Tag Archives: glow

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Shack with Red and Green Interior Lights

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Shack with Red and Green Interior Lights
Shack with Red and Green Interior Lights

Shack with Red and Green Interior Lights. Mare Island Naval Ship Yard, California. February 26, 2011. © Copyright G Dan Mitchell – all rights reserved.

A small shack with interior lit by red and green lights at the Mare Island Naval Ship Yard, California.

At last weekend’s night photography shoot with The Nocturnes at Mare Island Naval Ship Yard I wandered a bit further afield than I have on some previous visits, eventually ending up in an area where I have only photographed once before when I unsuccessfully shot a couple of large barn-like buildings. (I think I have a shot of these buildings from this trip that I like, and I’ll post it later on.)

While spending nearly a half hour photographing a light post against the backdrop of a very dark brick building (which amounted to two photographs, given the long exposure times and the follow-up “dark frame exposures) I kept thinking I saw a faint red glow inside a small nearby building. At first I thought that one of my fellow night photographers might be doing some light painting, but the light seemed awfully dim. Eventually I noticed that it was also quite constant – and light painting virtually always involves moving the hand held light source around in order to get a smooth lighting effect. Once I finished shooting the light pole (unsuccessfully, it turns out) I decided I would go over and see what was creating this light.

The buildings appears to be a small “guard shack” or similar, a very old and very dilapidated one room structure. Inside, as best as I could tell, there is a small table, a few chairs, a digital clock of some sort with green letters, and some kind of very dim red light. Intrigued, I decided to see if I could photograph it. One technical problem was going to be the very large difference in lighting between the bright light on the clock and the extremely dim exterior, made worse by the dark color of the building. I figured that I could probably put enough extra light onto the building’s exterior using a very small key chain LED light than I happened to have with me, and that is the major source of light on the front of the building and on the yellow foreground curve – I simply walked around on both sides of the building and moved the small light over its surface.

In the end, I think this is another example of night photography as a source of a certain kind of “fantastic” lighting. The actual scene was very, very dim, and the the intensity of the colors here is almost entirely the result of the very long exposure and a bit of improvised lighting on the yellow curb behind the fence – a photograph of something that cannot be seen with our own eyes.

More Night Photography

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Winter Evening Sky, Panamint Range, Death Valley

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Winter Evening Sky, Panamint Range, Death Valley
Winter Evening Sky, Panamint Range, Death Valley

Winter Evening Sky, Panamint Range, Death Valley. Death Valley National Park, California. February 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

Winter clouds fill the evening sky above the eastern slopes of the Panamint Range in Death Valley National Park.

After the long drive from the San Francisco Bay Area I arrived at Stovepipe Wells in Death Valley and set up my camp in the mid afternoon and hung out a bit, thinking about the prospects of late afternoon and evening shooting. Because a weather front was coming in (the forecast called for a chance of rain in the Valley and pretty much certain light snow over the passes) the clouds were increasing, in many directions heading past the point of “picturesque” and more towards “socked in.” I was hoping for some evening light – or early rain? – but it seemed less promising as evening approached. In circumstances like these I may come up with a few possible shooting alternatives ahead of time, watch as conditions develop, and make a last-minute decision about where to go based on observations and hunches.

So, late in the afternoon I stopped near Death Valley Dunes and worked to line up some long shots that filled the background of the dunes with the rugged shapes of the Grapevine Mountains, and then headed towards the junction with the road to Scotty’s Castle to try to figure out if the light held more promise to the north or the south. It didn’t look totally promising in either direction, but I thought that I might be able to make something out of the haze to the south as the ridges on both sides of the Valley receded, especially if a bit of glow in the sky turned up right at sunset. So, south it was.

I drove just a little ways in that direction to a point where the road curves a bit towards the east to travel around the northernmost area of salt flats in what I think of as the lower valley – this is the area a bit south of the Salt Creek cutoff. From here there is a fairly open view all the way down to the end of the Valley, and it looked like the clouds were going to evolve in some interesting ways. It didn’t look like I would see a gaudy, brilliantly colorful sunset, but something more subtle and quiet looked like it might happen. As the light began to fade I made a series of photographs whose subject was largely the sky and the atmospheric recession along the Panamint Range (shown here) on the west side of the Valley and the mountains just beyond Furnace Creek.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Two Hikers at the Summit of Death Valley Dunes

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Two Hikers at the Summit of Death Valley Dunes
Two Hikers at the Summit of Death Valley Dunes

Two Hikers at the Summit of Death Valley Dunes. Death Valley National Park, California. © Copyright G Dan Mitchell – all rights reserved.

Two hikers take in the evening landscape of Death Valley National Park from the Summit of the dunes.

Many times I might have been disappointed to have two hikers enter “my” scene in such beautiful dusk light, but here I feel like they crystalize the scene. In a larger version of the photograph the two of them seem to stand silently facing the rugged vastness of Death Valley – and I think their presence invites us to think of ourselves in the scene and to imagine our own reaction to it.

My favorite time to photograph these iconic dunes near Stovepipe Wells is in the evening during a brief interval right around sunset and lasting a while after the sun drops behind the peaks to the west. The light softens, especially if there is a bit of haze in the sky, and the dunes that are so bright and harsh at other times of day take on a smoother and softer quality and their subtle colors become visible.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Photographs: Nature, Photographs: Sierra Nevada

Brown Aspen Leaves

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Brown Aspen Leaves
Brown Aspen Leaves

Brown Aspen Leaves. Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Closeup of a group of brown autumn aspen leaves against a background of yellow leaves.

While I like the brilliantly colored yellow, orange, red, lime green, and golden fall aspen leaves, this color isn’t the only thing that appeals to me about these trees. I enjoy photographing their trunks, too – sometimes when most or all of the leaves are gone. I’m also interested in photographing the brown and sometimes black leaves that seem to appear after a freeze. I found this grove along a slope not far from Mammoth Lakes, and I spent some time wandering up a hillside among the trees in the middle of the day. Although this is not typically the best time for photographing the intense aspen colors, by working under a canopy of leaves and by looking for a few backlit leaves I managed to find a few shots that work. This group of brown leaves ended up being almost colorful because light filtering through the overhead trees and leaves created backlight that was a bit softer and diffused that the “normal” midday light.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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