Tag Archives: europe

Ponte De Le Bande, Evening

Ponte De Le Bande, Evening
“Ponte De Le Bande, Evening” — A couple sits at the edge of a Venice canal next to the Ponte de le Bande in the evening.

This photograph comes from an evening walk in Venice back in August. Looking back on it, I’m still surprised that I managed to find a break in the usual stream of humanity across bridges like this one. It was evening, and things do quiet down at night, but it isn’t all that late. It is pretty likely that I made the photograph quickly while passing, and I’d be willing to bet that seconds after I made it other people entered the scene.

Dealing with crowds in Venice and similar places — as a photographer or just plain as a visitor — is a complex subject. (Some might simplify it by simply staying away at the worst times of the year, but we did not have that option.) To some extent, it is possible to embrace the intense energy of the masses of people, but that can be both distracting and overwhelming. But late at night or — even better — very early in the morning the crowds melt away to nearly nothing. One early morning in Venice I walked through one of the most crowded locations, and it was almost empty.



Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Tree and Wall

Tree and Wall, Orvieto, Italy
“Tree and Wall” — A tree grows against a textured and weathered wall in Orvieto, Italy.

Although I don’t think of myself as _just_ a “nature photographer,” my roots are in that sort of photography. Even when I’m focused more on street photography or travel photography, I am still drawn to nature subjects. In fact, sometimes I find them almost more compelling set against the urban landscape — partly because seeing them there reaffirms their significance to us a humans and partly because of how these things relate to that urban world.

I photographed this tree in Orvieto, Italy. While the tree is “natural,” its setting is anything but. It grows right up against this weathered and distressed wall in a narrow walkway between tall buildings. Direct sunlight only penetrates do the bottom of this urban canyon briefly, and the rest of the time the scene is in shade. (As with so many of these cityscapes of narrow streets, I am reminded of photographing in the red rock canyons of the American Southwest.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Perpendicular

Perpendicular
Blue wooden doors with former windows filled by painted wood panels.

Perpendicular. © Copyright 2023 G Dan Mitchell.

Blue wooden doors with former windows filled by painted wood panels.

Many photographers are intrigued — obsessed, even — with the abstract qualities of shapes, form, color, and texture. Many of you already understand that these things are often as important as, if not more so, than the objective content of photographs. A photograph does record things, but it isn’t just recording “what we see” — it is also about recording, arranging, and presenting “how we see.” And many of use — almost all, really — see this other things when we use our cameras.

I made this photograph while walking through Trogir, Croatia one morning — I am pretty sure this was the morning when Franka Mlikota Gabler and I met there to photograph. This town can be very crowded later in the day, but in the early morning hours we had it almost to ourselves, and there was plenty of time to photograph things like this without distractions. What is the photograph “about?” Hard to say precisely, and you have a voice in this, too. But I was obviously fascinated by the perpendicular arrangement of lines and rectangles, the subtle difference in the blue tones, and the weathering and other imperfections in the surfaces.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Horse Stencil, Walls

Horse Stencil, Walls
“Horse Stencil, Walls” — A stencil of a horse at a place where two walls meet in Siena, Italy.

Some years back, in the pre-pandemic era, we spent a bit more than a week in Tuscany. It was quite a trip — we mostly stayed with and traveled with family. We spent a week in the Chianti hills at a villa where our oldest son and our daughter-in-law exchanged wedding vows. We also managed to very briefly visit Florence (barely more than one day) and Siena (literally a few hours). Needless to say, that was only enough to make us want to return for longer visits — which we did this summer.

This time we had three nights in Siena, where we stayed in a little place just minutes from the Piazza del Campo, the famous central plaza. If you have been following along, by now you know that our mode of travel is a bit different. We do see some of the Big Sights (and Sites), but we also spend a lot of time just walking and wandering and getting the feel for the place. As a result, we sometimes end up with photographs of small things that you might miss on a more hurried visit — like this little stencil of a horse near the meeting of two walls along a Siena walkway.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.