Tag Archives: fractured

Outcropping, Reflection

Outcropping, Reflection
A shoreline granite outcropping is reflected in the still surface of a subalpine lake

Outcropping, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A shoreline granite outcropping is reflected in the still surface of a subalpine lake

I have recently written about and shared a few images from this summer’s 9-day Sierra backcountry photographic adventure. The short story is that a group of us, as we do every year, headed into a backcountry location, set up a base camp, and photographed the surroundings for about a week. The “founders” of the group have been doing this for close to two decades — I gradually became part of the group about a decade ago or so.

One of the many advantages of working this way — setting up a base camp and working outwards from it — is that we can more thoroughly explore and photograph the surrounding area. When backpacking I would mostly pass through locations, rarely staying for more than a night. This gave me an evening and a morning, but with a base camp I can can “work” an area for a full week, often returning to a location to find better conditions. This year our camp was within a short walk of many small, intimate lakes. The daily question was often, “Which lake this time?” I visited the lake in this photograph several times, and each time learned more about it. On this occasion, in the evening, the water was still and reflected the form of the granite outcropping on the other side of the lake.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fractured Granite

Fractured Granite
A fractured granite cliff in the Eastern Sierra Nevada

Fractured Granite. Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A fractured granite cliff in the Eastern Sierra Nevada

I made this photograph on a morning when I was in the eastern Sierra to photograph autumn subject, particularly the annual color change of the aspen trees. Being in a place where I have photographed many times, I quickly dispensed with the familiar (and even iconic) subjects in the area and then, as I like to do, simply wandered slowly with my eyes open, looking for little elements of the larger landscape that caught my eye. Although I have walked past this granite quite a few times, it may be the first time I have photographed it.

Granite (along with, as geologist friends might remind me, rocks informally referred to as granite) is ubiquitous in the Sierra, and is one of the most characteristic features of the Sierra Nevada experience. Not only is there a lot of it, but it has been laid bare by (mostly) glacial action, and it appears in its original locations and in places where the rocks have been moved by water and ice. As a person who has hiked here for decades and who spent a few years as a rock climber, I developed an intimate familiarity with this rock. It can be smooth or rough, uniform in color and texture or interspersed with veins and crystals. It can be freezing cold in winter or benignly warm on a summer day. It may be nearly white, gray, or incorporate a host of color variations. It seems to be solid and unchanging, but there is evidence everywhere that it has been moved and broken and shaped.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Morning Light, Trees and Granite

Morning Light, Trees and Granite
Morning sun backlights a grove of trees growing on granite slabs

Morning Light, Trees and Granite. Yosemite National Park, California. July 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning sun backlights a grove of trees growing on granite slabs

One of my Sierra Nevada photographic obsessions has to do with back-lit trees. There is something about that light that I find compelling — possibly the halo effect of the brilliantly lit ends of branches, perhaps the possibility of photographing something that is very difficult to actually look at in person, or maybe the contrasting effects of sharply defined close details juxtaposed with bright and haze backgrounds. For me, this light, along with the granite slabs and boulders, provide definitive features of the Yosemite high country.

On this morning I was out early, driving along Tioga Pass Road as the sun came up. (Driving was required this time, as I had to camp outside the park and drive in very early.) I had stopped in Tuolumne meadows, nearly empty of people since it was early and the campground was still closed, and had worked in the still and quiet morning to photograph the early light coming over the Sierra crest. I happened to notice this little granite and tree vignette as I turned away from my main subject for a moment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sandstone Canyon Walls

Sandstone Canyon Walls
Detail of a fractured sandstone canyon walls at Capitol Reef National Park.

Sandstone Canyon Walls. Capitol Reef National Park, Utah. October 20, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Detail of a fractured sandstone cliff in a canyon at Capitol Reef National Park.

Over several years and several visits I began to understand Capitol Reef National Park a bit more. (Though it is a big and varied place, and true knowledge of the place — as is the case with any such landscape — comes from longer experience than I yet have.) Understanding comes partly from experiencing a wider range of the park’s geography than that in the most conveniently located places. Visiting during different parts of the year and in varied conditions helps — a sunny spring morning is very different from a freezing late October morning. Finding a few personal spots that feel like familiar friends is part of the process.

The sandstone-walled canyons are all over this part of the Southwest. I distinctly recall the first one I visited, walking into it in the morning, wading up canyon in the shallow stream, winding through its twists and turns as the canyon deepened. More visits taught me that each canyon has is own personality — yet some general features are shared by most of them. Unlike most of my Sierra Nevada world, where one often feels open to the entire sky, in the canyons the world shrinks to what you can see between two twists in the course of the stream that created the canyon. Views of the sky are extremely limited, and your focus soon turns almost exclusively to things that are nearby. There is little wind and usually the quiet is broken only by the sound of water, perhaps some birds, and your own passage. The light bounces among red rock walls and diffuses as it gently arrives from far above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.