A bed of ferns grows at a trail junction under deep redwood forest cover at Muir Woods National Monument.
This photograph was made in the late winter of 2009, during that time of the year when the redwood forest is still very wet and cool, but when flowers are blooming and spring is clearly on the way. The location is along the very popular (and often quite busy) main trail along the creek through the central part of the park. No doubt I had to wait a bit for the combination of these beams of light and no other visitors on the trail!
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Dew from morning fog collects on meadow grasses and lupine flowers, Santa Cruz Mountains.
It is a wonder that I even consider this photograph worth posting. (Hope I’m not wrong about this!) I made this photograph six years ago when I was doing my very first investigation of digital SLR shooting after having been a film photographer (at least apart from some earlier more or less point and shoot stuff) for many years. To “test the waters” I had picked up a very inexpensive and modest Canon “Digital Rebel” XT DSLR and a single zoom lens. The camera actually wasn’t a bad performer at all. While these models were small and lightweight and lacked some features of their more expensive brethren, they had essentially the same sensors and for those who shoot the way I generally did the other features were mostly superfluous. The first DSLR-sourced print I ever sold came from this camera. The lens was another story. For my “test” I simply picked up a reasonably inexpensive wide range 17-85mm variable aperture lens. This lens has its pluses and minuses (read more here), but for me the minuses were eventually deal-breakers. However, this little handheld photograph was made with that very modest lens, and as long as I don’t try to make it too big I think it works fine.
The scene is a typical one in the oak and grassland areas of Central California that surround the area where I live. This particular scene was at Castle Rock State Park, in the Santa Cruz Mountains between Silicon Valley and the coast. At this time of year the weather can evolve in any of several directions, including rain, fog, brilliant sun and heat, and more – but on this day I was shooting in very damp coastal fog along the top of the ridges.
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Afternoon storm clouds clear from the sunset sky above Lower McCabe Lake, Shepherds Crest, and Virginia Canyon, Yosemite National Park.
With this photograph I get to tell another of the “serendipitous photograph” stories that seem to keep coming up in my work. In this case, we had been camped near the lake in the lower area of the photograph for several days, getting to know the place and having time to carefully photograph various areas nearby. On a previous evening we had climbed to a second lake a few hundred feet higher than the “main” lake, from which one of our group decided to traverse a nearby slope. He ended up at another alpine lake that looked interesting, and the next morning others went with him to visit it. I didn’t, because I had some other things that I wanted to photograph in morning light and because I had a hunch that the light might turn out to be more interesting in the evening, mainly because the area of the lake was open to the west and, therefore, the evening light.
So in the evening, after our typical very early dinner, I departed on a walk to the upper lake that my friends had visited that morning, wandering around “our” lake and through the surrounding forest to pick up a rocky ramp that ascended toward the lake. However, I apparently missed a turn somewhere. I finished the main part of the climb and apparently should have turned left immediately – but I continued on straight ahead and soon found myself in a little meadowy area with a rather steep bunch of rocks between me and my goal. I finally found a circuitous route up a series of ramps, but now it was getting too close to sunset and my turn-around time, so I had to retrace my steps without getting to the lake.
I returned to the small meadow and made a few photographs there, then headed back toward the route by which I had ascended. Despite not making the lake, one of my main goals had been to get up high to photograph the surrounding terrain at sunset, especially since earlier in the day large thunderclouds had been building to the east and creating the possibility of some very special evening light. As I descended the upper part of the “ramp,” the pre-sunset colors started to light up and I quickly found a spot with a good vantage point to view this in several directions. Among the last photographs I made as the light started to fade was the series including this image. (It is actually a composite of two exposures – one for the very bright and saturated clouds and another for the darker shadows down near that lake.) Beyond the lake is the left end of rocky Shepherds Crest and even further in the distance is Virginia Canyon and then the Sierra crest.
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Early morning light illuminates shoreline trees, meadows and rocks at McCabe lake, with talus and forest-covered slopes beyond, Yosemite National Park.
We were camped at this lake for several days, and by this morning I had developed a pretty clear idea of what I wanted to photograph at different times of the day. My main interest in the early morning was in shooting almost straight back into the sun as it rose above the ridges to the east and began to backlight the lodgepole pines around the lake, especially those along the rocky and meadowy shoreline on the west and south sides. So on this morning, my second-to-last at this lake, I was up reasonably early and off to the other side of the lake before sunrise.
Once I reached the other side of the lake I had two tasks in mind. One was to make a few photographs in the very soft light before the sun reached this area. The other was to find and remember several compositions that might well work when the sun actually arrived. Around the west end of the lake I found several that lined up some of the small shoreline peninsulas and the rocks along the shoreline. After photographing those low light subjects for a while, I noticed that the light was beginning to strike a few trees along the west end of the lake, so I quickly got back in position to start doing the photographs as the sun began to arrive.
This morning presented one slightly unusual shooting challenge. For so late in the season there were a lot of bugs flying around the edges of the lake, including a surprising number of mosquitos. Unfortunately, the same light that so nicely picks up the edges of the backlit trees… also nicely highlighted all of the flying insects along the shoreline! These insects can show up in photographs as hundreds of small to larger blurring streaks – which must be laboriously and individually cloned out in post. Fortunately, I have a way to deal with this and make the process a little easier. I made two exposures of each composition, separated by a second or two. Since it was windless, the trees barely moved at all – but the bugs did move. Since their traces appear at different places in the two images, I can superimpose them in Photoshop and then mask out each bug in the upper image, substituting the corresponding bug free portion of the image from the layer below. It is still a bit of work, but not nearly as bad as trying to clone all of these problems out.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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