Tag Archives: fog

Central Valley Trees and Fog

Central Valley Trees and Fog
Late autumn trees and fog, San Joaquin Valley

Central Valley Trees and Fog. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Late autumn trees and fog, San Joaquin Valley

I have had my eye on these trees for several years now. In fact, I have photographed them a few times, though I wasn’t quite happy with the results. They stand near a spot that I frequently visit during the late fall through winter months, when migratory birds live in the nearby wetlands and fields. In fact, that is why I was there on this December day. After a couple of hours of bird photography I looked over in the direction of the trees and thought that the light might be right for a photograph.

The light in this part of the Central Valley is astonishingly variable, especially in the winter and near-winter months. There can be high thin clouds, a Pacific weather front, general haze, or fog so thick that you can’t see 100 feet… unless you look up to see the stars and the moon! This day was quite variable, and that was part of the fun of photographing it. Fog was forming when we arrived before dawn. It stuck around a while, thinned and morphed into a sort of general atmospheric haziness. Above the fog there were high clouds that also muted the light a bit. Here and there, actual fog banks formed. This photograph has a little of all of these things: the light on the trees is muted, fog banks stand in the distance with high clouds overhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wetlands, Early Light

Wetlands, Early Light
Morning light and fog along a San Joaquin Valley levee.

Wetlands, Early Light. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning light and fog along a San Joaquin Valley levee.

I seem to have developed a ritual for photographing this favorite San Joaquin Valley location. Almost invariably I arrive very early in the morning, in the half hour before dawn. Often I meet photographer friends who have arrived from other places. We stop at an area near the entrance and greet one another, engage in a bit of small talk, marvel (again!) at the sound of tens of thousands of migratory birds just beyond out sight. We get in our vehicles and we start a circuit of the wetlands, first looking for a place to photograph the dawn. By now, after photographing there for a few years in variable conditions, we all have our favorite spots — this place if there is heavy fog, that spot if the birds are close by, another if it looks like we may have a clear view of sunrise.

On this morning I moved quickly past the first ponds to round a corner on the perimeter road and then stopped near a junction of several levees, at a spot that has often proved fruitful for my photography. There was a thin fog in the air and high, broken clouds were above the Sierra far to the east. Depending on which direction I chose to point that camera I found a range of subjects. Birds were nearby, the Sierra were in the distance, and in between was that flooded wetlands. As the first thin sunlight from the rising sun came through the fog I swung my camera back in the direction from which I had arrived and photographed along the levee route, past trees and brush to a long grove of old cottonwoods lying along the boundary.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wetlands Dawn, Sierra Crest

Wetlands Dawn, Sierra Crest
The peaks of the High Sierra rise beyond San Joaquin Valley wetlands on an autumn morning

Wetlands Dawn, Sierra Crest. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The peaks of the High Sierra rise beyond San Joaquin Valley wetlands on an autumn morning

In the late fall and winter, California’s Great Central Valley manages to provide some of the most diverse and beautiful effects of light and atmosphere that I know of. In a way this is ironic, since most of us probably tend to think of the place as a fairly boring, flat, and drab bunch of agricultural land that is too often smoggy and hot and dry in the summer. But in the winter, especially if you get away from the drive-through freeways, there is a lot to see here. This is especially true in the wetlands areas, with their wildlife, trees, ponds and fogs.

I arrived before dawn on this early December morning and, to be honest, I was not initially overly hopeful about the sunrise prospects. In fact, moments before I arrived I had driven past beautiful pre-dawn reflections on nearby marshes and decided to keep going toward my destination, only to arrive and find much less striking light. Sometimes the most brilliant sunrise light can blind me to more subtle beauties, but on this morning I found a quiet spot overlooking water and trees, stopped, and just photographed the beginning of the day. In this photograph the wetlands trees are reflected in the water as they march away into the slightly foggy distance, a few sandhill cranes fly past, and in the distance the crest of the Sierra Nevada rises toward the sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shoreline Mist, Autumn

Shoreline Mist, Autumn
Morning fog drifts above a Sierra Nevada lake surrounded by the colors of autumn

Shoreline Mist, Autumn. Sierra Nevada, California. September 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning fog drifts above a Sierra Nevada lake surrounded by the colors of autumn

This is perhaps an example of a photograph that required me to point my camera the “wrong” direction. I was at a very popular aspen photography destination in the eastern Sierra Nevada, where early color was developing quite nicely even in late September, perhaps a week earlier than usual. There are a couple of standard photographs that almost everyone makes at this location, but since I did those some years ago I’m usually not interested in re-doing them now. (With truly exceptional conditions I would relax that notion a bit and rush right back to the standard place and make photographs!) So when I go back here I now tend to poke around a bit and see what else might be possible there.

So I started this morning by climbing to a location from which I had not photographed before. From that vantage point I saw a few other possible angles on the subject, including some from the far side of the lake. I soon headed over there and as I looked back toward my original location I saw that a low haze was back-lit along the edges of the lake. I’m a complete sucker for both mist and backlight, so I pointed my camera almost straight back into this light and made a few photographs of the grassy area along the lake’s shoreline and the trees, both aspens and conifers, rising beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.