Tag Archives: fan

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Post-Sunset Glow, Amargosa Range

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Post-Sunset Glow, Amargosa Range
Post-Sunset Glow, Amargosa Range

Post-Sunset Glow, Amargosa Range. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Post-sunset light from bright red clouds casts a reddish glow on the Amargosa Range, Death Valley Buttes, and the Kit Fox Hills.

I think this might be the second in what I could call the “impossible color” series from my late-March trip to Death Valley. (The previous image was a photograph of a wash/alluvial fan at the base of Tucki Mountain, photographed on the same evening.) The lurid and unreal colors are not the result of post-processing gone horribly wrong – the light was actually this color for a short period. The sun had already gone down behind the Cottonwood Mountains to the west of my shooting location in the middle of Death Valley not far from Stovepipe Wells. It had been an interesting sunset with the usual increase in warm colors and some attractive clouds in the sky.

What happened next was something that is probably familiar to those who have done a lot of landscape photography, though they recognize that it is not something that you can quite predict. After the sun had set and dusk was coming on, some final light from far to the west, where the sun had probably already dropped just below the horizon, began to strike high clouds above Death Valley. (I could sort of see this coming, since I had noticed increasing color in the sky further to the east.) As this happened, these clouds began to glow with an intense red color that was mixed with the normal bluish tones of dusk light and surface features took on this purple/red glow for just a brief moment before the light faded.

(Those who look very carefully may notice that the sky above and to the east of the mountains is a lot bluer than the mountains themselves. The color had already left the sky to the east, and at this point was coming from the sky directly overhead and to my west.)

I’m still trying to sort out the complex geology of this area and the ways that features are named. The larger range containing these peaks is called the Amargosa Range, though it encompasses many smaller named sub-ranges – I think these might be part of the Grapevine Mountains, roughly in the neighborhood of Thimble and Corkscrew Peaks. A dark peak in front of the main range at the very far right may be part of Death Valley Buttes, and the banded foreground hills are sometimes called the “Kit Fox Hills.”

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Wash at Base of Tucki Mountain, Dusk

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Desert Wash at Base of Tucki Mountain, Dusk
Desert Wash at Base of Tucki Mountain, Dusk

Desert Wash at Base of Tucki Mountain, Dusk. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Soft rose-colored dusk light illuminates an alluvial fan below a canyon at the base of Tucki Mountain, Death Valley National Park.

This is one of several photographs from the recent Death Valley trip that beg the question, “Is that color real?!”*

Yes, this really is the color of the light from this scene.

I learned quite a while ago that the interesting light most definitely does not end at sunset – often the best and most interesting light comes after the sun has set. Sunset on this evening had been quite interesting, but a few minutes after the sun set the last brilliant red light struck high clouds overhead and lit up the entire scene with this lurid and intense wash of color.

The scene is a large desert gravel wash where a drainage canyon spills out into Death Valley at the base of Tucki Mountain and forms a huge alluvial fan. I had climbed to the top of a low hill to shoot late afternoon and sunset light, so I had a good vantage point to view this wash beyond intervening hills. Tucki Mountain itself is a massive lump of a mountain that rises above Stovepipe Wells – what it lacks in terms of an impressive and jagged summit peak in makes up for by means of its sheer bulk. It constitutes a large spur off of the Panamint Range and almost seems like a small sub-range all by itself.

*After I originally wrote the text to this post I made a 12″ x 16″ test print of this photograph. As I often do, I put the print out on a table in our living room so that I can see it in a context other than that of my small studio. My wife, who is a very perceptive viewer and who has seen the results of, uh, printer errors (for real fun, print on the back side of your paper by accident some time…) looked at these colors and said, “Is something wrong with your printer?” Ah, I love critics! ;-)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Music & Musicians, Photographs: New York City, Photographs: People

Photographs from “Così fan tutte: Some Assembly Required”

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This is definitely not landscape photography.

One of the things on my agenda when we spent a week in New York City last month was photographing “Così fan tutte: Some Assembly Required,” an unusual event based on Mozart’s opera. Over the course of four evenings at the Gershwin Hotel in Manhattan, a group of singers and instrumentalists and others revealed much that might otherwise not be apparent the opera by “assembling” a portion of the opera each night. The outline of the event was that each evening would begin with an informal rehearsal of a section of the opera, interspersed with commentary from participants, and then conclude with a straight-through reading of the section that had been rehearsed. Beyond that, many of those participating also “took it online” during the event, tweeting and blogging as it took place. (My wife played principal oboe in the orchestra, and I have to tell you it was very strange to get text messages from her during the “show!”)

Photographing the event presented some interesting opportunities along with some challenges. The challenges were mostly what you might expect – concert venues, especially during a “rehearsal” are often not lit with photography in mind, and the space in the Gershwin Hotel where this took place was a virtual nightmare of photographic problems. The walls are bright red! The lighting was very low. There were columns in the middle of the orchestra. All in a day’s work, right? (I mostly shot natural light, and was very glad to have a 135mm f/2 lens and a Canon 5D2 which produces quite decent images at ISO 3200.) The opportunities, however, were worth the challenges. For one, unlike an actual performance at which the noise of a camera is simply unacceptable and, in addition, one needs to be virtually invisible, because this was an informal event I was not only able to shoot as the performance took place, but I was also able to wander around more or less at will. And while performers can often be quite skittish about being photographed during a performance – it creates an unwelcome distraction for them – these performers were very relaxed about it and even seemed to want to be photographed.

I exposed hundreds of frames during the two nights I was there, and I’m only now finding the time to sort through them. I will almost certainly not post all of the photographs here individually, as I would do with a lot of my other work, but (below the “jump”) I will collect many of them in this post. Note that this work is ongoing – I’m starting with an initial set of ten photographs, but others will be added as I update this post later. Continue reading Photographs from “Così fan tutte: Some Assembly Required” →

Commentary, Equipment, Technique

Quick Examples of iPad Photo Post-Processing

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I recently posted a report on my initial use of my iPad for photography (and other) purposes while traveling. (See “An Itinerant Photographer and His Ipad: A First Report.”) My general conclusion was that you can do some post-processing on the iPad but that – no surprise here – it isn’t exactly Photoshop.

But still… if necessary you can do certain types of real work on the iPad. One of the reasons I was in New York last week was to photograph ‘Così fan tutte: Some Assembly Required’, an interesting combination of opera performance, opera rehearsal, and conversation about the work and its preparation that was presented at the Gershwin Hotel. (As an extra bonus, my wife was playing principal oboe on the first two nights, and her brother was playing bassoon!) You can see examples of the results at the oboeinsight.com blog, where initial photographs from the first night of  are posted. (Note that the last photo in the series was made on my iPhone and uploaded directly.)

After transferring my 5D2 RAW files to the iPad, I used the Photogene app to open the files, edit basic settings such as saturation, brightness, black point, curves, sharpening, and so forth. Then I cropped the files, reduced their pixel dimensions for web display, exported as jpg files, and uploaded them.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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