Tag Archives: forest

The Ridges Beyond

The Ridges Beyond
“The Ridges Beyond” — A series of Eastern Sierra ridges leads to the east beyond a backcountry lake in morning light.

Because variations on this particular scene comprise a significant portion of the photographs I made during our August Sierra backcountry sojourn I have been trying to release them somewhat gradually. However, even though I shared a quite different version of the view from this camera position just a few days ago, here’s another. This one is, obviously, a near-panorama rendition that takes in the far edge of “our” little lake, its outlet, surrounding ridges, the more distant scene, and some beautiful morning clouds. The whole scene is softened by a bit of backlit morning haze.

Sometimes I’m immediately certain of what a photograph will look like as I make the exposure. But other times I’m less sure and I reserve judgment, perhaps making multiple exposures that will work for any of several possible directions I might take with the subject. That was the case with this scene — multiple “takes” were required not only for that reason but also to ensure that I’d be able to work with some rather extreme light contrasts between the shadowed foreground and the very bright clouds and sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Lake, Morning Haze

Lake, Morning Haze
Morning haze glows in a valley beyond the outlet stream of a Sierra Nevada subalpine lake.

Lake, Morning Haze. © Copyright 2022 G Dan Mitchell.

Morning haze glows in a valley beyond the outlet stream of a Sierra Nevada subalpine lake.

As a photographer whose roots are in black and white photography — that’s how I started decades ago — the thought of “going monochrome” with photographs is always there, even though the great majority of what I do these days ends up in color. But every so often a photograph just seems like it should be black and white. The reasons are not always completely clear, but often they are images with a strong formal structure and photographs in which the contribution of color might not be the most important thing. I went back and forth on this one quite a bit, eventually putting the color and monochrome renditions side by side on the screen… at which point the choice seemed clear.

This lovely Sierra Nevada lake has an ideally situated outlet stream for morning photography. At the outlet the broad basin holding the lake pinches off between angled canyon walls. Beyond the valley drops toward the rising sun, and the mountains beyond are seen though the luminous morning light. Other photographs I made of this subject included only a bit of the lake and used the wide landscape format. But it seemed to me that including this bit of the near shoreline strengthens the sense that the viewer is looking out and across the water into that light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Timberline Meadow

Timberline Meadow
A timberline meadow with small trees is bounded by a granite bench.

Timberline Meadow. © Copyright 2022 G Dan Mitchell.

A timberline meadow with small trees is bounded by a granite bench.

I recall the time, quite a few years ago, when I first understood that the places in the natural world (and the human world, for that matter) that we identify with are not necessarily the most iconic, biggest, most classically impressive places. I was at the end of a moderately short backpacking loop out of Tuolumne meadows, within perhaps little more than an hour of the trailhead. It was a day of potential rain, and that potentiality became reality at this point. I stopped, put on rain gear and covered my pack, stepped off the trail, sat down, and leaned against a rock to watch the rain approach. Decades later I still remember that rock and consider it a thing worth visiting — although I’m sure that no one else would even notice it.

I passed by the spot in this photograph a couple of times during our August backcountry photography visit to the Eastern Sierra. There are, I’m certain, thousands of similar little meadows throughout the Sierra — most from a stream meandering through, green with meadow grasses, bounded by granite and small trees. But somehow this particular spot caught my attention and, I think, may have become one of “those places.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Storm Ends

The Storm Ends — remnants of summer storm in the Ritter Range.
“The Storm Ends” — Sunset light on clouds as a summer monsoon storm clears above Sierra Nevada peaks.

Yes, I’m still working my way through the photographs from our August backcountry photography expedition in the Eastern Sierra Nevada. The process is often an extended one for me. Typically there are a few images that jump out at me immediately. Then I begin to work on photographs that I was less sure about initially but which grow on me as I consider them. Finally there are photographs like this one that, from the start, seemed interesting but which I knew would take additional effort to bring to a presentable state. In this case, the light was quite challenging and this version of the photograph required considerable post-processing to get it to where I feel that it reflects what I saw and felt that evening.

We had walked in to our basecamp location (with packers bringing much of our gear) the previous day. Almost immediately after our arrival a tremendous monsoonal summer storm unloaded on us, pinning us down in our tents for hours. The challenging weather continued, albeit in less dramatic form, over the next 24 hours. On the second evening the clouds began to break a bit and it seemed like the sky might be getting lighter beyond the ridge to our west. We all headed out to photograph the transition, and we were not disappointed! As the clearing continued, fog drifted among the peaks and the last of the day’s sun illuminated clouds with sunset light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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