. Perhaps it is because the state is brown, tan, or gray during so much of the year that the spring green seems so intense.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Oak trees with new spring leaves, Yosemite Valley, California
Oak trees are found throughout many parts of California – from near the coastline, through the inlands hills and valleys, and up into the foothills of the Sierra and other mountain ranges. They often are part of an oak/grassland environment that can range from mostly-grass-with-a few-oaks to mostly-oaks-with-some-grass. They are found in many places in Yosemite Valley, especially where meadows create the sunny locations that they seem to prefer.
These specimens are in El Capitan Meadow (often just called “El Cap Meadow”) at the base of its namesake monolith, and a location favored my many Yosemite photographers over the years. I was there in early May to see the Yosemite Renaissance exhibit once more before it closed and to do some springtime photography. I usually think of oaks as being rather “dry” trees, but for a short time in the spring as new leaves appear, their color makes them have an almost lush appearance, especially when lit by low angle light and when seen against the dark and shadowed walls of the Valley.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Winter mist shrouds the immense granite face of El Capitan, Yosemite Valley
One of the major attractions of Yosemite in the winter – for me, at least – is the variety of fog, mist, clouds, and all sorts of other weather conditions and their associated possibilities of light. (Frankly, I rarely go to the Vally in the summer any more.) The diversity of conditions seems infinite, especially when combined with variations in terrain and vegetation and, of course, light as it changes throughout the day and due to weather. At one extreme, a clear winter day can almost be more clear than you can imagine, with bright, crystalline sunlight everywhere. At the other extreme, low clouds dropping rain or snow can mute the visibility of anything more than a few feet away. In between lie atmospheric haze that mutes details and reveals shadows; clouds drifting along the Valley floor, rising up its walls, or floating among the tops of cliffs; rain or snow showers seen from a distance, and much more.
El Capitan seems like a cloud magnet in the winter. Because of its size the conditions at its base can be quite different from those above, and the lower face may be clear while the summit is wreathed in clouds. Evening fog often develops and drifts across the valley, sometimes seeming to slosh back and forth like a slow motion sea, rising against El Capitan’s base. This February day saw high clouds above the entire valley, but mists were developing and clinging to every level of El Capitan and sliding across and up its face, alternately obscuring and revealing bits and pieces of the mountain. I could sit and watch this for a long time – as I did, in fact! Using a long lens I isolated a section of the prow of the monolith and then watched as the cloud show unfolded.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.
The silver strand of Horsetail Fall and water reflecting on surrounding cliffs in late afternoon light, Yosemite Valley.
This being February, it seems that Horsetail Fall has again (and more every year) become a hot topic. Horsetail Fall, sometimes referred to as the “Natural Firefall” has been popularized to an absurd and, frankly, dangerous level on social media and in the press. To be honest, I now recommend that you not go.
The conjunction of elements required to produce the most spectacular Horsetail Fall “event” is complex. First, it depends on the geological coincidences of the placement of the fall in a spot hight on the face of El Capitan that receives a narrow beam of sunset light during two brief periods each year. Second, the fall must be running – in roughly the middle of winter. The area supplying water to the fall is high enough to be snow-covered in a typical winter, but low enough that snow can melt and start the fall flowing even in the cold season – but this is not a sure thing. Essentially, there must be snow and then some warmth to melt it, or else some significant warm rain. Third, a series of meteorological events must play out just right. Obviously, the upper face of El Capitan must be clear of clouds. (Yosemite Valley fog and clouds ringing the cliffs are rather common in the winter season.) The sky west of the Valley must also be clear all the way to the horizon since the best color occurs just before the sun hits the horizon.
Most often the requirements do not align. Many of us can tell stories of light getting better and better, leading toward a brilliant finale… and then the “lights going out” just at the peak of color as the sun dropped behind clouds far to the west.
Hundreds and hundreds Thousands of photographers now show up to try to photograph the thing. I’ve done it in the past, though I’m no longer interested these days – partly because of the absurd crowds and partly because I’m often busy photographing other interesting things!
My best memory of photographing Horsetail was years ago when the park service was doing major road work on Northside Drive, the road along that side of the Valley. The road was completely closed as were the cross-valley roads that travel between Southside and Northside Drives. It had snowed and there was perhaps a foot or more of snow along this section of the Valley floor. I wanted to photograph the fall from a location on the north side of the Valley, so my only option was to put on lots of warm clothes, load up a pack of camera and other gear, and walk across the Valley in the snow. I arrived long before sunset, so I first walked west to El Capitan Meadow where I photographed in rare quiet and solitude on this car-free and carefree late afternoon. Later, I quietly walked back along the road to my shooting location and found perhaps three or four other people there. This quiet, peaceful, and relatively uncrowded experience became my touchstone for photographing Horsetail.
If you go today, there is no way that your experience will be even close, unfortunately.
In recent years, as more people have acquired digital cameras and become more serious about their photography and as the renown of the fall has increased, the crowds have also increased to the point that they have become unmanageable and are damaging the park. As I revise this article in 2020, the problem has become so acute that the park service has wisely put severe restrictions on access — there is no stopping allowed along large sections of nearby Valley roads and one of the popular locations has been completely closed due to damage to forest, meadows, and the river.
* Note: In a wonderful video about Horsetail Fall, Ansel Adams’ son Michael Adams speaks eloquently about his father’s early photographs of the phenomenon. I was intrigued by his comment that Ansel might not have photographed the fall the way we do now because he couldn’t – since he worked with black and white photography. Thinking of this, and being full of myself today, I thought that I’d post a black and white photograph of Horsetail Fall! :-)
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.