Tag Archives: fall

Canyon Light

Canyon Light, Death Valley National Park
“Canyon Light” — Direct light, reflected light, and deep shadows as a canyon winds through desert mountains, Death Valley.

We love fantastically narrow and twisty slot canyons, but those are more of the exception to the rule. You can find those in Death Valley, but more likely you’ll find a scene like this one, at least in canyons that run through steep, rocky mountain ranges, like this one on the east side of the valley. Through much of its length it is more than wide enough that a vehicle could pass, if they were allowed here. Note also the very rugged and broken rock formations — this is not your smooth-walled Utah red rock canyon!

At this spot the canyon takes a couple of very sharp bends around the tall face to the right. When the trend of the canyon lines up the right way, very little direct sunlight penetrates all the way down. Instead the canyon bottom is often in shade, but that shade is filled with soft, reflected light that has bounced between the canyon walls. When I hike these canyons I always look forward to passing through these spots.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

4 responses to “Canyon Light”

  1. Charlie Colladay Avatar
    Charlie Colladay

    Love this shot! The longer I look at it the more I like it. Forgive me for being such a pendant, but I am so moved by the intricacies of the light in this photo.

    Nice, tight composition of three separate layers: the far layer in direct sunlight; the middle, golden layer and the “giant’s foot” in the foreground. At first glance my eye was drawn to the well defined textural striations of the foreground in a seemingly softer, bluer, open shade type light. But no! It’s actually strongly directional (from the left, reflected by ?) which makes the vertical striations really pop. The far layer is being illuminated by the sun’s direct rays coming from the right, which is how we know the foreground light from the left is reflected (assuming no auxiliary lighting). The middle golden layer is the real mystery. The bright gold color and intensity of the light is greater at the left edge and gradually falls off into open shade light at the far right. The reflected light source must be something close by and behind the “giant’s foot” that is strongly reflecting the sun’s rays. It’s almost like the photographer laid out a large gold colored tarp to act as a reflector. But I doubt that. More likely it’s a warm colored rock formation that is serving as the reflector. Beautiful.

    Whatever the case…this is an amazing photo! I love it when a photo strikes you at first and then even more so as your eye roams around and you try to figure out why you like it so much. In the final analysis, it’s no surprise how often it comes down to the “Light” and we are then reminded that the Greek root of “photography” is “light drawing”.

    Nice work Dan!

    Charlie Colladay

    1. G Dan Mitchell Avatar
      G Dan Mitchell

      Thanks Charlie,

      YOu certainly have an eye for light!

      The combination of layers and light is pretty much what this photograph is “about.” As you surmised, there are three kinds of ight (at least) at work in the photograph. OK, maybe four.

      There is the direct sunlight on the far canyon wall. Then there is the light reflected from a(n out of sight) reddish section of cliff that illuminates the middle face. The foreground light is coming from behind and above my camera position — a combination of more reflected light and light from the open sky. The forth kind of light? The deeper shadows with the more blue tones.

      One of the things I love about these canyons is precisely that variety of lighting, and especially the way that the light picks up colors from the sky and from whatever surface reflects it.

      Dan

  2. Greg Avatar
    Greg

    Dan:

    It reminds me of Dedeckera Canyon over at the Eureka Dunes.

    1. G Dan Mitchell Avatar
      G Dan Mitchell

      Thanks for sharing that. I’ve been to Eureka several times, but I have never investigated that canyon.

      Dan

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)

Canyon Narrows, Amargosa Range

Canyon Narrows, Arargosa Range, Death Valley National Park.
“Canyon Narrows, Amargosa Range” — A section of narrows in a Death Valley canyon.

You are going to see a fair number of Death Valley canyon photographs here over the next few weeks as I share images from my late February visit to the park. With a few exceptions, the most interesting canyons in the park — and there are many of them! — are less accessible than some of the other famous features. You might have to drive on dirt roads, hike up huge fans and washes, or walk through long sections of less-remarkable valleys to get to the “good stuff.” But the best of them are well worth the effort.

The canyon experience contrasts with the vast distances, intense heat and dryness, and harsh sunlight which we think of as typical in Death Valley. Canyons can be cool and shady and their narrow confines often restrict your views to a few meters. The light is often soft and filtered as it bounces down from high above. As they cut though ridges and mountains he canyons reveal ancient strata. Perhaps best of all, they are often quiet and lonely places where time seems to stop.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.narrows, slot, constrict, stone, rock, cliff, wall, gravel, wash, erosion, amargosa, range, fall, canyon, shade, dark, geology, landscape, hike, nature, travel, california, desert, usa, north, america

Die Alte Brücke, Heidelberg

Die Alte Brücke, Heidelberg
“Die Alte Brücke, Heidelberg” — The old bridge across the Neckar River leads to Heidelberg Altstadt.

As I have written previously, Heidelberg is our “home away from home” when we travel to Europe. We almost always end up there for at least a few days, and on our late 2024 visit we used it as our home base for essentially three weeks. Patty’s brother and sister-in-law live there and graciously host us. So by now we are somewhat familiar with parts of the city, including the Altstadt (“old town”) area.

I made this simple little photograph as we walked through hills above the Neckar River on the Philosophenweg footpath. Although the weather felt like winter (at least to us Californians!), there were still colorful autumn leaves on many of the trees. “Die Alte Brücke” (the old bridge) is visible beyond the trees in the center of the frame, and after we descended from the hills we crossed it into the town.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSkyEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fleisch Bridge, Pegnitz River

“Fleisch Bridge, Pegnitz River” — The Pegnitz River flows through Nürnberg near the Fleisch Bridge.

This photograph comes from our late-autumn visit to Nürnberg, Germany.. This is a large city, but we spent the entire time within the confines of the old city. We were there for three days, on a visit timed for the city’s famous Christmas market. It is our understanding that many regard this as the biggest of the German holiday markets, and it certainly draws a lot of people. Many streets were very crowded, especially in the main area of the market square.

However, it was possible to escape the crowds. One way, of course, was to go out very early in the morning before they arrived. Another was to seek out less-traveled streets and walkways. I made this photograph on a quiet bridge across the Pegnitz River, which flows through center of the town. Here the water moves slowly, there are few people, and there are even some trees along the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSkyEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.