Tag Archives: formations

Virgin River, Zion Canyon

Virgin River, Zion Canyon
“Virgin River, Zion Canyon” — The Virgin river flows past trees and sandstone formations, Zion National Park.

Judging from the muddy water, a substantial amount of Utah landscape appears to be disolved in the Virgin River and flowing out of the park! A walk through the bottomlands of Zion Canyon reveals a riparian landscape subject to periodic flooding. Seeing this, you can begin to understand the role that water has played in forming this remarkable landscape.

On this morning we left our vehicle behind, shouldered photographic gear, and crossed to the far side of the canyon and the river, then followed a trail upstream. It was quiet and there was a lot to see, including a lovely little waterfall at one point.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Cedar Breaks

Cedar Breaks
“Cedar Breaks” — Eroded sandstone strata at Cedar Breaks National Monument.

Cedar Breaks seems to me a bit of an odd spot. It sits on the edge of a high ridge in Utah just south of the Brian Head ski area. While it is spectacular, it is small, and and out of the way, and I think that it gets a bit lost by comparison to the other iconic parks of the state. In fact, it wasn’t a primary destination for us either — it was near a convenient place to spend a few nights on our way between California and points east of here.

But what it lacks in size and fame, it makes up for in spectacular features. A gigantic west-facing gash cuts into the summit of a high plateau. (The difference between that gentle plateau and this feature is remarkable.) Rather than the gigantic solid masses of sandstone found in places like Zion, Capitol Reef, and Arches, here the terrain is softer and the strata seem thinner, giving it a very different character.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Red Rock Sunset

Red Rock Sunset
“Red Rock Sunset” — Sunset light on red rock formations near Fruita, Capitol Reef National Park.

This spot is obviously full of spectacular scenery, though it was a bit tricky to photograph near sunset. One of the “problems” actually turned out to be a plus. There was some overcast that muted the light, but the light was still strong enough to be softly directional, especially on the more distant cliffs. A second issue is geological. The area is on an inclined formation that rises to the west, so the sun actually drops behind the uplifted western horizon a bit earlier than true sunset.

The color was astonishingly red in this sunset light, especially since the soft light reduced harsh shadows and highlights. I don’t often include roads in my landscape photographs, but in this case, a) it was unavoidable and b) it produced a useful leading line heading toward the groves of trees and the campground at Fruita.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sandstone Formations, Earlry Morning Light

Sandstone Formations, Earlry Morning Light
“Sandstone Formations, Early Morning Light” — Early morning light on sandstone formations at Arches National Park.

Recently I have been revisiting photographs from a decade ago, including a couple of lengthy trips to Utah in the spring and fall seasons. On one we visited Arches National Park — believe it or not, my first visit. I felt like I sort of knew the place, having read Edward Abbey’s “Desert Solitaire” a few times, but the reality of this landscape astounded me. My wife, Patricia Emerson Mitchell, likes to tell a story about me more or less losing it when I first saw those sandstone formations!

On this morning we entered the park very early, well before sunrise. I had been photographing for some time when I made this photograph. The sun had recently risen, but the light still was warm, and the effect on the red rock formations was striking. This is an example of my long-lens landscape photographs. Some people imagine that landscape photography must be done with wide and normal focal length lenses, but I often like to use long focal lengths to limit my view to small sections of the larger landscape


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.