Tag Archives: glow

Winter Surf and Fog

Winter Surf and Fog
Raging winter surf and low fog along California’s rugged Big Sur coast.

Winter Surf and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Raging winter surf and low fog along California’s rugged Big Sur coast.

Originally I thought that I might be back at this coastal area or another here in California today. But I’m trying to time things to the light and some incoming “interesting weather” here (potential electrical storms), and the light wasn’t quite cutting it when I got up very early today. It is still possible that I might head out that way before the day is over. California is experiencing a flow of monsoonal moisture today. This is not uncommon in the southern part of the state, but it is somewhat rare to see this here in Northern California. Stay tuned!

This photograph comes from last December, on a visit to the Big Sur coast during my favorite time of year, when the likelihood of big surf and interesting atmosphere and light increases. On this morning the huge surf was enhancing a low fog later right along the coast. (It was sunny just a bit further inland.) The sun was trying to burn off the fog, and the backlight made the atmosphere glow. It isn’t really obvious in this photograph, but the surf was absolutely huge, at times completely overwhelming the offshore rocks. One more thing… I’ll bet you think this is a black and white photograph. It is actually a color photograph!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Light in the Narrows

Light in the Narrows
Light filtering down from far above lights the curving path through desert canyon narrows.

Light in the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Light filtering down from far above lights the curving path through desert canyon narrows.

Since the start of the pandemic lockdown, the number of days I’ve been able to spend in my favorite landscape locations has been extremely limited. The last time I was able to go to Death Valley — a place I have photographed every year for decades — was in early 2020. Now that I’ve completed my vaccinations it seemed safe and responsible to travel out into that backcountry for a few days of photography, mostly in the places the tourists don’t go. Fortunately, in this park it is possible to put yourself in fairly isolated locations where, for example, you might not encounter another person for 24 hours.

One night I camped alone at the end of a road that dead-ends in the lower reaches of a canyon. This gave me time to explore the canyon twice — first in late-afternoon light and again the next morning when the light came from the opposite direction. Most canyon walking (often more accurately described as wash-walking) in Death Valley is done out in the open, frequently in intense sunlight. But at the right times fo day in the right canyons one can escape that light and enjoy the soft glow of light from above reflected between the canyon walls.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Beneath Desert Mountains, Morning

Beneath Desert Mountains, Morning
Desert mountains and morning light spreading across an alluvial fan.

Beneath Desert Mountains, Morning. © Copyright 2013 G Dan Mitchell – all rights reserved.

Desert mountains and morning light spreading across an alluvial fan.

This is more or less where I had hoped to be in January, even up until a couple of months ago. At that time, careful travel into lonely places was still a reasonable option, especially since I stop only for gas and would have camped well off the beaten track, barely interacting with anyone at all. But wanting to be part of the solution rather than part of the problem, I’m following the guidelines to not travel more than 120 miles from my home, and I’m also not going to play games and try to sneak into the Death Valley backcountry… regardless of how appealing that sounds and of how badly I miss the place right now.

This photograph is one of those that illustrates the advice to look all around while making photographs. Sometimes the thing you came to see isn’t the only thing to attend to. I had come to this spot before dawn to photograph a subject that lies directly behind the camera position of this scene, and had worked on it as the scene transitioned from soft, pre-sunrise light through a somewhat colorful sunrise to light that was becoming more harsh than I desired. So I turned around. Here the backlit atmosphere glowed in the light streaming over the rugged desert hills to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Sun, Fog, Trees

Winter Sun, Fog, Trees
Morning sun glows weakly through tule fog to silhouette a grove of winter cottonwood trees.

Winter Sun, Fog, Trees. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning sun glows weakly through tule fog to silhouette a grove of winter cottonwood trees.

This New Year’s Day my photography was supposed to focus on migratory birds, but somehow I ended up with a bunch of landscape photographs! This is a bit ironic, since I go to these places to photograph birds — but perhaps it isn’t too surprising given that it is hard to photograph birds when the fog is so thick that it obscures things more than 100 feet away.

Before I made this photograph I had tried to photograph cranes. I could hear them nearby, but I could not see a single one through the fog aside from a few that occasionally flew directly overhead. I finally decided to look elsewhere, and before long I passed these familiar trees. In the fog they took on a new and mysterious aspect, so I stopped and set myself up in landscape photographer mode — off came the really long lens and out came the tripod. As I worked the fog changed from moment to moment, and at the instant of this exposure the sun was barely visible through the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.